The Great Matrix Debate

As is pointed out quite often, what Neo did to Smith before seems to have made him stronger so why would Neo use that same tactic again?

Not a good excuse. At the time he fought the three agents at the beginning of the film he did not know that Smith was stronger and hence could have used the same tactic. But seemingly it was more important for Neo to have the first (of what would prove many) danger-free and uninteresting (but supposedly cool) Kung Fu fight scenes.

Seemingly when Neo is the one he will be able to shape the Matrix as he sees fit.

But only if it involves Kung Fu or flying (now with new added & improved kewl pavement-ripple effect).
 
Originally posted by Bond
First of all how are we supposed to know what powers Neo has? You mention what Morpheus says--but how does he know? I think it is perfectly fine to let the filmmakers within certain bounds determine exactly what powers Neo has.

That strikes me as a bit of a cop-out really to just say "Let the film-maker decide." They did, and I wasn't impressed with their decision.
The first film it was about establishing Neo as "The One", the second film seemed to basically attempt to undermine what was established in the first film, which isn't the much of a story progression but regression, thus defeating the object of the first film.
Now it appears Neo might not be "The One". So flying around at supersonic speed, freezing time, coming back from the dead and seeing the world in code isn't enough to convince him it seems.
As Neo can't die in the Matrix, why does he even bother fighting anyone? Even if all the Smith clones got him down on the ground and gave him a damn good kicking for several hours, what harm could come to him after being shot repeatedly at point blank range with a Dersert Eagle?

The daily grind sets in, doubts arise, metaphysical questions such as "What are we here for?" and "What is our purpose?" become more prominant mimicked in the movie by the dilemma besetting Neo

Surely this was already the case in the first film, when Neo was looking for the answers i.e. Morpheus and after his awakening to the real world and having his purpose pretty much spelled out for him in 20 foot neon lights.
the movie that warns against the various monsters (personal demons if you will) of the Matrix that Neo eventually ends up fighting.

Again, what threat do they pose to a someone who is essentially a superhuman immortal?

At the end of the day the film seemed fairly pointless. Maybe if I wasn't too busy groaning at some of the unbearable dialogue, I would have seen it differently, but the fact that I was cringing in the first place whilst watching a film I had eagerly anticipated, is not a good sign.
 
So you wish to go into a tedious deconstruction of the elementary forms and processes of a conversation? Very well if it will soothe you.
Did you or did you not state that I held (and in fact stated) two opinions which I;

a. Do not hold
b. Never stated
I scanned over your posts and extrapolated what I perceived to be your position, one consistent with your previous comments. I then expressed what I thought your position was. Now instead of continuing in the normal course of a conversation and clarifying your exact stand on the topic at hand, you have chosen to go on this detour, engaging in this belaboring process of splitting hairs. That is why I suspect you of being disingenuous, although I guess it is possible you are just anal-retentive.

In any case from your grudgingly given responses to my previous clarificatory questions it would seem that contrary to your claim that I was just plain wrong it would appear I was at least partially correct. So in answer to part "a." of your above question

I stated you held two opinions and from your answers it seems you do hold them at least in part

and as for part "b.":

you certainly stated enough for one to make an educated guess.
Is my argument that the film’s quality is bad?
No. My argument is that I think it is bad.
As I said, your distinction is irrelevant--it is implicitly understood that we are arguing based mainly on our own opinion. Why? Did you expect each of us to qualify every statement we made with an "in my opinion" disclaimer? You didn't

Furthermore, given the preceding as well as the mock contempt you've displayed for my inferences regarding your stance, it would be interesting to know on what you base this statement of yours:
(unlike yourself I am aware that my opinion is not fact)
From what hat did you pull out that rabbit? From thin air? How did you arrive at the conclusion that I consider my opinion fact? Seems like you make no bones about assigning positions yourself. A tad hypocritical perhaps? The real question, however, is can you justify it. Especially since you are no stranger to unequivocal sounding opinions:
Doubtless it would be hard to take them seriously if you were actually correct. Unfortunately (and somewhat predictably) you are wrong. The majority of my complaints have been about the flaws in logic, poor dialogue, bullshit philosophy, endless and pointless fight scenes, Zion rave, poor characters and lack of imagination.
Do you consider that fact or opinion?

