Frank Herbert Lives by Byron Merritt
Page 2 of 3 My memory spun back to the meeting in Grandpa's study when I was seven. "I
write." I had no idea what that truly meant... until now. The pages whipped by
as I dove into the complex web of layered stories. When I'd finished, I went
back and reread it, surprised by what I'd missed the first time. I spent
several summers with Grandpa after that and learned a lot from him. I took him
stories I'd written and watched as he meticulously went over them. He would
give me pointers on plot structure, the use of adjectives, and many other
things that helped me weave tales. But I could never create a world as complex
as his no matter how hard I tried. It seemed an impossible feat to create, as
my Uncle Brian Herbert said of the original Dune novel in his Afterword
to Dune: House Atreides - "a magnum opus that stands as one of the most
complex, multilayered novels ever written." How did Grandpa do it? What grain
of sand wafted into that brain of his, creating such an incredibly textured
universe? A
s his family, we knew where it began. It was on the dunes along the coast of
Oregon where Grandpa got his first inkling into the world that would become his
masterpiece. He worked briefly in Florence, Oregon, a small, coastal, bedroom
community at the time of about 1600 people (the town is now much bigger). He
was there doing research for an article during his tenure as a freelance
writer, trying to sell the written word to magazines. The article would be
based on a U.S. Department of Agriculture study about the trouble with shifting
dunes. He became fascinated by the amount of life that fought for existence on
the unpredictable sands of the area. How, even in the tiniest crevices of the
dunes, life clung and fought for permanence in such an inhospitable place. It
was here his mind began to unfold the story that would become Dune.
After Grandpa's death, I still hadn't realised how important he was. I
missed him terribly, an emptiness that one feels when a family loses someone
close to them. What I
hadn't realised was how it would affect others. Frank Herbert left more than
just a void within our family; he'd left a void within a much bigger clan: the
literary community. The last Dune novel Grandpa wrote, Chapterhouse
Dune, ended on a cliffhanger, promising something greater and more profound
in the final book. All of that now seemed lost with his passing. February 11th,
1986 marked the death of a man and his vision. Or did it? Brian Herbert,
Frank Herbert's eldest son, had been harangued by agents, publishers and fans
alike to finish the series. Having written several novels of his own -
including co-authoring Man Of Two Worlds with his father in 1985 just
prior to his death - Brian wasn't sure if he wanted to take on such a
monumental task. Besides, he didn't know exactly where his dad was going with
the Dune series before he died. After more haranguing by agents and
publishers, Brian was contacted by an editor who introduced Brian to his
future, energetic co-aut
hor. By the first week of May 1997, more than 11 years after the death of
Frank Herbert, Brian finally met up with best-selling author Kevin J. Anderson,
and they began throwing ideas around. After months of painstaking research and
deliberation, they decided to start setting the groundwork for three prequels
to the original Dune (Dune: House Atreides, Dune: House
Harkonnen, and Dune: House Corrino), but still had no clear idea how
the final book should end. What did Frank Herbert have in mind for 'Dune
7'? Next Page Copyright© 1999, 2000, 2001, 2002 Byron Merritt, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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