Lucid Writing Advice VI by Antavius Flagg
Page 3 of 3 See how better it flows? I even left the word count just the same, and yet
it moves faster. Below is an example of jargon, the kind where a character says
something he might not ever say:
Tom and Justin wandered around to the right side of the control board.
Ahead them, surrounded by towers of steel and iron, a rocket smoked as it
waited to be launched. With a sigh, Tom looked to his five year-old brother.
" If we want to get to Mars, how can we if this is so confusing!"
Justin smiled. " I have it all figured out. You see that dial there? Well,
if we where to pull it that will start the side boosters, and from their the
computer will determine the angle of accession to an acute degree of normality.
That will leave us a window of just ten minutes to get inside the rocket,
buckle down and prepare ourselves for the thrust of the XX912 plasma boosters."
Tom scratched his head.
Seems like little Justin has the brain of a rocket scientist, and at just
five years old. It’s pretty obvious that Tom was thinking the same thing when
he scratched his head. If you give us no reason why Justin would suddenly talk
like that, then don’t do it. Most writers will use this kind of writing to get
themselves out of something they can’t find a way out of.
A good way that I would have fixed this is to introduce a character at this
point in the story who knows about how to launch rocket. Like Tom, I
wouldn’t put my life in the hands of my five year old brother-if I had
one.
CLICHÉS
A cliché is a word or group of words that have been used so often, too
often, that they lose the once powerful thrust they did have. ‘It’s raining
cats and dogs’ is a cliché that just doesn’t amuse anyone anymore, at one time
it did. Can you imagine?
Here is a clinched passage:
The storm raged out of control. Across the mountains a herd of buffalo
thundered down in anger. A fire suddenly blazed before them, and burned them
all alive.
Note these words: raged, thundered, anger, and blazed. Those words are
sitting in that passage and it makes this writer’s appear to be doing just
that...sitting. Not every storm rages unless it’s a very big one; how big was
that herd of buffalo coming down the mountain; and did the fire just to that,
blaze?
This writer has written words that the reader commonly associate with life,
but couldn’t the writer added his own imaginative boost?
Here’s that passage rewritten without words that have been overused.
It was only a second of time before the rains started to fall without
mercy. Across a mountain in the distance, a herd of two thousand buffalo
clambered down the steep slopes. A blinding shaft of lighting connected ground
and sky together in an inkling of time. A fire erupted into a seething,
uncontrollable mass of flickering orange light.
Because of their momentum the herd could not stop, and ran into the inferno
to their deaths
That’s sound better because I have tidied up the words, and have done
away with ones you would have expected.
Don’t you agree?
Copyright© 1999, 2000, 2001, 2002 Antavius Flagg, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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