Why are there so many Trilogies written?

It was a regular thing for core SFF readers who read the magazines. They were used to it. Stephen King's The Gunslinger, starting his Dark Tower series, built up a cult following by being published in magazine installments. Joe Haldeman's Forever War was first serialized in Astounding, etc.

And the tradition has continued, even though it happens less frequently -- Allen Steele's novel Coyote was first serialized in Asimov's in the oughts and Charles Stross' Accelerando was an episodic novel first serialized also in Asimov's. And the other tradition of taking a short work or several of them (a series) and expanding it into a novel has also continued. Will McIntosh' novel Soft Apocalypse, for instance, came from three short works in a series published in Interzone, expanded into a fuller novel. The first of those, also called "Soft Apocalypse," was nominated for a British Science Fiction Award. And of course self-published authors often do the same. Hugh Howey self-published a series of novellas and then those were bundled together into an episodic novel, Wool, and reprinted in print/distributed by S&S.

Writing short and episodic is a SFF tradition, especially for SF. Writing big, sweeping stories is also a SFF tradition, especially for some types of fantasy. While some trends in format have changed over time, with different publishing options, SFF authors still tend to play with all of them, depending on their own writing preferences.
Good writing is wherever you find it, and if the publishers produce more episodic fair than books, that's what fans will read. SF has many traditions since its earliest years, and I'm a fan of some of them dying, like dislocating the contents of a novel across time. I'm sure a cogent analysis of the market forces that have moved novels away from magazines and into book form is coming, but I do think that a great deal of it is that most SF novel readers prefer them that way - which appears to mirror what had already happened with regular fiction. "Did Little Nell live?!!!" they shouted at the passengers.

Every generation seems to have a different sort of attention span. Maybe today people have a greater ability to concentrate on a novel for days at time, but less ability to sustain enthusiasm for an unfinished read that comes in monthly installments. Or maybe books fit on bookshelves better.

Funny that we recently arrived in an age when television is being similarly digested.
 
Good writing is wherever you find it, and if the publishers produce more episodic fair than books, that's what fans will read. SF has many traditions since its earliest years, and I'm a fan of some of them dying, like dislocating the contents of a novel across time. I'm sure a cogent analysis of the market forces that have moved novels away from magazines and into book form is coming, but I do think that a great deal of it is that most SF novel readers prefer them that way - which appears to mirror what had already happened with regular fiction. "Did Little Nell live?!!!" they shouted at the passengers.

Every generation seems to have a different sort of attention span. Maybe today people have a greater ability to concentrate on a novel for days at time, but less ability to sustain enthusiasm for an unfinished read that comes in monthly installments. Or maybe books fit on bookshelves better.

Funny that we recently arrived in an age when television is being similarly digested.

Every generation is only about eighteen years of people being born and they all have about the same attention span with older people developing somewhat longer attention spans that come with age and younger people having short attention spans that come with brain development and lots of entertainment content often aimed specifically for them.

Way back in the 1990's, for instance, predictions were made that short story collections were going to be the new in-thing because newer people then supposedly had much shorter attention spans, didn't want to read long novels and so would prefer short fiction they could digest quickly in audio, commuting, electronically, print, etc. Except short story collections did not become the new in-thing then. Giant ass novels did. Which many other readers don't like. The short attention span argument gets made every decade for predictions and remarkably does not develop much in the way of trends, nor do scientists really find it happening. It's a social perception that results from aging, which seems to involve disapproval of how younger people do things.

Likewise the predictions thirty, twenty years ago was that the younger generations needed to push buttons with pictures on cash registers and watch videos on the Web and couldn't do math fast in their heads and so they would become largely illiterate. That wasn't true either. The younger generations write and read more, thanks to the Internet, than any other ones before them. They also don't act as a monolith -- they have different interests in different forms of story-telling. So I tend to throw cold water on generational assessments because they don't tend to pan out.