Note also how the above was recited like a mantra for the second or third time with little or no support given for most of the points aside from the obligatory I say so or the implied it's self evident. You may think it is, I don't.

Flaws in logic? I explained you ignored.

Poor dialogue? How so? Or do you consider the phrase "spouting bullocks" a sufficient answer?

Bullshit philosophy? How so and what is your reply to my comments?

Endless and pointless fight scenes? Explained already. Where's your answer?

Zion rave? What about it?

Poor characters? How so?

Lack of imagination? How so?

The sole redeeming addition in your last post is the one point regarding Neo's early fight with upgraded agents, which serves the function of showing he can deal with them easily now even using simple kung fu (if you choose to only be strictly literal about it). After this solitary point, you then skip past ALL the figurative implications I raise and ignore even my more basic explanations.

But it seems you aren't really interested in discussion the movie anyway so why should I be surprised?

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That strikes me as a bit of a cop-out really to just say "Let the film-maker decide." They did, and I wasn't impressed with their decision.
Who is to decide then what powers Neo should have? My answer that it is the filmmakers is actually one borne more of necessity than anything else. Now as for your not being impressed with their decision who can argue with that? Someone may have thousands of good reasons to recommend her but if you're not in love with her, you're not in love ;)

The first film it was about establishing Neo as "The One", the second film seemed to basically attempt to undermine what was established in the first film, which isn't the much of a story progression but regression, thus defeating the object of the first film.
Now it appears Neo might not be "The One". So flying around at supersonic speed, freezing time, coming back from the dead and seeing the world in code isn't enough to convince him it seems.
Have you tried applying the perspective I suggested? You can do a whole lot of things that you couldn't when you were still living with your parents, but can you do everything that you want? Even more interesting given that you can do what you want, do you even know what you want? Are you the One you want to be? ;) As for the progression and regression bit, what constitutes progression is very simple in school but after school it becomes murky.
Surely this was already the case in the first film, when Neo was looking for the answers i.e. Morpheus and after his awakening to the real world and having his purpose pretty much spelled out for him in 20 foot neon lights.
Good point but then I would ask haven't you met a 12 or 13 year old know-it-all yet? :D
Again, what threat do they pose to a someone who is essentially a superhuman immortal?
You choose once again not to look at it figuratively, but even in the film it makes clear that Neo can be hurt. Besides notice how fighting them exposed his real vulnerability. It separated him from Trinity, Morpheus, and the Keymaker. See a morality lesson here? If you are addicted to drugs, even if you are successful in kicking the habit, it might lose you your wife and friends and will delay you in your quest in finding your key to salvation :)
 
i think i've spent more time reading these posts than i have actually watching the matrix movies. thank god i didn't waste my time writing them.

i would say that i agree with eurytus when he actually gets around to making points. it seems to me that they originally planned for one movie, then when it did well, decided to make two more but really didn't have anywhere to go with it. i think they said they planned on 3 from the beginning, but the films don't really support that.
 
i think they said they planned on 3 from the beginning, but the films don't really support that.
I respectfully disagree. Aside from my previous comments may I also refer you to the scene in the first Matrix movie when Anderson/Neo is viewed from a TV monitor about to be interrogated by Smith for the first time. It was probably assumed to be a view from a security camera but considering succeeding events could it not be now viewed as effectively subtle foreshadowing? ;)
 
Well, I haven't seen the third one, so I can't defend my point very well. But would you agree that the first Matrix film could be viewed without the other two? Not that the other two don't add anything, but the story seemed fairly wrapped up to me after the first film.
 
Originally posted by Bond

I respectfully disagree. Aside from my previous comments may I also refer you to the scene in the first Matrix movie when Anderson/Neo is viewed from a TV monitor about to be interrogated by Smith for the first time. It was probably assumed to be a view from a security camera but considering succeeding events could it not be now viewed as effectively subtle foreshadowing? ;)

What?!? A TV Monitor, linked with an interview room?!? That's so unusual it's got to be foreshadowing.

I mean, they wouldn't tape interviews with felons would they?

One monitor does not prove foreshadowing with Colonel Sanders and his bargain electrical discount TV warehouse in Reloaded.
 
