
Originally Posted by
KatG
I disagree. Not about the action aspect. Salvatore writes long, incredibly detailed action scenes. They are his calling card. But about complex character development, he does very well with it. His The Demon Awakens book/series, for instance, has three main characters who go through tremendous transformations, enduring trauma, crises of faith, crippling fears, and radically changing lives and world views. His monk character in that first story is particularly striking, the way Salvatore takes you through each step of someone sheltered who has all illusions stripped away, one by one, and then changed, broken, has to find a new path.
Salvatore isn't what we call a language stylist. He tends more toward straight description than metaphor and complicated sentence structures, though his style has certainly gotten more complex over decades of writing. But his characters go through a great deal of emotional pain and moral dilemma. His writing about a dark elf who had to break from his past was ground-breaking, and still is really.
The Crystal Shard, his first novel written long ago, shows many of the problems of first novels, especially in those early days of the category market when getting out interesting stories was seen as more critical than offering them in smooth prose. It's sloppy and could have used a better plot structure, and, as a tie-in book, tries to cover too much ground to help delineate the world that TSR was using for their games. The story takes awhile to get going because of that perhaps, though once you get into, it has sharply drawn relationships, hard choices, lots of kick-butt action and a very amusing, practical demonic villain. It's a story about heroism, which may not be of interest to some and isn't as much of a theme in Salvatore's later work, but it's also a story about the complications of heroism -- and how it sometimes comes from unexpected sources.
It's easy with an author who is deft at action, like Salvatore, Gemmell and others, to miss the emotional undercurrents of all that conflict. But in Salvatore's case, they are quite definitely there, in my opinion. I'd suggest, for those who've tried some of the early works and didn't like them, that they give The Demon Awakens a go. If you can't get into that, then Salvatore might not be an author for you.
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