Interview with R. Scott Bakker

What's the progress report pertaining to NEUROPATH? What can you tell us about the premise of the story? Anything new you wish to share with your fans? Something to whet their appetite. . .

SB: I’m working on the rewrites as we speak, and I should have something for my agent to shop around by February. In many ways, I’m doing the same thing I did with The Prince of Nothing: I’m embracing the genre, telling a classic psychothriller tale, in order to explore its significance from the inside out.

I got a good vibe about this book.

What extensive research did the writing of the THE PRINCE OF NOTHING entail?

SB: It wasn’t so much a matter of doing specific research - like I’ve been doing for Neuropath, for example - as the result of twenty years being a student and an information junkie. I seem to be a little bit interested in everything. Outside of philosophy, I’m as shallow as an ice rink, but I’m at least as broad as the blue line.

The series has garnered what can best be described as a cult following. However, many doubt that it will ever become "mainstream." With that in mind, how rewarding is it to realize how successful the series has been and continues to be to this day?

SB: It probably is too challenging to go mainstream in a manner analogous to Martin or Jordan. All I know is that it has already exceeded my initially pessimistic expectations. I have regrets, especially about the difficulties with The Darkness that Comes Before, primarily because I know they are largely the result of my immersion in the world and my inexperience as a storyteller. But the fact is I’m paying my rent, all of my publishers are very happy with the numbers, and those people who love the books, really do love them. Hoping for more is understandable, but expecting more would be presumptuous and self-defeating. I started working in the fields when I was nine years old. I put myself through university by working midnights at a grocery store - fourteen years I spent there. Drudgery was my middle name. Right now my life is slack - I know it, and I’m not about to second-guess it.

I am aware that The Darkness that Comes Before has been translated in French. How many foreign sales have you been able to secure so far?

SB: Hmm. So far it’s also being translated into Spanish, German, Polish, Czech, Romanian, and Russian. Not bad for a newbie, I think!

The fact that you have your own forum on the internet is an indication that interaction with your readers is important to you as an author. How special is it to have the chance to interact directly with your fans?

SB: It’s very cool, but I’d be lying if I didn’t say it was a mixed bag, because it is. The web is a precarious place for an author to be. Say you knew that two people were whispering about you in the next room. What would you do? Ignore them and continue cleaning your toe jam, or hold your breath and try to hear what they’re saying. I think it’s human nature to do the latter, even though there’s something unhealthy about doing it. The web is a big whisper, and once you strain your ears to listen, it becomes very hard to stop. For me, anyway, it tends to become a kind of psychic noise pollution, and it interferes with the clarity that is so integral to my writing. The problem is that the more I log on the more I succumb to a morbid curiosity for the vox populi - even though afterward it feels like sticking myself with pins.

Some people really don’t like me.

On the other hand, however, the actual interaction is absolutely priceless - there’s no better way to work out your thoughts on a topic than to debate them on a web forum. Then there’s the desire to give back to those who actually spent a part of their lives - because that’s what money is: what we get for surrendering part of our lives to assembly lines, kitchens, highways, or whatever your occupation happens to be - to share your thoughts and your stories. And the web is the perfect way to do this, even if you find yourself saying RAFO over and over again, and your readers keep pointing out inconsistencies that you missed, or factual mistakes that you made, or seem to think your imaginative excesses offer clues to your sex life or psyche or...

Which is to say, keep you honest!