Submitted by Julia Mohler  (May 15, 2007) Two minutes ago I finished reading "the Body of Christopher Creed" for the second time. Even without the element of surprise at the ending that I had the first time around, it still made me want to cry and cry. I have yet to discover if it has a technical literary term attached to it, but what moves me more than anything about literature is the way some books have of coming full circle, of building up to a conclusion that you know is coming without being aware of it. From the beginning I wanted to believe that Chris was alive, but like Torey I got caught up in the layers of complexity; the lies, the doubts, the horror of the cave. Maybe it has to do with Tolkien's theory of the "eucatastrophe"; the beauty of the story is that somehow deep inside, we always knew that hope had to endure somehow.
The author's background in journalism serves her very well; this is a textbook example of all the different ways an author can write about a character based solely on indirect sources. I think that it's an incredible accomplishment, especially for a first novel, to create such an epic, yet intimately real character without actually introducing us to him.
I'm torn between analyzing the the reasoning behind the parallel to the story of Jesus and just accepting it as an intelligent and powerful element of the storytelling. To me, this was subtle enough that I didn't really notice it until I had finished my first reading of the book. For now I'm gonna lay off the analysis and say that the parallel is one of my favorite parts of this book simply for the fact that it haunts me, which is the mark of true writing for me.
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