alison
January 16th, 2005, 01:59 AM
Before you give up your procrastinating and rush back to find THE END, can you tell us about your road to publication with the Pellinor series? Did you write the first, then do the rounds in Australia first? Did you win interest with your poetry or some award? Do you have a long and painful JK Rowling tale for us? That kind of thing?[/SIZE]
Hi Rocket - my publication tale is embarassingly simple, especially given friends of mine and others who so deserve publication and struggle so hard. It helped a lot already being known as a writer, even in such a different field. Basically, when I started writing The Gift, and had written (in secret, wondering what the hell I was doing) about 80 pages, I wondered if anyone would be interested. I hadn't kept up with fantasy for years, though I read heaps when I was younger, so I wasn't sure if anybody read it any more - (this was pre Peter Jackson days, guys, so forgive my ignorance - I've been trying to catch up ever since). Anyway, Penguin published my first book of poems so I knew someone there, and I rang them and asked if they would give me some advice on this thing I was writing, and they said, sure, send it in. And a month later I was offered a contract, which I had not expected.
Which was great, apart from the fact that I signed the thing without getting an agent first. (Agents, quite rightly, aren't interested in poets.) And I sorely regret that. Walker and Candlewick picked it up basically because one person there read it and liked it. And I'm really grateful for that. Again, chance. So I didn't pay my dues tramping through the corridors of indifferent publishers, though I do wonder, speaking of that, what happened to the careers of all those editors who turned down Harry Potter because kids wouldn't be interested...
And yes, I know I've been incredibly lucky. I probably wouldn't have written it if I hadn't known it was going to be published - I have lots of other writing I can do for no money!
Hi Rocket - my publication tale is embarassingly simple, especially given friends of mine and others who so deserve publication and struggle so hard. It helped a lot already being known as a writer, even in such a different field. Basically, when I started writing The Gift, and had written (in secret, wondering what the hell I was doing) about 80 pages, I wondered if anyone would be interested. I hadn't kept up with fantasy for years, though I read heaps when I was younger, so I wasn't sure if anybody read it any more - (this was pre Peter Jackson days, guys, so forgive my ignorance - I've been trying to catch up ever since). Anyway, Penguin published my first book of poems so I knew someone there, and I rang them and asked if they would give me some advice on this thing I was writing, and they said, sure, send it in. And a month later I was offered a contract, which I had not expected.
Which was great, apart from the fact that I signed the thing without getting an agent first. (Agents, quite rightly, aren't interested in poets.) And I sorely regret that. Walker and Candlewick picked it up basically because one person there read it and liked it. And I'm really grateful for that. Again, chance. So I didn't pay my dues tramping through the corridors of indifferent publishers, though I do wonder, speaking of that, what happened to the careers of all those editors who turned down Harry Potter because kids wouldn't be interested...
And yes, I know I've been incredibly lucky. I probably wouldn't have written it if I hadn't known it was going to be published - I have lots of other writing I can do for no money!

