Stanley Steamboy
Well-Known Member
- Joined
- Apr 9, 2020
- Messages
- 727
Good writing is wherever you find it, and if the publishers produce more episodic fair than books, that's what fans will read. SF has many traditions since its earliest years, and I'm a fan of some of them dying, like dislocating the contents of a novel across time. I'm sure a cogent analysis of the market forces that have moved novels away from magazines and into book form is coming, but I do think that a great deal of it is that most SF novel readers prefer them that way - which appears to mirror what had already happened with regular fiction. "Did Little Nell live?!!!" they shouted at the passengers.It was a regular thing for core SFF readers who read the magazines. They were used to it. Stephen King's The Gunslinger, starting his Dark Tower series, built up a cult following by being published in magazine installments. Joe Haldeman's Forever War was first serialized in Astounding, etc.
And the tradition has continued, even though it happens less frequently -- Allen Steele's novel Coyote was first serialized in Asimov's in the oughts and Charles Stross' Accelerando was an episodic novel first serialized also in Asimov's. And the other tradition of taking a short work or several of them (a series) and expanding it into a novel has also continued. Will McIntosh' novel Soft Apocalypse, for instance, came from three short works in a series published in Interzone, expanded into a fuller novel. The first of those, also called "Soft Apocalypse," was nominated for a British Science Fiction Award. And of course self-published authors often do the same. Hugh Howey self-published a series of novellas and then those were bundled together into an episodic novel, Wool, and reprinted in print/distributed by S&S.
Writing short and episodic is a SFF tradition, especially for SF. Writing big, sweeping stories is also a SFF tradition, especially for some types of fantasy. While some trends in format have changed over time, with different publishing options, SFF authors still tend to play with all of them, depending on their own writing preferences.
Every generation seems to have a different sort of attention span. Maybe today people have a greater ability to concentrate on a novel for days at time, but less ability to sustain enthusiasm for an unfinished read that comes in monthly installments. Or maybe books fit on bookshelves better.
Funny that we recently arrived in an age when television is being similarly digested.


