Lucid Writing Advice VII by Antavius S. Flagg
Page 2 of 2 Their is and old saying that ‘actions speak louder than words’, that also
goes to say that ‘ someone talking speaks louder than them not saying it’.
Read the following and see if you get a sense of a dull monotone as you
read:
Lucinda turned and watched as the sorceress stalked angrily before
her. Her white eyes were ablaze and her wavy white hair bounced in the wind she
created. She was only a foot taller than Lucinda, but she had the feeling that
she much taller. The sorceress had long arms that Lucinda feared would reach
out and strangle her at any moment. But it was her teeth that scared her the
most. They were sharp and fanged like a coyotes.
After the first sentence, every other following it deals with the sorceress
stalking in. Lucinda stands calmly aside as the writer gives us the
description. It would be better if spoken words could express what we need to
see. Here it is with dialogue.
Lucinda turned to see the sorceress walking in. " Bethany, I’m glad
that you came-" " Came? It’s the middle of the night, and I was still asleep
when that fool-hearted maid of yours woke me up! I would have still
been-" " Please, Bethany, I know the hour. And it is much too late to
be in such a fit." Bethany blew the air from her lungs as she watch Lucinda
pour tea from a pot into teacups. She took one when Lucinda offered it. "
What is it you want to know?" Bethany asked. Lucinda took a drink from her
cup, trying not to laugh at seeing the sorceress’s white hair sticking nearly
straight up. " Where are the books?" " What books? You drag me in here
for this?" " The one’s with the coveted spells." Bethany licked her
teeth, revealing in a flash the two fangs hanging at the corners of her
mouth. " I burned them all." " You did what!" A hand reached out,
long and slender. " I said I burned them all Lucinda, and if ask that question
again I’ll strangle yo
u."
There, much better. The reader now knows that Bethany, the sorceress, is
angry in the way she talks. I didn’t even have to say it directly. She rambles
at how she was asleep and how that ‘ fool-hearted maid’ woke her up. She
wouldn’t talk like that unless she was angry.
I talked about every description that was in the before passage, but I
failed to mention that Bethany was taller than Lucinda, but that she appeared
much taller. I feared such sentence could be omitted, it wasn’t really worth
knowing.
LOOK FOR WAS
A sure way to scan your sentences to tell if they are in the passive voice
is to look for the word ‘was’. In the sentences above where I wrote them in
passive voice, almost everyone that was in passive voice had the ‘was’ buried
somewhere in it. When I rewrote them into the active I omitted the that word in
all of them. Be careful though, because not every sentence with ‘ was’ is
active. Changing them can make you inadvertently transpose them for passive:
She was tall. Tall was she. Or a question you didn’t intend.
Was she tall?
A FEELING OF BEING IN THE PAST
This is similar as of the topic before. Words like ‘was’ and ‘were’ when you
write in the passive voice can make your writing seem hindered and appear as if
it is all taking place in the past. Do you intend to say that was how it used
to be at one time, or is that how it is now? You must always make yourself
clear, you don’t want your readers looking into a muddy pond.
THE ANSWERS
This is where I’ll give the answers to the sentences above that were in
passive voice. I rewrote them in the active so you’ll see the difference
between them:
1. The bark came from the dog-passive voice. 1.
The dog barked-active voice 2 The window was repaired by
dad-passive voice 2. Dad repaired the
window-active voice 5. The covers were pulled by James
at the sight of the monster-passive voice 5. James
pulled the covers at the sight of the monster-active voice 9.
Orange and red was the sky-passive voice 10
The sky was orange and red-active voice
So, how did you do? For each one you got wrong go back and see why you
missed it.
Copyright© 1999, 2000, 2001, 2002 Antavius S. Flagg, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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