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Nevyn September 6th, 2004, 05:20 PM Uh I beg to differ you most certainely used your beliefs to reach that conclusion.
A fetus is no more deserving of 'life' than hair or nails or skin, or any other part of your body that is alive because you are. It has no independent existence. Once a fetus becmes capable of living on its own outside the womb then you are talking about something that does have life, a baby, and should be treated differrently. And I don't mean life as being hooked up to machines or turning into a vegetable for the rest of your life. Until that time it is no more than a collection of cells with the potential for life.
If you think differently then be true to your beleifs and don't have an abortion, but don't try to make everyone in the world live by them too.
I think that Tepper was worring about overpopulation not only for the environment but for women, children and families. Those who are better educated, and have more money have fewer children. When you have fewer children you can take care of the ones you do have better, both emotionally and financially. The children have a better start and more opportunities.
Firstly , your opinion on a fetus is just that . Your opinion!
I do believe differently . I do not believe it is my place to judge others as well Tepper made clear in Beauty that only God could do this . It was this I had trouble with the most , not the moral or ethical but the fact that the writer herself passed judgement that for me felt like a square peg in a round hole !
Thanks Nimea
Eventine September 8th, 2004, 09:53 PM I finished up Beauty this morning.
Wow - this book was a lot more than I expected.
I'll post my inital impressions here then have a read of everyone else's comments, so sorry if there's any duplication.
The Beginning:
I liked how it started out as a typical fairy tale story and got very wrong very quickly. Beauty's transfer to the horrific future was pretty interesting (and very dark).
I thought it was interesting how Tepper showed Beauty's preoccupation with life away from the book in 90's - she obviously had a lot more going on in her life, so the entries were short and far between.
I didn't really enjoy the whole visit to the river until Beauty go to meet her mother - this was one of the only flat bits in the book for me.
The Middle:
Some more good concepts here. It was interesting to see that Faery was only attractive to it's people - those who lived within it. When Beauty first visits it appears as marshes and hovels, and when she leaves she's filthy and starved.
I didn't think there was so much need to include all the fairy tales - I thought it was a good enough trick to play on the sleeping beauty concept without dragging in several other fairy tales.
The End:
Beauty (the thing, not the character) really gets passed as a powerful message (to me at least) during the visit to hell. The concept that hell is a place where those who have destroyed beauty really got me thinking about the world around me, and that I am guessing, is why the author wrote this book.
I liked Beauty's attempt to turn Westfaire into an Ark, only to discover that she'd beenh olding one inside her the whole time. We always knew she'd been holding beauty within her - it was just a matter of discovering what form it would take. I actually expected to see the blossoming of the gift, but I think that the book wa sprobably better without it.
Overall:
I really enjoyed this book. The concept was great, and well delivered. This book actually had a message to deliver, as opposed to being just entertainment, and it did a good job of being entertaining whilst doing it.
As I mentioned earlier, I felt that including some of the other fairy tales could have been left out, but it didn't diminish the book that much.
I felt that Beauty was a very tragic character - how long must she have lived? 25 years? 30? So much went wrong for her throughout the novel, her life was nearly an anti-fairy tale.
Now to read what everyone else has to say...
Eventine September 9th, 2004, 12:28 AM I took Teppers comments about abortion to be a commentary on the Catholic church preventing the use of contraception and abortion
However, I didn't take the other church comments throughout the book (the transfer of magic from fairy to the church) as an attack on the church, and more of a plot element to explain the dissolution of fairy.
It looks like some people here didn't enjoy the future sections of the book. I thought they were the most important - without an understanding of the terrible fate awaiting mankind Beauty wouldn't have had the motivations she did throughout the rest of the novel.
It's interesting to me to see that other people thought the novel was "preachy". It seemed to me the whole point of the novel was its message - to me, without the commentary it would have been a boring modification of a fairy tale (as I mentioned above, the retelling of the fairytale elements to me were some of the slowest part so the book). I'd read Maguire or someone else doing parodies if that was what I was looking for.
