A way with worlds: 43 - TMI by Steven Savage of Seventh Sanctum
Page 2 of 2 "LOOK,
DETAIL!"
You've fleshed out your world. The readers can give you
credit for that.
Don't engage in long
pointless descriptions, toss around terms extraneously, or in
general show off just how much you've created. Any good story
will tell it. Any good writer can make sure the important details
are communicated.
On the other hand going
overboard in describing things can confuse the reader and break
the illusion of seeing a world - and make them aware they're
reading a story. It's like suddenly having a good arcade game's
pixels become very obvious.
This is a fine line that
takes practice to walk properly - how much detail, when to show
it, and how to show it. All I can say is practice - and get good
beta readers.
"LOOK, I BUILT
A WORLD!"
Cousin to showing too much detail is reminding your
reader they're reading a story in a constructed environment.
Reminding them to check the maps in your web page, having a lot
of asides, and trying to be too helpful in helping them
understand your creation is a case of TMI.
It can also seem like
bragging. Don't make the readers dislike you, it's not conductive
to their enjoyment.
"DESCRIPTION-O-RAMA"
You have a world. You want to describe it - but do you
have to?
Make sure your readers know
enough to understand what is going on, but do not describe things
just because you designed them. This ventures into
"Look-I-built-a-world" territory as well as affecting
your writing negatively by throwing in too much.
SUMMARY:
TMI is a condition that affects some writers - probably
it'd be nice if it affected more. However, it's a still a way to
affect your writing and ruin the experience of reading about your
world for your readers. Seek balance and don't loose site of the
goal - communication.
A
Way with Worlds is hosted at:
The
complete works are archived at the Way With
Worlds archive.
A German translation is in the works at Christian
Spliess's Page
Copyright© 1999, 2000, 2001, 2002 Steven Savage, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
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