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June 16th, 2011, 01:26 AM #166
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- Jun 2011
The basic themes as I told the other commenter, Window Bar, is "Overall, the themes are exploring the truth of who you are, fighting for something just, friendship and loyalty. I believe that these are important themes for YA's and adults."
As for a sex scene there are none in the novel, however. There is sexual tension between the two main characters. Only a few curse words (damn is used a few times, but is used by a character and represents her speech pattern, language usage, etc. Yet it can be reworded to fit appropriate audience. I also use other dialogue and word usage for that character to establish accent without stereotyping or cliche.) There are a few scenes that deal with death and severe injury. The antagonist to the main characters both minor and major is killed quite gruesomely and another main character is stabbed. All are a part of the development, climax and resolution of the story's problems, etc.
In some ways the journey of the main character is like the main character's journey in "Becoming Naomi Leon." A great YA novel, yet although my story is remotely like "Becoming Naomi Leon," the theme of discovering one's self through the discovery of the truth is apart of both my main character and the one in "BNL".
As I continue to revise and revise, I will look into finding representation that deals with both YA, SFF, and the adult SFF too.
KatG, you're very knowledgeable. Thanks for your input.
Also another question (for anyone). I have many notes on the languages that I have created for the novel, myths/legends etc. I would like to include this in the novel as part of its presentation to agents/publishers.
Good/bad idea? Or something to be used later if published as a companion piece to the novel itself?
Also, the older characters in the book have a similar journey to that of the younger main characters. For example, in the novel itself, the main character finds his aunts manuscript for a short story-like journal that chronicles their own journeys and adventures in the alternate reality. The importance being it serves as a bridge to the past that the main character was too young, or not born, to remember; it explains the origins and connection with Earth and the alternate reality.
I have the notion to include the journal mentioned in the main novel as a separate short short. Again, Good/bad idea to include in the submitted manuscript, or save it as a companion piece for later publishing?
Last edited by djjaes; June 16th, 2011 at 01:30 AM. Reason: wording errors
June 16th, 2011, 09:33 AM #167
Save them, because that material is about production costs for whether the publisher wants to include it in the product. Your language notes might be used as an appendix at the back of the novel, but that's something to discuss with the publisher when you have one. The language notes and the short story re the journal are things that you could also use for promotion -- stuff for teens or other readers to explore on your website, etc. You can mention to agents/publishers that you have ancillary material that can be used as enhancement and promotion, but the first thing they are looking at is whether they are interested in the main story usually.
June 16th, 2011, 11:33 AM #168
BTW-- Given KatG's background, her insights will be based on deeper experience than mine.
Make certain you get several outside people (a professional editor, if you can afford one / some erudite friends if you can't) to edit for you. We all make spelling, typing and syntax errors. There is a world of difference between insight and incite, and the word processor's spell check won't be enough. Without a thorough clean-up, no one will read to the end.
Enjoy -- WB
June 16th, 2011, 01:11 PM #169
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- Jun 2011
October 17th, 2011, 07:26 AM #170
Getting Publishished Part Deux: More questions answered.
I just started reading Tim's post on getting published and thought it was a wonderfully generous thing for him to do. But I also found that his path was much different than my own. And publishing is changing so much right now that I wanted to bring to light some other alternatives. I didn't want to hijack his thread so I thought I might start my own.
Okay...a short background...and I'll try to make it short. I wrote 10 (or 12 can't remember) novels in my "adult years" and tried to get an agent with no success. I finally got "really serious" and studied the market, worked hard to carefully craft the prose, and wrote what I think was the best thing I was capable of (it was literary fiction). I got many agents saying how good it was but that there was no market so I finally threw in the towel. I quit writing and vowed never to write creatively again.
Well as other writers know...as much as you hate writing sometimes you also can't stop the ideas from coming so ten years later I decided to write something "just for me". I had no intention of publishing. I promised I would keep this short so the condensed version is I eventually did decide to publishe and a small press picked it up, had financial problems and then I was more or less "forced" into self-publishing (to meet some deadlines for the 2nd book that fans were waiting on).
I published 5 books (of a six-book series) releasing one every six months and sales slowly grew to about 1,000 a month (across 4 titles) when my 5th book came out it jumped to 2,600 a month and I started thinking maybe I should try New York again. I thought it would take years to get any nibbles but had 7 publishers interested immediately. (I'm sure the fact that at the same time as I was "shopping" the series the books went viral - 10,000 - 12,000 copies a month didn't hurt ;-). But still...for the most part my sales were still very much on the "respectible" end when I was talking to publishers.
