Eventine
December 12th, 2004, 11:53 PM
I've got about a quarter of the book to go, but thought I'd brave the thread.
Here's some reactionary comments based on what's been said so far. More when I've finished:
I couldn't really decide throughout the book whether it was really pro-socialist or whether just the characters were pro-socialist and the author was setting it up to have the book be anti-socialist
I've found myself thinking the same thing. When reading someone like Mieville, who we know is an active socialist, it's easy to spot the socialist undercurrents to his works. Here however, it's the characters themselves that are conveying the socialist message (as opposed to the themes of the novel) which makes things a little harder to discern. I'd be interest in seeing an interview with Macleod re socialism in this novel (can't you snag one Fitz?).
I also found it to be slow--but a steady kind of slow rather than a boring kind of slow
I found it slow until Robbie visited London, and now I'm tearing through it. I think there's a period of acclimatising to the writing style before being able to get really stuck in (I also found this recently with reading Janny Wurts, who's also known for her "flowery prose")
I also found the parallels between Robert Borrows' story and that of Pip in Dickens' Great Expectations interesting - anyone have any theories on this aspect
This is where I once again kick myself for not having read enough of the classics.
It did not live up to my expectations. There is almost no action in it, and it got boring. Nothing in the book impressed me. It seemed slightly above mediocre. I kept expecting something that would move the book faster, but it just never happened. I really could not get into the characters either.
But to say in its defense is that it had a steady pace, there were no random sidequests, it was not particularily badly written, but still the overwhelming feeling I had at the end was of bitterness. I will not be reading any more of his books if they are similar to this.
I'm guessing you're looking for fantasy more in the heroic mould...
In terms of the theme in the book, I keep seeing aether as a substitute for coal.
That's a great insight. I hadn't thought of it before, and now it seems so obvious I'm kicking myself. I'd have to say though that it strikes me more as anti-coal. Both are mined resources, but aether represents glamour and an upper class, where as coal is more associated with filthiness and the lower classes (at least in my mind). Imagine a filthy chimney sweep in a black fog during our industrial London and then juxtapose this with a party full of people with aether-laced clothes imbibing wishfish. Now if I had some more time I could probably come up with a theory as to why he did this. Any takers?
OK, some brief comments of my own now:
I find Robbies relationship with Sadie quite strange at this point. He's an active socialist, yet associates with the upper class and has a relationship of sorts with Sadie. To me this seems to be a mechnism of getting closer to Anna, and even using Sadie as a replacement for Anna - when they first have sex Sadie has used the wishfish to appear more like Anna - if she hadn't done this would Robbie have slept with her? He'd not shown a lot of attraction to her before that.
I've recently read Newton's Cannon by Greg Keyes. It was interesting to see two novels set in a similar period, with a similar discovery of an alternative to modern science. So far I think The Light Ages does the job a lot better - Macleod's non-use of historical characters works a lot better for me.
A final question:
When does everyone think this novel took place on our calendar?
Here's some reactionary comments based on what's been said so far. More when I've finished:
I couldn't really decide throughout the book whether it was really pro-socialist or whether just the characters were pro-socialist and the author was setting it up to have the book be anti-socialist
I've found myself thinking the same thing. When reading someone like Mieville, who we know is an active socialist, it's easy to spot the socialist undercurrents to his works. Here however, it's the characters themselves that are conveying the socialist message (as opposed to the themes of the novel) which makes things a little harder to discern. I'd be interest in seeing an interview with Macleod re socialism in this novel (can't you snag one Fitz?).
I also found it to be slow--but a steady kind of slow rather than a boring kind of slow
I found it slow until Robbie visited London, and now I'm tearing through it. I think there's a period of acclimatising to the writing style before being able to get really stuck in (I also found this recently with reading Janny Wurts, who's also known for her "flowery prose")
I also found the parallels between Robert Borrows' story and that of Pip in Dickens' Great Expectations interesting - anyone have any theories on this aspect
This is where I once again kick myself for not having read enough of the classics.
It did not live up to my expectations. There is almost no action in it, and it got boring. Nothing in the book impressed me. It seemed slightly above mediocre. I kept expecting something that would move the book faster, but it just never happened. I really could not get into the characters either.
But to say in its defense is that it had a steady pace, there were no random sidequests, it was not particularily badly written, but still the overwhelming feeling I had at the end was of bitterness. I will not be reading any more of his books if they are similar to this.
I'm guessing you're looking for fantasy more in the heroic mould...
In terms of the theme in the book, I keep seeing aether as a substitute for coal.
That's a great insight. I hadn't thought of it before, and now it seems so obvious I'm kicking myself. I'd have to say though that it strikes me more as anti-coal. Both are mined resources, but aether represents glamour and an upper class, where as coal is more associated with filthiness and the lower classes (at least in my mind). Imagine a filthy chimney sweep in a black fog during our industrial London and then juxtapose this with a party full of people with aether-laced clothes imbibing wishfish. Now if I had some more time I could probably come up with a theory as to why he did this. Any takers?
OK, some brief comments of my own now:
I find Robbies relationship with Sadie quite strange at this point. He's an active socialist, yet associates with the upper class and has a relationship of sorts with Sadie. To me this seems to be a mechnism of getting closer to Anna, and even using Sadie as a replacement for Anna - when they first have sex Sadie has used the wishfish to appear more like Anna - if she hadn't done this would Robbie have slept with her? He'd not shown a lot of attraction to her before that.
I've recently read Newton's Cannon by Greg Keyes. It was interesting to see two novels set in a similar period, with a similar discovery of an alternative to modern science. So far I think The Light Ages does the job a lot better - Macleod's non-use of historical characters works a lot better for me.
A final question:
When does everyone think this novel took place on our calendar?

