Literature as a Form of Science Fiction by Peter Bottomley
Page 2 of 2 Within Science Fiction there are no constraints. There are no
limits. You are free to explore any avenue your tortured imagination can
conjure up. The only overriding limitation is the (sometimes) need for the
author/ess to be true and consistent to him/herself and their reader.
In the first scenario, Edward Boringoldfart is stuck as Edward
Boringoldfart, and the possible number of reactions he has to whatever it was
that came in through the door are severely limited. However, in the second
scenario we have many more options -
· We could have a universe where Dearth Wader has fallen on
hard times and is reduced to acting as a chat show host, travelling back in
time to meet the ancestors of people who have had, or, to use the correct
temporal terminology, must will have had, a significant impact on future
history.
· Edward could be Luke Warmwater or Obiveri Kareful, just
having a well-earned tea break away from the trials and tribulations of the
rebellion.
· The chat show host could merely be dressed as Dearth Wader
in order to hide his true identity from Edward so that the camera can get his
reaction when the mask comes off, revealing that, in reality, this is the
bastard of a next-door neighbour that Edward had hoped never to see again but
must now pretend to be pleased to see.
Within Science Fiction, the possible number of avenues to
explore is limited only by ones imagination, and of course, the residents of
those avenues. We are no longer limited by the artificial constraints of a
provincial setting. We can now be a Martini- - any time, any place, anywhere.
We could have our hero torturing himself, trying to find the answer to a
particularly pressing problem. "What would Alexander the Great have done in
this situation?" he moans. In Science Fiction we'd go and ask him. Thats how
much scope weve got.
We could take a young soldier in the time of the crusades. He
takes shelter in a run-down, brick-built (it's better than being stockily
built) hovel and finds a frightened young girl hiding there. They chat for
a few minutes and decide that, if they are to die, as seems likely, theyll
have a modicum of fun before they do. The soldiers fingers frantically fumble
at the fastenings of the girls dress, which slowly and tantalisingly falls
open and drops from her shoulders, revealing ...
... a 24-channel FM receiver with twin cassette (I neednt say
where this is sited) and CD player and a 4inch colour TV screen. The whole
thing couples as a matter transmitter and communicator and the young soldier
takes the girls hand and speaks into her palm.
"Beam me up, Spotty" he says, and the two figures fade from
view just as two Arab soldiers enter. One turns to the other and says,
"Dont you just hate it when that happens?"
I have been flippant and irreverent, but that is just my
style. Stir in the styles of countless thousands of other writers and the
resultant brew is a heady mixture indeed. Science Fiction allows us the
opportunity to conjure situations and characters that couldn't possibly exist
in a 'real' sense - but which are no less real than any other form of fiction.
After all, any fiction is just that - fiction. It exists purely in the writer's
mind until it is committed to the page and later released by the reader.
Science Fiction gives us more potential situations, more characters, far, far
more scope than any other form of literature, and yet it is berated for not
being as worthy as other more 'classical' forms of literature. First and
foremost, literature is escapist entertainment. It gives us the opportunity to
escape from our tedious, humdrum world and enter new worlds that we would not
normally have access to. Science Fictions gives us far more worlds to enter
than any other form of literature. It really is the only form of literature
worthy of consideration, and any other branch of the literature family is
merely trying to be Science Fiction.
Peter Bottomley
May 2003
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