So...here we are about a year later and my six-book series is now coming out from Orbit (Fantasy imprint of #2 publisher Hachette Book Group) in just over a month. They fast tracked the project and the books will be released as follows:
- Theft of Swords (Nov 2011)
- Rise of Empire (Dec 2011)
- Heir of Novron (Jan 2012)
I received a much higher advance than most "first time" authors (typically $5,000 - $10,000 a book and I got six figures for three) and have now done it all (self publishing, small press, big-six) so I can talk a bit about the pluses and minues of each. (None of them is the "right" path -- there is only "right for you") ...
So just as Tim did - I'm going to offer up my brain for picking. The lanscape has changed a great deal recently and I think I'm a bit more "plugged into" the "out of the box" approach that is working for quite a few of the authors I'm familiar with.
Last edited by sullivan_riyria; October 17th, 2011 at 09:36 AM. Reason: Fixed typo in title
October 17th, 2011, 07:54 AM #171
I just finished reading/sometimes skimmming the whole post...It seems like Tim dropped off and Kat graciously stepped in. She is right on the money about how traditional publishing works.
My intention is to "stay with this post" so hopefully we won't have to drag Kat into it - but as I'm more from "grass roots" and she is more "traditional approach" I'd love to see her comments as we go along.
October 17th, 2011, 09:19 PM #172
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- Jun 2009
- Northern California
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Which thread are you referring to? And are you opening this thread for us wannabes to ask questions?
October 17th, 2011, 11:35 PM #173
We merged you. We stickied the thread to be a general topic of interest to writers, so they could ask publishing questions.
For me, having worked with self-publishing authors long before the e-book market took off, the recent distinction of the indie field as grass roots and publishing as "traditional" publishing is not really there, I guess, but that doesn't mean that authors aren't facing different factors coming into the market from different directions. You are pretty much running the whole gauntlet, Sullivan, so I'm sure people will find it very helpful.
One thing to keep in mind re Sullivan's interaction with publishers for reprint: 10,000 copies sold in total, much less 10,000 a month, from a self-published author is not considered "respectable" or medium sales for publishers. It's considered extremely successful and reflecting the potential for really large audiences in a published edition. The sales levels they are looking at for authors on their lists and self-published authors are not the same. Just thought I'd throw that distinction in there as we have writers doing every kind of publishing here at this point. (Basically, I'm saying that Sullivan is being too modest here.)
Last edited by KatG; October 17th, 2011 at 11:42 PM.
October 18th, 2011, 09:06 AM #174
October 18th, 2011, 11:22 AM #175
Second question. When you were writing a manuscript who was your most helpful person for you to turn to when you had a question about the direction of your plot, or just editing in general, and why?
Thanks for your time, Sir. -IK
October 18th, 2011, 09:09 PM #176
There are many people who may have different opinions which is great. All I can speak to is what I've experience first hand as I've done all three and I see that the business is a lot different than when I started in this a decade or so ago.
October 18th, 2011, 09:15 PM #177
October 18th, 2011, 09:20 PM #178
- Nathan Lowell - 3,600 copies of Full Share in the first week of release and 9,500 in a single month with half the titles as I had
- Marshall Thomas: 19,500 copies in a single month (across six-titles)
- Leslie Ann Moore: 5,000 copies across 2 titles in a month
Then there are authors I know like H.P. Mallory who was selling 20,000 books a month when I was selling 10,000 and David Dalglish routinely sells about 11,000 a month
I venture to say most people have never heard of any of these names because in many respects we are all "small frys" but the ebook revolution has been very good to us and we could have never sold at these numbers pre Nov 2010.
October 18th, 2011, 09:47 PM #179
- I outline - but very briefly and I'll deviate from it as the story develops if needs be.
- Once I finish I take a few day to think is there any way that I can raise it another peg. In many ways I'm running the whole story through my head looking for how I can produce a bigger bang. This usually results in some fairly major changes
- Once I have it the way I'm happy it goes to my wife. She is hands-down the best "story editor" I have ever seen. She finds plot holes...tells me what areas need expanding...which are dragging...if I started in the wrong place...missed opportunities where a slight change will take it to that next level that I didn't see. In most cases she may see a problem and present a solution...more often than not I don't use the solution but it will lead me to an "even better idea.
- After we've got it the way we want it. I send it to beta readers and writer friends whose opinions I trust. This may lead to some more changes but they are relatively minor and usually just a tweak here and there - I don't think I've ever made a large scale change based on that feedback.
Keep in mind this is what I do...and every author has a different approach it may not work for you, but you asked so I thought I should answer.
October 18th, 2011, 10:09 PM #180
thank you. Thats what i wanted to know. I dont have the editor/wife. Nor many friends that read SF/F, or even read fiction Makes it difficult at times. I do appreciate your reply tho.