Originally posted by Homesick Alien
Ficus - Didn't like The Scar? I have to admit, I found the first part of the book somewhat weak structurally, but as the book went on, and Miéville's imagination took flight, the marvels presented for the reader were more than enough to overcome the earlier deficiencies. It would probably feature in my best books of 2002.
Alien -
No I thought the whole thing was pretty terrible. It was very badly paced: horribly slow. It was very uneven in terms of the flow of the story. You would get something interesting going on, and some story momentum, and then it would dissipate. Up and down, up and down.
Most of the characters were repellant, cliched, and very high school (or whatever the UK equivalent is to spoiled, self-absobed, know-it-all smug children pretending to be sophisticated world-weary adults: Bellis is not appalled that the lovers mutilate each other, because she is too sophisticated to be shocked, but she is appalled by the actual raw emotion they display, which is of course not cool, and cool is all that matters). Other than Tanner and Sheck (the kid who was his friend- can't remember his name) none of them had any juice in them. I didn't care about them, and didn't want to spend time with them.
The armada and the ocean were pretty much empty and basically sterile. Once you leave the Kray city you might as well be in a desert. Think back to New Crobuzon and how packed with life and oddities it was. The underside of the Armada should have been encrusted with life and strange communities - but it was empty.
I thought the device the spy (can't remember his name) used to move around and be invisible everywhere was a massive cheat on the part of the author. It was a magic wand (deus ex machina) that allowed him to ignore the rules, without coming up with an actual plot that incorporated his behavior into the story.
Then there was the stuff he 'borrowed' from others:
I think he got some of his vampire stuff from Brian Lumley's vamps, and the 'possibility' angle was just one of the theories of the effects of time travel on reality, tailored for a fantasy setting. I realize most ideas are recycled, but he didn't do a good job, to me anyway, of blending it in, and removing his finger prints.
Some of this CM may have done on purpose, for some effect he was trying for, or point he was trying to make -- but because that was almost all there was to the novel: I didn't care what happened, or about the characters (Tanner and Sack (?) excepted) I just wanted it to end.
I will check out his next one, but if it doesn't grab me at the start like
PSS did, I will give it a pass.