You are boring and repetitive, and I will be ignoring you now
So do all stories that inspire people beyond the author's expectations lack "true quality," because the inspiration was unintentional on the author's part?
What if someone writes a book or a song that people "mis"interpret, but the "mis"interpretation is something that people find extremely meaningful?
Obviously no story that truly inspires could be without any quality. But if the inspiration was unintentional, you have to ask yourself, did it occur due to some of his qualities, or was it a simple chance?
So intentional ambiguity (Joyce, Faulkner, Kafka) is OK, while unintentional ambiguity reduces "true quality"?
Quite so, yes ^_^
So if Joyce had intended his novels to be quite clear and simple, and had just been such a mental spazz that Ulysses confused most people, then his novels would be crapola???
Uh, I gather you haven't read
Ulysses or
Finnegan's Wake? I mean, the chance of those books turning out the way they are through anything but painstaking determination and genius concept is akin to the proverbial room full of chimps typewriting
Hamlet by random chance. I mean, you are giving me an absolutely absurd "what if" situation that just does not compute, so obviously I can't answer your question. Btw, to add something to the "quite so" line - intentional ambiguity is not in and of itself a measure of "good quality". A work of literature could be intentionally ambiguous and still gloriously bad. But when I say "unintentionally ambiguous", I mean the most basic linguistic level - simple words that do not connect entirely right and give unclear meaning that the reader has to "translate" mentally. Case in point - Ann Rice and most writers of fantasy ever
I just don't get it. Or buy it. If I tell you the Flaming Lips are the best band on the planet (note: they are), how can you prove me right or wrong? You could argue that the Flaming Lips often have out-of-tune vocals. But suppose I don't care? You could argue that the Flaming Lips' song meanings are not as widely understood as the Flaming Lips would like. But suppose I don't care?
You are suddenly giving me examples to my own claims. Thank you for that, but I don't suppose it's intentional. Yes, if you don't care about out of tune vocals, then by all means - don't care. Your subjective love for the band is unaffected by their lack of pitch. BUT their
objective quality in terms of pitch
is lower than that of a band whose vocals aren't out of tune. This is the difference between fact and opinion - the one you mention in the next quote, and one I also mentioned on this page or the previous one. Also, there is no such thing as a "best" thing. Anywhere. Ever. (apart from anime and
Cowboy Bebop, but we won't go there) The more your knowledge of a certain field broadens, the more ridiculous the concept of "best" becomes. Best in what? Best how? Best for whom? How do you even measure "best"?
Opinion and fact are just two different animals entirely.
In so much deed. In fact, I've been known to state the same thing. Over and over and over and
over again.