I thought the AI depiction pretty clever, too.
As much as I enjoyed this novel, I simply could not get into the short story associated with the novel The Djinn's Wife (I think), nor any of his other short fiction I've attempted. I know this thread is to specifically discuss River of Gods, but has anybody else had this same experience?
Interesting. I only read "Djinn's Wife" after I read
River of Gods, and I enjoyed it a lot more than the novel. I'm a big fan of MacDonald's, and I find he's generally better at Short fiction than at novels.
I thought the themes were very well developed in
Djinn's Wife, and the idea of what an AI
is comes across much clearer. (AJ Rao is as much a fiction as the soap, and so - presumably - is his death.) The story's very intricately structured, down to the choice of the narrator (whose identity is pretty much the punch line, heh).
Perhaps his novels are as intricately structured, but I'm just not focussed enough to catch that in a novel? Anyway, the main attraction of
River of Gods for me was MacDondald's wonderful prose (one of the best current stylists inside genre and out, IMO), and the "cultural snapshots" (rooftop cricket with fresh fruit, country wife caught between husband and mother, nute culture - in their own enclave, the rogue [forget his name] and his sister talk about Christianity...).
I thought the American Scientist's ending was quite strong, emotionally; but I didn't really warm to the AI's secret playground story line.
I understand why the opening image is in present tense, and sometimes the present tense does help put a magnifying lense to the setting, but generally I'm not sure it's very effective here. I don't see it working too well with anything that has to do with the dam. It's not that I mind the present tense while reading; it's just that I'm used to MacDonald having a good reason for every ounce of his narrative technique (
"Djinn's Wife" is actually a good example of that, I thought), and I found that, maybe, a more mixed technique would have worked better? Unsure, here.
Compared to the novels of his I read:
Necroville: This one's the most like
River of Gods in that it also follows various strands and brings them - loosly - together. The idea is that nano-tech is used to "resurrect" the dead, who then turn into a zombie-workforce, who live in designated city areas, is quite interesting, and well executed at that; but - like River of Gods - I felt it was a bit of a pastiche - either too much plot, or too little. I find
River of Gods is the better book of the two.
Scissors Cut Paper Wrap Stone: A very slim volume, but I ejnoyed it quite a bit. A regular chap, who finds his hands tatooed with "highly suggestive pictograms" on either hand (one heals, the other kills) goes to a cyberpunk Japan on a pilgrimage. The book could have been better, I think, with less action and more setting, but I'm not complaining. I prefer the booklet to both N & RoG.
Sacrifice of Fools: Alien colonies in London, racism and the IRA. My favourite of his novels. It's paced like a mystery, but the resolution lies in the alien's biochemistry. It's a twist on the detective (here: a chauffeur) who goes into a strange sub-culture to solve a crime and works beautifully. Needless to say, I enjoyed it more than
River of Gods.
So from my (selective) experience, RoG is a pretty avarage MacDonald's novel, which at times shines
really bright.
Still, I think MacDonald's real strength lies in short fiction.