A look at when the narrator of an audio performance of a book lifts it by a full star over the printed book

Windshadow

need more dried frog pills
Joined
Oct 25, 2015
Messages
3,156
What Audiobooks have you listened to, where the editors at audible have assigned the perfect reader.
I do hope for continuing additions to this thread so we can highlight these performances.

I will start this off with my entry:

The book itself is the author's first and is in my estimation a 4-star effort many readers will mark it down for its lack of violence and gore but that is the positive narrative choice for me. It does have some of the flaws of a first novel but good professional editing does ease them quite a bit.

The inspired choice of Tanya Eby by the editors at audible (and which the author told me he had no part in) fits so well with the protagonist you almost feel as if Tanya had some input to the actual text. but the author says not, the editors at audible had input and minor changes before Ms. Eby was assigned to the project.


5134lG-nbhL._SL500_.jpg

Publisher's Summary
Starship engineer Anailu Xindar dreamed of owning her own ship, but she didn't find the courage to actually go for it until she was forced out of her safe, comfortable job. She goes shopping for a cheap, practical freighter, but she ends up buying a rare, beautiful, but crippled luxury ship. Getting it into space will take more than her technical skills. She'll have to go way outside her comfort zone to brave the dangers of safaris, formal dinners, a rude professor, and, worst of all, a fashion designer. She may even have to make some friends...and enemies.
The Sculpted Ship is set on the outskirts of an interstellar empire where FTL travel is commonplace but intelligent robots are rare and expensive. Though the Iris Empire has stood for 1,000 years, a talented individual can find plenty of opportunities. But the nobility of this empire guards its privileges jealously.
©2017 Kevin M. O'Brien (P)2017 Tantor

My review of the audible version was:
One of the best Science Fiction Novels by a new first-time author, that I have enjoyed in years. This Is a tough one to review as the reading by Tanya Eby adds so much to this essentially gentle adventure story that I decided to wait a year and read the normal kindle version to be sure the book could stand on its own two feet without the redoubtable Ms. Eby Interpreting it with her superb talents. It Can. The ship itself earned its place as the title character for me, but I am an engineer so that might color that opinion. The Protagonist is inherently likable which is a major plus in a story like this with its refreshing lack of death and violence. That is a courageous decision for a first-time author in a series starting novel, and the author should be applauded for it. If you are looking for a truly refreshing Science fiction listen this should be right at the top of your next listen pile.

A review or the ebook version said:

I thoroughly enjoyed The Sculpted Ship. When I read the sample chapter prior to purchasing this book, I had the impression that The Sculpted Ship would be heavy on character development with a light plot, similar to books like Nathan Lowell's Solar Clipper series. And for the first half of the book, that's largely what it was. I not trying to imply that the pacing was slow for the first half of the book (it grabbed my attention in the first paragraph and kept it for the entire book), just that the plot was driven by the protagonist's development into a ship's captain. This changes in the second half of the book into something very different and introduces plot conflicts that have me excited to read any future books written by the author.

The book begins with a very shy ship's engineer, Anailu Xindar, leaving her previous job and starting on her dream of captaining a ship of her own. Although she starts out with a simple, practical plan, she takes a risk on purchasing a derelict ship of the same model that had inspired her to go into space in the first place. However, there are some very unusual secrets about this ship, and about Anailu herself that come to light as the story progresses. I will say nothing further to avoid spoiling the story for any other readers.

On the technical side, I found the editing of the writing to be first-rate. The story flowed well, even when moving the focus away from character development. Anailu was a very likable character and shows real growth as she deals with the many challenges of her unique ship, and the author has left me very excited for any follow-on books.

I highly recommend this book to fans of science fiction/space opera of all ages.
 
Last edited:
Most recent example for me:

Piranesi, by Susanna Clarke -- narration by Chiwetel Ejiofor

I can't imagine a better narrator for that book.

Another example from not too long ago:

Angel of the Crows, by Katherine Addison -- narration by Imogen Church

The book itself is sweet, but far from perfect. But Church raises the book far beyond its text; her character voicings are delightful.

I don't actually know whether any of these are specifically Audible books, and I'm too lazy to go look. IMHO you should edit that to "audio" rather than limiting yourself to one specific company!
 
MHO you should edit that to "audio" rather than limiting yourself to one specific company!
Done and I quite agree with your pick of:
Piranesi, by Susanna Clarke -- narration by Chiwetel Ejiofor
I can't imagine a better narrator for that book.
I thoroughly enjoyed it while I did not enjoy
Jonathan Strange & Mr Norrell - Wikipedia
en.wikipedia.org › wiki › Jonathan_Strange_&_Mr_No...

very much in contrast.
And on your recommendation
has been added to my to listen to File
 
I have a few audiobooks from when I sign up and then cancel an audible subscription. Besides finding the time to listen to - not just hear - one these books, I find the quality of narration varies wildly. I have A Talent for War by Jack McDevitt, but the narrator, Gregory Abbey, was so awful I couldn't finish it.

