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Antavius S. Flagg

Articles
- A Problem, Not a Fantasy
- Lucid Writing Advice
- Lucid Writing Advice II
- Lucid Writing Advice III
- Lucid Writing Advice IV
- Lucid Writing Advice V
- Lucid Writing Advice VI
- Lucid Writing Advice VII
- Lucid Writing Advice VIII

Short Stories
- The Golden Scepter - Prologue
- The Golden Scepter - Chapter One

Lucid Writing Advice III
by Antavius S. Flagg
Page 3 of 3

This scene is tied in knots with she said she said. Since we know that Marie and Jean are the only people talking, and that Jean turned to Marie, its pretty obvious it was Jean who started the conversation. Delete all the she said, and replace it with description of the characters. Here is that passage rewritten:

Marie and Jean walked into the crew quarters of the space ship. In the glow of switches and levers, Jean turned to Marie.

" You must hate being on this ship for all these years?" They stopped before the ship’s control board.

Marie’s eyes flashed in the fire of the switches. " No."

" Why not?"

Marie pulled a lever. " Because or this." With a swoosh, a map of the stars came before them.

Dialogue serves a purpose: like the piers of a bridge, or the water in a swimming pool. That purpose must will the story forward. Below is an example of dialogue that moves the scene forward.

Aldora, with Thomas close behind her, opened the door to the vault. Darkness greeted them like hounds waiting to be fed. In silence, they descended. They had come for one purpose. The sword.

Thomas’s voice was a shrill in the stillness around them.

" What about the feast, Aldora, what are we going to do about the feast?"

Aldora’s eyes adjusted to the darkness. " I ordered the maids to bring in more wine, that should keep the guest singing well after we have the sword. ."

A mouse shrieked somewhere on the dark stone steps. A whimper escaped Thomas’s throat.

" Aldora, I don’t like it down here. Let’s go back?"

" You have come this far, there will be no turning back." Aldora chimed. They reached the landing. With a stream of her power, candles lit everywhere in the vault as Aldora scanned the room. A smile graced her lips. On the marble dais lay what she’d come for.

The dialogue in this scene should tell you, without even stating it directly, that Aldora and Thomas have left the feast to go search for the sword. To diverge the guest in noticing their absence, Aldora has ordered the maids to bring in more wine. From the dialogue we know that Thomas hates the vault.

And like Aldora, your dialogue must be determined

AN OUTCOME THAT EMPOWERS AND MOVES THE STORY

Each scene should act as an individual word, when connected together, should form a complete story. You must strive to create a scene that moves the story forward and keeps to the base of the story. As aforementioned, a forgotten scene is worse that a bad scene.

Write from the heart and soul. You can always edit later. Don’t worry about something that you have written that has nothing to do with your manuscript. And also like I said somewhere above, you and the delete key can always become good friends.


You can email the author of this article at america1376@yahoo.com


Copyright© 1999, 2000, 2001, 2002 Antavius S. Flagg, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.



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