Hey guys, this thread has been nice and friendly up til now, but some of these posts are starting to sound a bit heated. Can we make sure we keep things civil...

Thanks,

Sammie.


PS. For what it's worth, my opinion is that they probably made the first film with the 2nd and 3rd already in mind, but without knowing if they would get to make them - so they knew the first one had to be able both to stand alone and to lead into the rest.
 
That is why I suspect you of being disingenuous, although I guess it is possible you are just anal-retentive.

Potentially inflaming comments like that, will just degenerate this thread to the point where it's closed.
Let's all try to stay away from making personal comments about members.
Have you tried applying the perspective I suggested? You can do a whole lot of things that you couldn't when you were still living with your parents, but can you do everything that you want? Even more interesting given that you can do what you want, do you even know what you want? Are you the One you want to be?

I am "the One" I want to be, not quite where I want to be at the moment but that has more to do with money, discipline and luck, than indecision.
I don't see the restraints that are holding Neo back in the way you suggest, but it sounds like we're talking about his self-belief (or lack of) and doubts about his abilities.
I know from personal experience than in a dreamscape if you believe bad things will happen, your mind makes them happen, but if you have total confidence in yourself, nothing can stop you.
This is in a "dreamscape" (a film worth checking out btw) which is a "virtually" identical environment to the Matrix.

Originally posted by trentdick2882
Well, I haven't seen the third one, so I can't defend my point very well. But would you agree that the first Matrix film could be viewed without the other two? Not that the other two don't add anything, but the story seemed fairly wrapped up to me after the first film.

I totally agree with you there trent and I like to think of the Matrix as a good stand-alone movie.
Although I will see both the 2nd again and the 3rd (haven't seen it)just to double check I wasn't missing any crucial plot elements.
 
Originally posted by Sammie
PS. For what it's worth, my opinion is that they probably made the first film with the 2nd and 3rd already in mind, but without knowing if they would get to make them - so they knew the first one had to be able both to stand alone and to lead into the rest.

A bit like the original Star Wars trilogy? Part 1 can stand alone, but parts 2 & 3 build on it. Granted most of the action scenes in the matrix sequels went well (as you'd expect from an action movie), but the over philosophising to try and make it something more 'profound' just alienated me to be honest.

If Empire Strikes back hadn't been so good, the Star Wars franchise would have died there and then. Unfortunately Matrix Reloaded isn't quite on par with Empire IMHO. One can argue that Star Wars had a load of philosophy in it- but it never tried to ram it down your throats, and it wasn't as integral to the plot.

khp45.jpg
 
In respect to Sammie et all. I will desist. I think I have amply proved my point in any case and am more than happy for what I have actually written to express my viewpoint.

As to the rest of the stuff.


Flaws in logic? I explained you ignored.

Your explanation was, and continues to be, inadequate. There is no logical reason for Neo to be restricted to using Kung Fu and flying in Reloaded. Once he truly saw the workings of the Matrix he was meant to be able to shape it as he sees fit. Now he can’t. He can stop bullets but seemingly can’t stop a kick or punch in the same way. Why? Both are simply computer code. Probably because freezing kicks and punches wouldn’t look as “cool” as Kung Fu I guess.
As Kahnovitch has already made clear. Neo has regressed. It appears as if the film makers became aware that they had made him too powerful in the first film and had to reign it back in. But it would have been far better had they let their imagination take flight at what Neo could now do. Instead Neo is revealed as having little imagination beyond wanting to be Bruce Lee crossed with Superman.

Poor dialogue? How so? Or do you consider the phrase "spouting bullocks" a sufficient answer?

Trinity speaks like a robot for the majority of the film. Link’s “humorous” comments are not in any way funny. Lock states absolutely self evident military tactics all the time. Neo’s speech patterns largely resolve around things like “who am I” and “what do I do now”, though he usually just resorts to looking puzzled (or constipated I can’t quite decide which). And as for the Twins so called humour and menace. Oh, dear.
And lest we forget, “Zion hear me”.


Bullshit philosophy? How so and what is your reply to my comments?

If you mean how do I respond to your comments about the films being some kind of analogy to the journey of life then I would say that suddenly the reason for disgruntled teenagers liking them becomes all too clear.
It seems like when you are growing up you become all powerful. Then you become middle aged and achieve nothing. Then you die.
How revolutionary!!

