Lucid Writing Advice III by Antavius S. Flagg
Page 3 of 3 This scene is tied in knots with she said she said. Since we know that Marie
and Jean are the only people talking, and that Jean turned to Marie, its pretty
obvious it was Jean who started the conversation. Delete all the she said, and
replace it with description of the characters. Here is that passage rewritten:
Marie and Jean walked into the crew quarters of the space ship. In the glow
of switches and levers, Jean turned to Marie.
" You must hate being on this ship for all these years?" They stopped before
the ship’s control board.
Marie’s eyes flashed in the fire of the switches. " No."
" Why not?"
Marie pulled a lever. " Because or this." With a swoosh, a map of the stars
came before them.
Dialogue serves a purpose: like the piers of a bridge, or the water in a
swimming pool. That purpose must will the story forward. Below is an example of
dialogue that moves the scene forward.
Aldora, with Thomas close behind her, opened the door to the vault. Darkness
greeted them like hounds waiting to be fed. In silence, they descended. They
had come for one purpose. The sword.
Thomas’s voice was a shrill in the stillness around them.
" What about the feast, Aldora, what are we going to do about the feast?"
Aldora’s eyes adjusted to the darkness. " I ordered the maids to bring in
more wine, that should keep the guest singing well after we have the sword. ."
A mouse shrieked somewhere on the dark stone steps. A whimper escaped
Thomas’s throat.
" Aldora, I don’t like it down here. Let’s go back?"
" You have come this far, there will be no turning back." Aldora chimed.
They reached the landing. With a stream of her power, candles lit everywhere in
the vault as Aldora scanned the room. A smile graced her lips. On the marble
dais lay what she’d come for.
The dialogue in this scene should tell you, without even stating it
directly, that Aldora and Thomas have left the feast to go search for the
sword. To diverge the guest in noticing their absence, Aldora has ordered the
maids to bring in more wine. From the dialogue we know that Thomas hates the
vault.
And like Aldora, your dialogue must be determined
AN OUTCOME THAT EMPOWERS AND MOVES THE STORY
Each scene should act as an individual word, when connected together, should
form a complete story. You must strive to create a scene that moves the story
forward and keeps to the base of the story. As aforementioned, a forgotten
scene is worse that a bad scene.
Write from the heart and soul. You can always edit later. Don’t worry about
something that you have written that has nothing to do with your manuscript.
And also like I said somewhere above, you and the delete key can always become
good friends.
Copyright© 1999, 2000, 2001, 2002 Antavius S. Flagg, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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