Which is why you're going to be disappointed that serialized novels have not died out as a tradition in SFF. It still goes on in magazines some times and it's become a successful form in self-publishing/electronic publishing. As I mentioned, Howey shot to fame doing it with Wool. While his novellas were somewhat episodic, they are all parts of the same story, one novel. Other people are still quite into the did little Nell live thing. And in comics/graphic novels, both online and in print, it's still very much a common form. All sorts of funky experiments are going on, from audio podcasts to new shared universes.

If there's a format, some authors will play with it. Nothing dies out. I mean, nothing. Something may not be super popular and have a growth expansion for a bit so it might seem like it's gone but it's deceptive. People are actually doing it and sometimes hits come out of it. So we'll always have trilogies. But we'll also always have standalones and quintet series and so forth.
 
Every generation is only about eighteen years of people being born and they all have about the same attention span with older people developing somewhat longer attention spans that come with age and younger people having short attention spans that come with brain development and lots of entertainment content often aimed specifically for them.

Way back in the 1990's, for instance, predictions were made that short story collections were going to be the new in-thing because newer people then supposedly had much shorter attention spans, didn't want to read long novels and so would prefer short fiction they could digest quickly in audio, commuting, electronically, print, etc. Except short story collections did not become the new in-thing then. Giant ass novels did. Which many other readers don't like. The short attention span argument gets made every decade for predictions and remarkably does not develop much in the way of trends, nor do scientists really find it happening. It's a social perception that results from aging, which seems to involve disapproval of how younger people do things.

Likewise the predictions thirty, twenty years ago was that the younger generations needed to push buttons with pictures on cash registers and watch videos on the Web and couldn't do math fast in their heads and so they would become largely illiterate. That wasn't true either. The younger generations write and read more, thanks to the Internet, than any other ones before them. They also don't act as a monolith -- they have different interests in different forms of story-telling. So I tend to throw cold water on generational assessments because they don't tend to pan out.

Which is why you're going to be disappointed that serialized novels have not died out as a tradition in SFF. It still goes on in magazines some times and it's become a successful form in self-publishing/electronic publishing. As I mentioned, Howey shot to fame doing it with Wool. While his novellas were somewhat episodic, they are all parts of the same story, one novel. Other people are still quite into the did little Nell live thing. And in comics/graphic novels, both online and in print, it's still very much a common form. All sorts of funky experiments are going on, from audio podcasts to new shared universes.

If there's a format, some authors will play with it. Nothing dies out. I mean, nothing. Something may not be super popular and have a growth expansion for a bit so it might seem like it's gone but it's deceptive. People are actually doing it and sometimes hits come out of it. So we'll always have trilogies. But we'll also always have standalones and quintet series and so forth.
I didn't say people now have lower attention spans. I said they have different attention spans. People value their time in different ways in different eras.
 
Then there are trilogies where the author gives up after the first two, so the reader never gets to learn the end of the story.

Dean Koontz and his Moonlight Bay 'trilogy'

 
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And the word "trilogy" is so convenient as well. What else is out there? Series? That's four or more volumes. Our choice is limited by vocabulary.
 
Lots of people like trilogies. Some are shorter than a single book.
Attention span varies with culture and background more than age. I'm sceptical that things like that can change in a generation or two. Different new things can be fashionable. Old things don't go away, though the medium writing is captured on for distribution varies. Some stories must have taken a huge amount of space on clay tablets, but they have survived best. Bark, animal skin (parchment and velum) various plants as well as papyrus, rice paper, rag based paper, pulped wood, mixed cloth & wood, plastic and stone have all been used. Not so much stone and some plastics are cellulose based which chemically isn't much different to wood pulp (mostly cellulose) or cloth (partly cellulose).
Electronic text (on eink is best) seems to be an addition to static printing due to needing a reading device, an electronic delivery mechanism, electricity and issues with archives and gifting.
 

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