Endless and pointless fight scenes? Explained already. Where's your answer?

Explaining that the Burley Brawl is some kind of reference to the directionless of middle age is no answer. This isn’t the Seventh Seal. These films are entertainment and (whatever the supposed reasons behind it) making a fight overlong, boring, plotless and with no sense of inertia or danger is simply bad film making.
Amazing though it may seem to you Bond when I and my friends left the cinema we weren’t thinking;
“the Burley Brawl, what a moving meditation on the futility of middle age”
we were thinking, “that went on too long and there was no point to it. It bored me”
With the tea-room fight we weren’t thinking, “wow that really made it clear to me that you have to fight someone to truly know them”
We were thinking, “that was crap. There was no inertia and it looked like they were dancing. Frankly I might as well have gone to see Lord of the Dance.”
And lastly with the Mansion fight all we could think was, “wow they’re using swords, sais and all kinds of weapons. But why isn’t there any feeling of danger whatsoever. It’s boring.”
The brothers may well have wanted to make a film about middle aged boredom and lack of direction but to make the film itself boring and lacking direction is not the way to go about it.

Zion rave? What about it?

It was mind boggling crap and went on too long. I was aware that Neo and Trinity were supposed to love each other so the sex scene added nothing. And the prelude to the rave contained the worst bit of dialogue in the whole film. All in all the Zion sequences led me to wonder what the point of saving it was. And why the people in it deserved to live more than the cannon fodder in the Matrix.

Poor characters? How so?

The characters were one-note at best. Keanu Reeves is never an engaging leading man but here it was not all his fault. Apart from being perpetually confused and wearing black it is hard to find a single characteristic of Neo to identify.

Trinity. Cool chick who can kick arse and wears black PVC. Oh, and loves Neo. That’s about it.

Morpheus, about the only interesting character in the first film but now becoming more and more of a self-caricature. Especially during his Moses-Lite Zion speech.
We’re going to show them what Zion means, and we’re going to do it by dancing!!

Link, pathetically unfunny. No other discernible personality traits.

The Kid. Totally un-endearing and uninteresting.

The Merovigian. A mouthpiece for philosophical ideas and precious little else.

Smith. Owner of the best moment of the first film, his speech to Morpheus on the human condition, now reduced to being a snarling bad guy. Oh and now with added humorous comments!

The Twins.
Is it possible to be less funny than Link?
Yes it is.
Oh, and totally lacking in danger too.

Niobe. Sorry didn’t even register. She drives cars right?

Lack of imagination? How so?

I have already indicated this above. Basically they could have done so much more with the basic concept. Instead they disappeared up their own arse.

The sole redeeming addition in your last post is the one point regarding Neo's early fight with upgraded agents, which serves the function of showing he can deal with them easily now even using simple kung fu (if you choose to only be strictly literal about it).

I never debated the fact that he can deal with them easily using Kung Fu. The question is why would he? Beyond it looking cool?
The people who defend these films can come up with all manner of baloney about why he HAS to use Kung Fu but none of them really address the situation that Neo is meant to be able to shape the Matrix as he sees fit and they have removed that from him solely so he can look cool.
 
I am in total agreement with TrentDick. Whilst I do some issues with the first film regarding the questionable morals and a poor performance by the lead actor, as a self-contained film it remains a very good sci-fi film.
That is certainly how I shall be viewing it from now on in. For me, not only does the first sequel add nothing (and I can’t even bring myself to watch the final film) but it actually detracts from the first film.
In the first film each step of the way through Neo’s growth was satisfying. When he suddenly became able to best Morpheus in the dojo. When he gains the belief that he can free Morpheus. When he starts to believe that he can face off against Smith without dying. And when he finally attains a level of synergy with the matrix that allows him to treat Smith’s attacks like those of a slow child.
All of these moments were extremely satisfying within the overall plot of the movie. In comparison I did not notice one such moment in Reloaded. Add to that all the other faults already listed and the film becomes totally superfluous to my enjoyment of the first film.
Though I guess it could have been worse. It could have been as bad as Attack of the Clones.