One thing that bothered me:
Beauty never really attempted to alter her own past - numerous times she could have attempted to change Jaybee in his timeline before he met her, but she chose not too. Maybe she felt it was inevitable?
But if that were the case, why, when in the future as an old lady, did she retrieve her money and attempt to steer mankind away from Fiddipur?
Erfael September 9th, 2004, 10:30 AM One thing that bothered me:
Beauty never really attempted to alter her own past - numerous times she could have attempted to change Jaybee in his timeline before he met her, but she chose not too. Maybe she felt it was inevitable?
But if that were the case, why, when in the future as an old lady, did she retrieve her money and attempt to steer mankind away from Fiddipur?
This reminds me of something: I'm not sure she could have altered Jaybee before they "met." I'm not sure she had much personal choice at all in the grand scheme of things. When she first meets Bill as a young girl he has the heels and the "soft things" that she gives him when she's an old woman. That to me sort of says that the future and the past are all laid out already, with nothing she does really changing them -- their meeting on the whaler, their not being allowed to finish their documentary. By the first time she meets the film crew (which is the last time in their chronology), all of the previous encounters had already been played out, implying that that was the course events were going to take (unless you want to get into some sort of quantum debate, but Tepper didn't structure it that way, so I'm not sure it applies). Just a niggling thing, but something that often bothers me in this kind of bouncing around in time book.
Maybe she's just trying to get the message across that even if something is inevitable, we still need to try to do something about it....I don't know.
FicusFan September 9th, 2004, 08:55 PM I took Teppers comments about abortion to be a commentary on the Catholic church preventing the use of contraception and abortion
However, I didn't take the other church comments throughout the book (the transfer of magic from fairy to the church) as an attack on the church, and more of a plot element to explain the dissolution of fairy.
It looks like some people here didn't enjoy the future sections of the book. I thought they were the most important - without an understanding of the terrible fate awaiting mankind Beauty wouldn't have had the motivations she did throughout the rest of the novel.
It's interesting to me to see that other people thought the novel was "preachy". It seemed to me the whole point of the novel was its message - to me, without the commentary it would have been a boring modification of a fairy tale (as I mentioned above, the retelling of the fairytale elements to me were some of the slowest part so the book). I'd read Maguire or someone else doing parodies if that was what I was looking for.
One thing that bothered me:
Beauty never really attempted to alter her own past - numerous times she could have attempted to change Jaybee in his timeline before he met her, but she chose not too. Maybe she felt it was inevitable?
But if that were the case, why, when in the future as an old lady, did she retrieve her money and attempt to steer mankind away from Fiddipur?
I don't have a problem with books that have a message - I do have a problem when a book of fiction (ostensibly written for entertainment purposes) fails in that aspect because there is too much emphasis placed on the message and not enough on the entertainment aspect. I found that to be true in this book for me. I didn't really care about the characters for most of the book, I was bored by large sections of setting and I wasn't interested in the 'plot' for most of the book. That I actually was able to say after completing the book that I rather liked it is a strong testament to Tepper's skill because the parts I did like were stronger than my dislike. But I can't say that it was a great reading experience: perhaps Patches of Good.
Eventine September 9th, 2004, 10:29 PM This reminds me of something: I'm not sure she could have altered Jaybee before they "met." I'm not sure she had much personal choice at all in the grand scheme of things. When she first meets Bill as a young girl he has the heels and the "soft things" that she gives him when she's an old woman. That to me sort of says that the future and the past are all laid out already, with nothing she does really changing them -- their meeting on the whaler, their not being allowed to finish their documentary. By the first time she meets the film crew (which is the last time in their chronology), all of the previous encounters had already been played out, implying that that was the course events were going to take (unless you want to get into some sort of quantum debate, but Tepper didn't structure it that way, so I'm not sure it applies). Just a niggling thing, but something that often bothers me in this kind of bouncing around in time book.
Maybe she's just trying to get the message across that even if something is inevitable, we still need to try to do something about it....I don't know.