On the opposite spectrum, Stephen Fry reading The Complete Sherlock Holmes is an absolute joy.
 
A red flag for me is an author reading his own book. I am sure that this is in part caused by fans who have attended a book signing where the author reads a short excerpt to the acclaim of his loyal fans. it can also be influenced by the cost to a self-publisher hiring a pro reader.
there are exceptions but to me, they prove the rule to avoid them. Also, the author's wife/girlfriend/ husband /boyfriend is also a narrator who is a low chance of being good.

just being an actor is not a guarantee, audiobook performance is a different skillset. A skilled radio actor does seem to be good preparation.

a thing that is not part of the credits in an audible listing is the director of the reading.... some of them seem to pull out amazing results but their credit seems to be hidden most of the time and I learn about that aspect when a grateful author acknowledges both the performer and the director on his blog.
 
One narrator I've recently come across is Lorelei King. Never heard of her you say? If you look her up you will go 'of course'. Anyway, I've been watching the Alien series again and I thought I might try some of the audible dramas. King plays the role of Ripley and from what I've heard from the samples she does an excellent job. She's also narrating William Gibson's Jackpot Trilogy and she does a much better job of it than the fellow reading Neuromancer. If I was listening to that for the first time I would never give Gibson a second look.
 
A major exception to my no authors as the reader is The Free Lunch By Spider Robinson, he totally knocks this excellent story out of the park(yep pun intended)


Praised by The New York Times as "an homage to the lighter side of Robert A. Heinlein", this is a clever and compassionate novel for Robinson and Heinlein lovers alike.

“The Free Lunch is a fast-moving homage to the lighter side of Robert A. Heinlein”
- The New York Times

"You get much more than you bargained for in this fun-filled-yet-serious novel. Spider's the antidote for entropy, the blahs, and the pernicious notion that humor and good grace are absent from the SF field." - Ben Bova

"The Free Lunch" is a three-course meal: adventure, humor, and solid extrapolation. Spider Robinson is a master storyteller, and this novel is one of his best. Bon appetite!" - Allen Steele

"If one were given the task of creating Spider Robinson from scratch, the best way to do it would be to snatch James Joyce from history, force-feed him Marx Brothers films and good jazz for the better part of a decade, then turn him loose on a world badly in need of a look at itself."
- The Vancouver Sun

"Spider Robinson is the hottest writer to hit science fiction since Harlan Ellison, and he can match the master’s frenetic energy and emotional intensity, arm-break for gut-wrench.”
- The Los Angeles Times

"Spider Robinson is the Tom Robbins of the 21st century."
- John Varley

[Spider Robinson] "embodies the best of Sturgeon, Heinlein, and Asimov."
- David Gerrold
 
One narrator I've recently come across is Lorelei King. Never heard of her you say? If you look her up you will go 'of course'. Anyway, I've been watching the Alien series again and I thought I might try some of the audible dramas. King plays the role of Ripley and from what I've heard from the samples she does an excellent job. She's also narrating William Gibson's Jackpot Trilogy and she does a much better job of it than the fellow reading Neuromancer. If I was listening to that for the first time I would never give Gibson a second look.
I made a mistake. King doesn't play Ripley, she voices Mother. Laurel Lefkow plays Ripley. ¯\_(ツ)_/¯
 
A red flag for me is an author reading his own book...Also, the author's wife/girlfriend/ husband /boyfriend is also a narrator who is a low chance of being good.
I have to disagree with this. For example, Neil Gaimon does a wonderful job narrating his Norse Mythology. I've listened to books narrated by performers with the same last name as the author (not sure of the relationship) which were well done.

Another great audible narrated by the author is As You Wish written and narrated by Cary Elwes and is not to be missed.

The Great Courses are a series of lectures given by the author and I've enjoyed- and learned from- the ones I've listened to.

Of course, I preview everything before I buy it. If I don't like the narrator, I pass.

There are several books where the choice of narrator elevated the level of enjoyment. I loved listening to the Myth novels written by Robert Asprin as narrated by Noah Michael Levine, but had no interest in reading them.

The right narrator is essential to an audible book. One favorite series is Imperial Bounty written by William C. Deitz. Unfortunately, the narration is flat and ruins the experience.
 
Don for me it is the exceptions that prove the rule and Yes Neil Gaimon does a fine job. Cary Elwes is a good actor so his performance is not a surprise.

For me, it is just those readers that move a 4-star book up to 5-Star that fascinate.
 
I have Neil GaimAn's Neverwhere as an audiobook and Gaiman read that. He's okay, but Lenny Henry reading Anansi Boys is sublime.
 

Sponsors


We try to keep the forum as free of ads as possible, please consider supporting SFFWorld on Patreon


Your ad here.
Back
Top