A Martian Poet in Siberia (Book Synopsis) by Duncan Hunter
Page 1 of 1 Is their journey the death rattle of Humanity I (that’s us - gone like the
dinosaurs) or the first faltering footstep of Humanity II? In a warm Siberia,
in
a world transformed and depopulated by a cosmic disaster, Han and his fellow
Mars-born humans secure a precarious foothold on a battered but recovering
Earth
after a nine-month journey across the dismal distances of space. Florida is
under water, the polar ice-caps have melted, and Greenland is once more green.
They establish a camp beside the liquid Arctic Ocean (the new Mediterranean for
a new civilization, but five time bigger)… and believe they are alone. Until,
one morning, they come across the shaman couple. Thus starts the relationship
between the Martian settlers, remnants of a human future which is now the past,
and these freak survivors of the time before who are not quite the New Age
icons
they might at first appear (they are much smarter!). In this compelling
narrative of survival against impossible odds, Han documents the tenacity - and
impermanence - of life: beneath the domed atria of the Settlement where he was
born, four hundred millions miles away, aboard the last space craft which takes
them from their dead world to Gaia - the empty but living Earth, and in their
growing community in one of the remotest regions of the planet. Will they
survive or will only their message remain, like the rock paintings left by the
cavemen who disappeared without trace twelve thousands years before them? The
ultimate citizen of the world, at home everywhere and nowhere, Han draws on his
multiple heritage - Asian and European - to create a vision and a philosophy
for
a different and possibly better future. Technology, Taoism, Throat-Singing and
the poetic visions of the East and West (whatever that means any more) come
intriguingly together in this off-beat and fascinating work - a cult novel for
the 21st century and beyond.
Copyright© 1999, 2000, 2001, 2002 Duncan Hunter, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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