The Man In The Cellar (2 ratings) by D. Wayne Wilson
Page 3 of 5 He gave a final glance at Lee, thought of waking her then decided against
it. What exactly would he have said to her had he woke her?
‘Honey, the electricity’s out and I need you to go down to the cellar
with me.’
No, that wouldn’t go over well at all.
Instead, he carefully navigated his way through the silent darkness toward
the bedroom door. Once there he opened the door just wide enough to peer
through it with his right eye. Everything was still, quiet and dark very dark.
He stood there listening to the darkness and suddenly felt very foolish. What
exactly was he waiting to hear? And why was he peeking out of his bedroom door
like a voyeur peeping through a drilled hole in a bathroom wall? This was his
house and he wasn’t going to be afraid in his own house.
Jack opened the door and stepped out into the hallway. From here he could
make out blocks of inky shadows that might either be the living room furniture
or crouching monsters waiting silently to pounce on anyone careless enough to
pass by them in the night.
To Jack’s right stood the door to Mona’s room. In the absence of light the
Blues Clues stickers that decorated her door looked like splotches of
Blood
gooey liquid. Without thought he grasped the doorknob and opened the door to
look in on her. She was sitting, Indian style, on her bed looking directly at
Jack.
"Hey pumpkin, why are…"
"Don’t go down to the cellar, daddy." Mona said; her voice had an unusual
adult quality to it.
"Why, baby? I have to go fix…" he began.
"He’s waiting for you down there." She said, her voice indifferent to
emotion.
Jack felt the icicles of fear skip over his body again but refused to
succumb to them.
"There’s noone waiting for nobody in the cellar Mona, now go back to sleep."
Jack could hear the doubt in his own voice and hoped Mona didn’t hear it
too.
"Please, daddy…" her voice was small and weak and somehow different, not odd
or strange but different.
"Cover up baby, and go to sleep, I’ll see you in the morning." He cut her
off.
He quietly closed the door without awaiting further protests. From behind
the door he thought he heard her say something more but couldn’t make out what
it was.
Jack found himself stepping with a prowler’s delicacy as he made his way
into the living room and again he was aware of how foolish he was acting,
although this time he did nothing to correct himself. Shadow monsters long
forgotten, he rounded the corner of the living room and saw the cellar door for
the first time since he had heard Mona speaking into the doggie hatch which he
had cut into the bottom of it.
His heart felt like it had been replaced by a pulsing glacier and he froze
where he stood.
The cellar door was open.
*
Sitting still in her bed Mona began to cry softly. Luke had told her to keep
him out of the cellar, and now he was going to be mad. And mean.
*
Jack stood, rooted to the floor, starring at the door for what seemed like
millennia. The door wasn’t just ajar as if it hadn’t been fully closed, but
wide open with the knob resting in the cradle of plaster that Jack had created
earlier. There was no question that he had closed it earlier and he knew Lee
wouldn’t have left it open for fear of Mona having an accident on the stairs.
But there it was, almost like an invitation in its openness. Next Page Copyright © 1999, 2000, 2001 D. Wayne Wilson, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author. The author has submitted the work in accordance with and in agreement with the following Submission Guidelines.
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