Journalism, Creativity and Reactionary Creativity by Jay Dubya
Page 2 of 2 They had stolen seven hundred fifty thousand dollars from a
Blues’ father and had to dispose of the cash in a hurry. Waaala! They break
into Bruni’s Pizzeria, put the cash in one of the ovens, set the temperature to
five hundred degrees and evacuate the premises. The author had once read Ray
Bradbury’s Fahrenheit 451 and knew that books (paper) burn at 451
degrees, and naturally, the paper money in the pizza oven would disintegrate
overnight at 500 degrees. "Reactionary creativity" had been employed.
In another scenario, the nefarious Blues capture two Reds and
vertically attach the dual victims’ crucifixion-style to the Fairview Avenue’
railroad crossing gates. When a train zips by, the gates are lowered with the
two peach-gang’ kids still attached. Whether or not this is possible in terms
of engineering physics or mathematics is unknown by the author (or most of his
readers). However, it is another example of taking familiar ordinary objects
and ascribing a different function to them, or what I call "reactionary
creativity."
In another chapter called "The Scavenger Hunt," two teams of
Reds and Blues must visit fifteen places in 1960’ Hammonton and vicinity.
Greenmount and Oak Grove’ Cemeteries, the giant Renault Champagne bottle on
Route 30 in Elm, the Sons of Italy on 3th Street and Angelo’s Store in Rosedale
(among other local places) must be visited in a competition to obtain
information from inscriptions and signs. The data retrieved must be deciphered
to solve a riddle encrypted inside the correct information that had been
gleaned.
In conclusion to this brief writing seminar, I believe that
writers pursue non-fiction and that authors write fiction, but in
the final analysis, good fiction must read like it’s non-fiction and good
non-fiction must read like it’s fiction. The last place I want to see fiction
or creativity is on the front page of a newspaper or the first chapter of a
biography. The non-fiction events on the front page and in the biography must
be so sensational and so extraordinary that they sound like fiction. And oh
yes, life often does seem ambivalent!
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To: The Hammonton Gazette
By: John Wiessner
January 5, 2002
Copyright: The Hammonton Gazette Copyright© 1999, 2000, 2001, 2002 Jay Dubya, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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