I finished Richard Morgan's The Steel Remains the other day. I was hoping to put together some extended impressions of the book, but they're taking too long to write out. Basically I enjoyed it very much. In fact, despite having dug Morgan's three Kovacs cyberthrillers and Black Man to a slightly lesser extent, I was surprised by just how much I enjoyed it. The plot combines a tight focus and an almost noire-esque feel, -- the main character spends much of the book trying to track down a missing person, -- with much broader events, and glimpses of even more wide-canvas struggles both past and to come. I found this mixture wonderfully successful; it gives us both tight character-driven goodness and vivid glimpses of world-building. The characters are quite well done as well, though one of the povs unavoidably enjoys the lion's share of development. They share some of the world-weary, cynical badassery to be found in characters in some other recent gritty alternate realm epics, but, [in my opinion, and this can certainly be disputed], stand on their own both in the gritty, weather-beaten department, and in the sense that some of them have an unexpectedly wide streak of genuine heroism running under all that grime. The novel plays with fantasy tropes in interesting ways, ranging from using certain genre staples as social commentary and or footballs for the vigorous kicks thereof, all the way to approaching some of fantasy's oldest borrowings from myth from what looks like a science-fictional tack. So far as the deep strain of cynicism running through the book, [the treatment of war, the piling of dirt on the notion of the knight-in-shining-armor, etc], The Steel Remains really did remind me of Joe Abercrombie's The First Law. There are certainly differences; [Morgan's world and plot is more overtly fantastical, for one, and grapples with / reshapes more of fantasy's standard species as a result]; but this is a bad place to parce those fascinating differences. Suffice to say that, while I do think that Morgan and Abercrombie are approaching epic fantasy in similar ways, I don't really see why that's a problem because they're both doing a cracking good job. Roll on The Cold Commands.
I'm also getting close to done with Gregory Frost's Lord Tophet, the second half of his novel Shadowbridge. Odd duology this: I think it's got enough flaws in pacing and prose to keep it off many best of year type lists, but it's ideas and the manner in which it glides, [or sometimes careens], from one sort of storytelling to another really do make it extraordinary.
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FORD DEL RIO SPECIFICATIONS
I'm also getting close to done with Gregory Frost's Lord Tophet, the second half of his novel Shadowbridge. Odd duology this: I think it's got enough flaws in pacing and prose to keep it off many best of year type lists, but it's ideas and the manner in which it glides, [or sometimes careens], from one sort of storytelling to another really do make it extraordinary.
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FORD DEL RIO SPECIFICATIONS
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