Learning Novel' Writing from Agents and Editors by Jay Dubya
Page 4 of 4 You don’t have to tell them everything and every little
detail. Leave some things open for their imaginations to ponder. Don’t
over-describe and "overwrite," although this suggestion is easy to give but
hard to employ. Your reader will respect you and your story if you reasonably
stay within these guidelines.
Finally, this is the hardest part of all. Once you have
finished writing your masterpiece, do not run to the post office and send it
off to a publisher. Remove yourself (your emotions and your heart) from your
work for at least one month. Distance yourself from your marvelous product.
Harness your wonderful enthusiasm about your great contribution to literature.
Writing is an art, and that’s where the "talent" part is exhibited. Patience
and prudence are part of being "talented."
At last you are en route. You are now seriously involved in
making writing a "science." And only when there is a true marriage between
art and science that your work is ready for public presentation
(if you want to distinguish yourself from the 97% of the writers that are crabs
in a bushel, crawling over each other trying to get out of their mediocre
enclosure).
Put your manuscript on your closet’ shelf. After a full
month, take it down and read it from stem to stern. Now you are better able to
evaluate your work, your errors, and your departures from good novel’ writing
methods that should stick out like ugly thorns throughout your work. You can
now be more objective in doing your final revision, which should
be a "new vision" of your work as you steer it toward perfection and bring your
ship into port. After that is accomplished, it is finally time’ to launch your
masterpiece into the literary universe.
Jay Dubya
Copyright, the Hammonton (New Jersey) Gazette
March 29, 2002
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