The Isle of the Dead (8 ratings) by David Maurice Garrett
Page 1 of 9 INTRODUCTION
I first heard about The Isle of the Dead via Sergei Rachmaninoff. His
haunting and moody tone poem instantly summons dread images. It wasn't till
later I learned that Rachmaninoff didn't invent this title but was inspired
after viewing the painting by Arnold Bocklin. When I first saw this painting I
found it to be just as mysterious as Rachmaninoff's tone poem. I came up with
the idea for this story after wondering about the figure in the painting. I
imagined the figure to be Charon, the mythic Ferryman on the river Styx. I
began to wonder how it was that Charon came to be the Ferryman. And so, this
story evolved.
This story is designed to be a companion to both Bocklin's painting and
Rachmaninoff's tone poem. To get the full effect one should start the music
while looking at the painting. After studying the painting for a couple of
minute begin reading the story.
THE ISLE OF THE DEAD
The old man said it would happen. He said that Simon would forget the route
by which he had got to the bay. Now, in the early morning dawn Simon clambered
across the rock strewn shore straining his gaze into the bay for a glimpse of
the isle. But it was too dim to discern anything through the thick fog. All
that he could see was the glass-like surface of the calm, dark water receding
into the wispy mist. He cared little for routes now. The destination was the
sole focus of his mind.
Simon looked like a figure from a by-gone era traversing this rugged shore
in a long, woolen, white cloak. He looked closer to an ancient druid than a
well-to-do gentleman. The old man had been adamant about the cloak, going so
far as to supply the garment himself. He had said that it was the only attire
that would ensure that the meeting would take place.
He was beginning to wonder if he had discovered the wrong inlet when he
spotted the boat mooring about fifty yards down the pebble ridden shore line.
He turned in its direction and picked up his pace in anticipation. Arriving at
the mooring he quickly began to inspect its ancient structure. The wood was
aged but timeless. Not of any tree that had grown on this Earth for an
unimaginable epoch of time it appeared dark and shiny. The metallic fastenings
and accoutrements were of a metal no man could have identified. They had a
luster completely alien to anything Simon had ever seen. He rubbed his hands
over the wood and the metal fascinated by their texture and timelessness.
As he exercised his sense of touch his gaze once again strained for the
island. Still concealed by the copious amounts of fog it was useless to strain
the eyes. It was not like growing accustomed to a darkened environment. No
amount of re-focusing or iris adjustment would penetrate the cottony,
ghost-like haze rising from the surface of the dark water. But it didn't matter
to Simon. Oh no, he knew by the mooring, which his hands caressed, that this
was the destination he so longed for. But now it was time to find a hiding
place, for Death would be arriving soon to meet the Ferryman with another load
of his precious passengers and this was the spot where the transfer of cargo
would take place.
Simon picked his way up the Eastward slope of the bay to find a place of
concealment amongst the large boulders. He wanted to find the perfect
vantage-point to witness both the island and the boat landing. Finding a low
spot behind a large rock outcropping, Simon squatted down into the cool shadows
and tried to find a comfortable position to wait for the dawns events. Next Page Copyright © 1999, 2000, 2001 David Maurice Garrett, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author. The author has submitted the work in accordance with and in agreement with the following Submission Guidelines.
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