The thing is, she knew what was inevitable with her relationship with Bill and Jaybee, she knew her personal role in that timeline.
There was nothing to show her that spending the time and money trying to save humanity had to be done, but she tried anyway.
Maybe it's another example of Beauty's self sacrifice to save beauty?
Eventine September 13th, 2004, 08:01 PM I noticed that Iskaral Pust nominated this book and hasn't commented yet. Come one Pusty!
OK - here's another attempt to get a conversation for a book running longer than a nomination thread:
During the early stages of Beauty in the 20th century and her period in hell, there are numerous comments by the author about horror novels and other forms of desensitising media. I believe thatTepper is saying that by desensitising ourselves to horror (or anti-beauty perhaps?) that we are less shocked as it pervades our world, and thus we slip easier towards the end.
So, the question is:
Is this a call by Tepper to reduce the amount of media desensitising us to horror/violence/starvation/death/anti-beauty?
Is this a call for only so called "consolatory" fantasy? How do you think China Mieville would react to this book?
FicusFan September 15th, 2004, 11:43 PM I noticed that she seemed to be wailing at horror and I wasn't sure how to take it. I don't think I have ever read any horror that was anything near real life in terms of true horror. So it seems that she is getting upset at the wrong parties.
I agree she is probably talking about desensitizing, but I think the movies, and TV with all the shooting and the crashing and the destruction - where it is very quick (no after effects), and neat and only hits the bad guys is much more pernicious than horror. I agree that if you are engaged in trashing or destroying 'Beauty' its not a good thing - but without the dark you don't appreciate the light. You can't have just sweetness and light or eat only desert. So while she is aiming for an admirable goal I don't think it is achieveable, and maybe wouldn't even be all that good if it were.
Also one of my peeves with the book was how Beauty so quickly became a modern woman in terms of outlook, and expectation, and just using and knowing the same culture that we have. I feel that Tepper brought her to hang out in our time, just so she could have her shed even the smallest semblence of being from her original time.
artyclayforever October 22nd, 2005, 09:16 AM Hi everyone, I new here.
Looking for a discussion on Tepper and her last book The Companions; in fact I came on line originally to find her latest 'humanist' fiction. I prefer this tern because I think she essentially preaches equality. If the feminist sermonizing gets to be too much my eyes skip over it....she's preaching to the converted . The Companions is a wonderful book, and has a satisfying ending.
THAT's enough for a first entry. Look forward to coming back, better get off to the studio.
Yobmod November 1st, 2005, 08:58 AM Seeing as its been bumped:
I really liked Beauty, and it one of the books that are in my top 10 fantasy. In spite of this i agree with some of the flaws ppl have pointed out. I loved the fairytale setting, and was amused by the way the other fairytales were incorperated into Beauty's story. The trip to the future was unexpected for me, but i didn't dislike it, and it didn't last too long.
However, the stay in the 'fictional world' with the river seemed completely pointless, and could almost have been excised completely without affecting the story.
The social and political point Teppers trying to make didn't put me off for a change, and although i don't think she was correct about some things (ie Horror films / books being evil), i think she presented them with sufficient consistency that they made sense in that world.
One small scene i liked a lot was the last raddish TV clip, i thought it was funny and made the point about the intensive farming to feed the population without ramming it down our throats.
The fact that Beauty was old by the end of the story was a plus point too, it made the ending more poignant and stopped the point of conclusion feeling arbitary.
Finally, the use of magic was well done. There wasn't much beyond the fairy thread, but the 3 items of clothing she made were cool. The 1000 league boots and Invisibility cloak seem very obvious uses, but then again so did the thinking cap, but i still couldn't have predicted it before it happened.
I think this is the last Tepper book i really enjoyed. I have lots of her books from before beauty that i would rcomend (True Game, Mavin manyshaped, and Jinian trilogies, Gate to Womens Country, Grass, Raising the stones), but after it i haven't really liked any. For me Tepper managed to balance the story and message very well, whereas the later books (Visitor, Fresco) have had too much message, and its been much too obvious, to the detriment of the story
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