Thankfully Equilibrium came along to remind me that it was possible to do a fight scene which conveyed a feeling of weight and inertia and a sense of danger and yet without taking 15 minutes of screen time.
 
Once he truly saw the workings of the Matrix he was meant to be able to shape it as he sees fit.
As I stated previously the basis for this presumption regarding what Neo should be able to do or not do is mainly in the realm of speculation until Neo by actual performance of an act confirms the ability.
Now he can’t. He can stop bullets but seemingly can’t stop a kick or punch in the same way.
Can you explain to me how Neo stops the bullets in the same way you can explain why one jumps higher on the moon than on earth? No you cannot. You do not know the rules of the Matrix universe. This gives the creators a certain degree of latitude to define things without contradicting the internal logic of the environment. You can of course not choose to believe it but you cannot use the argument that you know the rules of the Matrix universe better than the Wachowskis unless you can show an inconsistency that cannot be explained reasonably. The one you cite is easily explained. Why cannot Neo have more power over his adversaries? Simple explanation: They have different programming he is unequipped to deal with. It's the same reason your anti-virus software or a previously potent vaccine may not be able to deal as effectively with new viruses.

Your comments on the characters and dialogue are based mainly on your opinion and reaction. The only observations I agree with are your comments on the Zion speech and the characters and dialogue of those in Zion. The rest I disagree with, particularly in the case of the Merovingian. His comments were quite functional illustrating his personality clearly and setup the situation to explain Persephone's subsequent actions. I also had a completely opposite reaction to the one you experienced when listening to him. Whereas you only saw philosophical ideas being spouted, I saw a decadent preening self-absorbed host expressing his superiority by insulting and making fun of his supplicants in the guise of idle small talk while at the same time setting himself up for a much deserved comeuppance. I thought he was funny too.
If you mean how do I respond to your comments about the films being some kind of analogy to the journey of life then I would say that suddenly the reason for disgruntled teenagers liking them becomes all too clear.
It seems like when you are growing up you become all powerful. Then you become middle aged and achieve nothing. Then you die.
How revolutionary!!
Indeed I think The Matrix Reloaded is quite unique as a film. I find it hard to think of many films that adopt a storytelling technique in the tradition of a work like The Divine Comedy but is at the same time an action movie and much more besides. So I would say the presentation of the ideas if not revolutionary (a word that suggests imitation by others) is at least original.

However, I get the feeling that's not the revolutionary aspect of the movie you had in mind or were going for but were rather looking for revolutionary philosophical ideas found nowhere else before. If that's the case, I ask you to please name some movies that would qualify in that regard. Are there any? But your comments strike me as merely a simplified sarcastic pantomime of my own, void of a personal interpretation of the philosophy in the context of the movie and lacking in details of how it works or doesn't work. Which makes me wonder if you actually see any philosophy there or not to begin with. If you don't, you should just say so.

Regarding the Zion rave you say "It was mind boggling crap and went on too long." Well if it was mind-boggling for you then I guess its going to be hard if not impossible for you to appreciate it. Perhaps relating it to the stage of the life cycle model I suggested earlier may shed more meaning as to what the Zion rave may represent.
Explaining that the Burley Brawl is some kind of reference to the directionless of middle age is no answer. This isn’t the Seventh Seal. These films are entertainment and (whatever the supposed reasons behind it) making a fight overlong, boring, plotless and with no sense of inertia or danger is simply bad film making.
In the above you seem to think the contemplative nature of a movie like the Seventh Seal cannot be reconciled to a movie geared to entertainment. You see the two as mutually exclusive. Perhaps that's why you are at such odds with The Matrix Reloaded because being a combination of the two is exactly what The Matrix Reloaded is. Your comments on the fights being boring are again mainly your reaction. I thought they were exciting.

As for the supposed lack of imagination
I have already indicated this above. Basically they could have done so much more with the basic concept. Instead they disappeared up their own arse.
Well if according to someone developing a framework that links diverse philosophies from the spiritual and political spheres so that it can work simultaneously as an introduction to Philo, a paradigm displaying the interaction of these ideas, a pop cultural trivial pursuit, a classic allegory, and a post-apocalyptical sci-fi kung fu action movie doesn't display imagination I must wonder if the one who claims this could recognize what imagination is. When you develop a superior example of imagination and consistency please let me know.

