Tryst with New England (5 ratings) by Vijendra Jafa
Page 1 of 3 They contained misery and enchantment, those summer months of
my childhood.
Our family townhouse was on the edge of the city, bounded on
one side by a medieval castle in ruins, which had become the center of a Muslim
shanty town over the centuries, and, on the other two, by a number of villages
interspersed with farmlands as far as the eye could see. About half a mile
away, in the direction of the farms, was Chandokhar (literally, the lake
of the moon's reflection) mitigating the harshness of an infinitely drab
landscape. It served the village folks as a facility for ablutions and laundry.
But, during the rainy season, when disease swept the area, one of its farther
banks became a totally disagreeable place. Personally for me, and I was about
twelve then, the lake reflected death as I often sat watching the rain-clad
scene from the second floor verandah. Whenever I saw a small procession of men
clad in white (only men performed this task and wore white on such occasions),
or a small collection of such men on the farther side of the lake, I knew that
a baby was
dead. And this happened almost everyday, sometimes many times a day, during
the rainy season when epidemics hit the city and its suburbs. Procope
(nature's fury, in Sanskrit) our elders called such events, and were generally
loth to explain. Gautama Buddha had made an attempt, my grandmother would say,
and hadn't come back with a satisfactory answer.
The recurring tragedy couldn't, however, be attributed
entirely to the rainy season. When the winds rose from the western desert in
the middle of May and set the Gangetic plains afire, the heat punished and
destroyed. In a matter of days, all colors of the spring were singed
light-brown in an act of nature's dramatic reversal; the ghostly spirals of
wind and sand traversed in a dance of Shiva, uprooting young trees, brush and
foliage, and rolled them out to eternity. The vapors rising from a parched and
disfigured earth resolved the landscape into a crystal ball in which one could
espy the desolation of mankind.
The heat was followed by monsoon rains unleashing the bacteria
of disease, cultured for months in the hothouse of summer, and now carried by
mosquitoes, flies and flood waters into the nook and corner of every home. My
mother gave us drops of amritdhara (literally, nectar; a traditional
medicine) as a prophylaxis. She never tired of telling her friends about the
universal applications of this nostrum. But I knew that the chemistry of my
mother's hands was largely responsible for the happiness it caused, or the
unhappiness it fended off, in our house and the neighborhood.
Our neighborhood was replete with children whose parents were
ignorant and poor, and nobody was quite as concerned about their health as my
mother. She would send a servant or one of us, very often me, perhaps to keep
me away from mischief, to inquire when a child was sick before sending an
ayurvedic remedy or arranging for a doctor's visit, depending on how
serious the illness was. I generally liked the experience, at least until that
summer when I carried out a revision of sorts.
It started on the day the woman who milked our cows did not
come for work because her baby had cholera. I went to her room and touched the
baby's forehead, a technique employed by my mother in lieu of a thermometer,
and noted other symptoms for my mother's information. But, though I had taken
sufficient care to avoid direct infection, I came down with cholera within an
hour, and had a most dreadful night. The distress, however, eased towards the
morning when I slept for a while and dreamt of an old man healing me with a
touch of his hand on my forehead. Next Page Copyright © 1999, 2000, 2001 Vijendra Jafa, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author. The author has submitted the work in accordance with and in agreement with the following Submission Guidelines.
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