Well nicba, I'll let you know how I handle mood. When I'm writing the first drafts, I let the mood be how it will. I don't bother trying to stick to a certain feel, because that can be fixed later. As for deciding whether or not I want to change the mood, I decide that while editing. You see, because I just write and don't bother with perfection the first time through, I get a lot done very fast. But the major advantage to this is when I go back and edit, I can view the story in a fresh light. I can see it more how a first time reader would. I also have the knowledge of how the entire atmosphere ends up coming off. Often times, with beginnings, it may start on a certain note, but end on a completely different one. Sometimes I'll like the way I started a book, and I'll try to mold the rest of the story more in this fashion while rewriting. Other times, I like the way it felt at the end, so I'll rework any chapters that feel out of place from the beginning. This method worked very well for me on the first book, and its working quite well on this one too. I doubt I'll ever abandon it. It takes a lot of pressure away and always helps me keep moving. For me, it's made writing a lot more liesurely and enjoyable.
As for getting published, that would be great if it happened. Once I finish this second story, and I have two under my belt, I'm going to attempt to shop around to publishers. I hear it's very tough to get picked up, so i don't have my hopes set too high (though, I am stubborn, which might come in handy
). But even if it doesn't work traditionally, I'll go ahead and publish myself. One way or the other, I'm going to have a copy of all these stories in my hand.
And yes kats, the atmosphere did take a leap in a different direction. I wanted to do this some, but I wouldn't be surprised if I've gone too far with it. I'll have to take note of it on the rewrite.
And, as always, thank you.