The people who defend these films can come up with all manner of baloney about why he HAS to use Kung Fu but none of them really address the situation that Neo is meant to be able to shape the Matrix as he sees fit and they have removed that from him solely so he can look cool.
You do like repeating yourself. My answer above, second paragraph.
 
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you cannot use the argument that you know the rules of the Matrix universe better than the Wachowskis unless you can show an inconsistency that cannot be explained reasonably.

I believe one inconsistency was...

He can stop bullets but seemingly can’t stop a kick or punch in the same way

I don't care how fast someone can punch, it's not going to get close to a bullet's velocity and the point is Neo DOESN'T HAVE TO dodge bullets, but still has to block a punch, kick or other comparatively (to a hail of speeding bullets) ineffectual attack.
This makes NO SENSE!

Why cannot Neo have more power over his adversaries? Simple explanation: They have different programming he is unequipped to deal with. It's the same reason your anti-virus software or a previously potent vaccine may not be able to deal as effectively with new viruses.

BUT (and it's a big but) Neo is not a piece of anti-virus software or any type of software for that matter. He is no longer "hard-wired" to the Matrix and is a free agent. If anything NEO is the virus in the Matrix system, figuratively speaking as he cannot be controlled by the OS nor contained by the Matrix's own troubleshooting software, namely the Agents.
 
Originally posted by kahnovitch
BUT (and it's a big but) Neo is not a piece of anti-virus software or any type of software for that matter. He is no longer "hard-wired" to the Matrix and is a free agent. If anything NEO is the virus in the Matrix system, figuratively speaking as he cannot be controlled by the OS nor contained by the Matrix's own troubleshooting software, namely the Agents.
Perhaps my anti-virus software example made things unclear. My argument is not mainly a technological one but rather takes into account adaptation. So substitute by anti-virus software example with an antibiotic medication example and the growing resistance bacteria have against them. It is therefore immaterial in this view if Neo is not controlled by the OS and a free agent. The presumption is the agents and other enemies of Neo have tried to find ways i.e. "upgrade" to better withstand Neo.
 
The above seem to be clear examples of what someone on another board has eloquently labelled 'vacuum logic.'

The crux of the argument was this: every story has gaps, and every gap can (and will) be filled with an arguement from a fan. The point is that to do so goes above and beyond what the filmakers state in the film.

Simple explanation: They have different programming he is unequipped to deal with. It's the same reason your anti-virus software or a previously potent vaccine may not be able to deal as effectively with new viruses.

My argument is not mainly a technological one but rather takes into account adaptation. So substitute by anti-virus software example with an antibiotic medication example and the growing resistance bacteria have against them. It is therefore immaterial in this view if Neo is not controlled by the OS and a free agent. The presumption is the agents and other enemies of Neo have tried to find ways i.e. "upgrade" to better withstand Neo.

Well if that was what was intended, then why the f**k didn't the film say that in the first place, or at the least imply it in a stronger manner? We can argue over every little inconsistency for hours on end, but won't really get anywhere on the topic. Go back and look at the bigger picture.

The following are subjective questions, and everyone will have different answers.

Did those inconsistencies make the film unclear? Did they spoil your enjoyment of the film? Are any of the holes big enough to shatter your ability to suspend disbelief?

After the 1st film, fans talked about it, and came up with very high expectations for films 2&3. Did Relodaed and Revolutions meet with those expectations and manage to surpass them? A number of good science fiction books make you think 'Well I never thought of it in that way before?' Did 2&3 manage to do that for you, or were you just left bewildered? If you were talking to the directors, what pieces of constructive criticism would you offer?

Let's forget the science fiction for a minute. How was it for you as a straight up action film? How good was the direction and choreography of those sequences? Did they go on too long? Were they style over substance?
 
Originally posted by Bond
Perhaps relating it to the stage of the life cycle model I suggested earlier may shed more meaning as to what the Zion rave may represent.

I was already well aware what the Zion Rave represented. By my reckoning it was about 25 minutes of wasted film.
As a representation of what was at stake it really didn't work. when I want to think about saving the world I don't really need to see said world as some kind of sub-terrainian Glastonbury.

