La Poesia (11 ratings) by Montgomery Clift
Page 2 of 4 Hurry, he mumbled without moving his lips,
avoiding the eyes of the crowd. And she wiped his back clean. The blood was
gone, and hector stood up. The cheers began, slowly, as his audience read:
Your breast is enough for my heart,
and my wings for your freedom.
What was sleeping above your soul will rise
Out of my mouth to heaven.
In you is the illusion of each day.
You arrive like the dew to the cupped flowers.
You undermine the horizon with your absence.
Eternally in flight like the wave.
The murmur was growing. Almost all would have finished reading by now. The
outburst was next, and Hector knew how to time it. He crouched down, now,
signed
his forehead with his thumb, and burst up into the air, turning around 180
degrees, arms high in triumph, and the crowd roared.
As the pain was subsiding, the chanting of the crowd blanketed and numbed
him. The euphoria was at a zenith. Unlike anything that can be described to the
uninitiated. Some students might say it’s like that feeling of blissful warmth
after pasting a giant green ball of wasaibi all over your tongue, but Hector
frowned on such immature similes. And the crowd roared and cheered and crouched
and jumped high, turning in the air, feeling the radiant blissful warmth
emanating from beyond the glass wall.
Depression set it after the blood began to coagulate. Like a coronary artery
disease, as the blood flow on his back stopped, Hector felt his limbs go numb,
his head became light, and his breathing condensed into short violent spurts.
His assistant, rose to cover him; he saw the crowd dispersing. Hector stumbled
backwards towards her. She could have saved his fall by catching him, but she
stepped aside, and he tumbled back onto the side of his bench, and bounced onto
the stairs beyond the bench. The pain was agonizing.
Galleries across the US were looking for a performance by Hector;
performance
art like Hector was a big money draw. A plastic surgeon in Silicon Valley
wanted
to amputate his back, harvest a piece of his work and hang it on a wall, kept
alive by pumping oxygenated blood through its veins. The surgeon promised a
skin
graft in return, plus an interest bearing convertible note payable upon death.
Hector liked the idea of a fresh canvas. His back was scared now to the point
that it was hard to read his new work. The lumps and bumps, the new skin and
the
poorly timed sun burns, made his back look like a freshly fought field of war.
Opportunity was everywhere. Hector passed the time instructing his students,
and was making appearance fees at vamp-goth parties in the Redeye district.
Several teenage boys had taken up his pilgrimage. They practiced at first with
paper clips on their arms, not always drawing blood. The best students were
able
to feel the poem meld with flesh and transcend pain, like Hector. With a degree
from his school, one of his graduates could build a wonderful life in some town
without a flesh poet, while earning enough to raise a family. Hector’s agent
believed that the profits laid in expansion, in bringing his art to the rest of
the world. He had been approached about a combination documentary and book deal
with a soundtrack that Hector would have the rights to dedicate one song
fourteen years from the date of production, or death, whichever came last.
Hector liked that, a dedication The plan was to turn the documentary into a
feature film, after building a cult following with the cultural elite, then
release it internationally in conjunction with the worldwide opening of schools
by Hector’s disciples. With the resulting cash flow and a few additions to the
management team, Hector could probably take his company public, his agent
posited. Hector, however, could not be bothered with such details. Just do what
you will, he told his agent. He only wanted to be left alone to concentrate on
his next opus. He signed hours of documents for his agent, but at least now he
was free. His agent had given him his word, and sealed it with a drop of
blood. Next Page Copyright © 1999, 2000, 2001 Montgomery Clift, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author. The author has submitted the work in accordance with and in agreement with the following Submission Guidelines.
|