And as I have said, for me the film lacked logic. See both mine and Kahnovitch's posts for details. There is simply NO reason to have Neo need to persist in Kung Fu save for the fact thatit supposedly looks cool.

If this agents have supposedly been upgraded to deal with Neo (and given that he treated Smith like a baby at the end of the first film) this also leads to a credibility gap.
Suddenly Morpheus is able to hold his own against an agent. An agent that has been presumably upgraded past the level of Smith of movie 1 who had no problems totalling kickin Morpheus's arse.
Or was Morpheus upgraded too.

Basically the films play loose with the internal logic in order to focus on things that they think will look cool.

But that in itself is totally hampered by the fact that the fight scenes are overlong, free from a sense of danger or damage and do not advance the plot any.
I defy anybody to view the Tea-room fight and suggest that it appeared realistic, or that there was any weight whatsoever to the blows, or that it did not look totally choreographed (i.e. they knew where every single punch was going to land before it was even thrown).

Purely a case of taking the fight forms they had developed in the first film and developing them to a complexity beyond which they ceased to engage the senses.

I think pretty much every single person known to me thought the Burley Brawl looked good as a 5 second slot in the trailer. As a 15 minute repetitive snore-athon in the full film none thought it looked good.
 
Originally posted by fluffy bunny
style over substance?
For me? Very much so. But not only the action sequences. The entire film.

Indeed I believe that this phrase will remain the Matrix films' epitaph.

(although as I have said the first film, as a stand alone work, has enough good things in it to forestall that criticism but as an overall trilogy.....)

The Matrix inspired many films, particularly in how they look but there were a rash of similarly themed films too. It also contributed greatly to the rise in popularity of Wire Fu in Hollywood, though having seen Charlie's Angels it could be said that this is not so much of a good thing.

But overall the Matrix was a shot in the arm for the film industry and even now films are coming out with that look, or that feel, or that theme.

I don't think too many films will be inspired by the latter two films.
 
Fluffy bunny, actually after (or maybe during) the first fight Neo has with the agents in the second movie he clearly refers to his adversaries as "Upgrades".

But yes, there will be gaps or at least perceived gaps. Moreso for things unfamiliar. Maybe they wouldn't be such a big deal if so much attention wasn't directed at them by faultfinders.

As for why I enjoy The Matrix Reloaded, I thought it had lots of ambition and succeeded in certain ways where less daring would have made it less memorable. The often maligned Zion rave was at the very least a bold attempt at something different and the fact that it is still talked about makes me wonder if it really wasn't as successful as people claim. The attention it provoked I think has led me to think about its meaning more in the context of the movie and come up with what are for me satisfactory answers.

Ditto for the Burly Brawl, it may have begun to tax my suspension of disbelief towards the end, mainly because I think the technology was still not up to the task, but I cannot fault the vision behind it. The camera angles and extended focus in that fight I cannot recall seeing elsewhere. In truth I was floored, the only thing was to decide whether to call it ridiculous or brilliant. I consider it in the movie's favor that it walked that tightrope between genius and lunacy more than once.

The freeway chase sequence alone I thought had several money shots. The cars flipping over in slo-mo while you see the bullets still striking, the twin floating back into the seat of their car, the camera on Trinity's bike zooming out to focus on the back of Morpheus's head, the camera weaving in and out and through oncoming traffic to keep up with Trinity's bike, Morpheus facing down the oncoming car with a katana--superb.

A question for you though fluffy bunny. How do you diffentiate style from substance in the context of an action scene?
 
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Originally posted by Bond
A question for you though fluffy bunny. How do you diffentiate style from substance in the context of an action scene?

Good question- I guess I cocked up the wording.

Some scenes (eg the fight for 15 mins or so v however many Agents) were not very exciting for me- it seemed to be a matter of showing 'hey we can do something that's never been done before, lets put it in,' thus showing technical mastery rather than focusing on creating a good progressive fight or advancing the story itself (I'm going to refer to Empire Strikes Back again- the final fight doesn't outstay its welcome). 'Special effects should enhance the movie, not BE the movie' - something George Lucas could learn as well. I know some people liked it, but I know an even greater number of people who were bored stupid by that scene in particular- which is not what I'm looking for in an action movie to be honest.
 

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