Things I Have Noticed

Poor, naive little sheepie... No, I'm afraid that as long as there is excess creative supply to creative demand (which is the case for everything in the arts except at the tip of the scale when your name is Rowling), the share of the content creator is always going to come in last. After all, the arts are always divided up between the "suits" and the "talent", and the suits are such because they have the money to buy 'em... They know business and finance, and most of the talent don't, so they each do what they're best suited for (so to speak). Which means we get little itty bitty pieces of the pie.
 
Okay, to get back to the important things as no one cares whether artistis starve as that is merely the assumed state for same:
what the hell is 68 Shades of Brown? I got the idea it is a book but I can't find it.:confused:
 
Ah, I se! It's the Number Devil bedeviling the the poor Sheep again. And that is an excellent book, too.
 
Maths is so difficult for us writers... ;) Nick does crazy things with dialogue doesn't he? It all works out tho.
 
Speaking of numbers... I posted this over on my blog but thought I'd mention it here too.

Aside from my website gallery, two other places where I post my artwork are at Deviant Art and Renderosity. At both sites, viewers have the option to mark an artist as a favorite. This takes the form of viewers tagging the artist such that they’re notified anytime the artist posts a new picture. Between the two sites, I now have over 500 people who like my work sufficiently that they are “watching” me or have listed me as one of their favorite artists. This is both very gratifying and quite humbling, given the short amount of time I’ve actually been involved in creating art.
 
Except your blogger is wrong, Sheepie. E-books cost publishers quite a lot of money to produce, particularly because they don't own the means of production, have very complicated licensing issues to resolve, and have to contend with multiple formats. E-books are actually losing publishers money, especially as Amazon insists on lower prices for the Kindle, but they're accepting the loss as a longer term investment in the market getting bigger. Printing and shipping are relatively cheap in bulk in comparison.

And Amazon has lots of costs with the Kindle and Kindle editions. That's why the Kindle was so high in the first place, that and the monopoly they had going. Even with Amazon getting the lion's share of the profits from Kindle sales, their costs are still very high, especially as they are pricing lower. The problem is that everyone in electronics world thinks a 600 page book should cost the same to produce as a three verse song, and expect a print industry with little money and technology to act like the music industry with lots of money and using the technology for years.

But that's not why the authors' royalty is 5%. It's 5% because that's what it's always been. Publishers had all electronic rights for decades as part of their regular print licensing, because nothing much was done with those rights. But then came audio books on tape, and publishers claimed they had the rights automatically because they had before, with agents and author groups arguing that now they'd have to pay extra for them and that they could sell the audio rights to other publishers or audio companies. And eventually they did pay extra, though since it was a small market that initially lost publishers money and never did make a ton, the royalties didn't get very high and the licensing sub-rights remained the standard 50%. Then came rapidly CD-ROM which was supposed to be the big thing, and publishers built all these electronic publishing arms, and it was a huge battle over that, and just when it was getting worked out, the Internet and zip drives, etc. killed the market mostly. But the battle raged on, because everyone knew that eventually we'd be dealing with some form of electronic publishing market.

But we're still on eventually. And publishers can make the argument that the costs of the production of e-books are such that print-equal royalties are not possible. And since the market is small still, most authors aren't going to blow a book deal over it. But I can guess that authors like Stephen King and Kathy Reichs are getting more than a flat 5% royalties. And over time, the next few years, writers' electronics royalties will go up as agents argue for better deals. Not to mention there are a lot of authors whose works went out of print, they got the rights back from the publisher and are now selling them directly to e-publishers. And another battle -- if a book is only available in electronic form, the publisher can argue that the book is not out of print and refuse to give the rights back to the author. So there are going to be a lot of issues coming up over the next ten years.

But the e-book market will have to be cheaper because people are going to pay more for the device and software apps for the device, not the items, and books will be competing with newspapers, magazines and online content for the e-reader and smartphone markets. We're going to be the dress on the Barbie. We can charge a lot for the dress, but the Barbie and Barbie's Dreamhouse are always going to be more. But until there are large enough sales to offset the costs, cheapness is limited to how much profit loss can be sustained and until the e-reader/formatting battle is settled by electronics firms, big sales aren't there yet.
 
Kindle is the new distribution cost to the publisher. They still have advertising and editing costs, as before, and this new distribution cost to replace distribution and warehousing.

The distributors, whether it's Kindle... or something else since Kindle aren't worldwide... don't have storefront costs, or staffing costs, and their distribution costs are low. You're saying they can charge what they want because it's new on the market and they're trying to wrap it up? :mad:
 
No, I think one point KatG is trying to make is that the assumption that distribution costs are low is incorrect. They're just different. Which is not to say that they may be lower, but its not an apples to oranges comparison, so it's really hard to say.

On the traditional side, it's very easy to assign specific distribution costs to an individual book. There is a defined cost to print it; a defined cost to pack it; a defined freight cost to ship it somewhere; a defined cost to store it somewhere; and on the retail side, defined costs for shelf space rolled into the overall store environment costs.

On the electronic side, you don't have those costs attached to each book. What you do have is a worldwide Internet infrastructure that has to be up 24/7, have bullet-proof security for financial transactions, and handle spikes in volume seamlessly. For a large operation like Amazon, this is enormously expensive (the company I work for does this on a smaller scale, and I can observe how much goes in to making this all work). The issue here is, how do you assign a relevant portion of that cost to an individual download, whether it be a book, a game, or music? All of that electronic infrastructure is what has replaced the physical infrastructure, and it's not cheap. Nor it is a case of "build it once and now it's all there." It requires constant upgrades and maintenance, and because the overall download market keeps growing (again, not just books), investments in bandwidth have to keep growing too. Beyond this, there are the development and on-going improvement costs to the Kindle device itself, or any similar reader, which still form part of the distribution cycle since that's where the "books" end up.

So I think a point can be made that distribution costs are not "low" they're just different. I don't know that anyone has yet developed a good model, aside from file size, to assess costs from those technology investments to individual downloads.
 
Thanks for re-explaining it... long sentences of non-fiction are hard on busy sheep. I can't imagine they'd be higher tho... I guess that is where everyone is coming from... and KatG probably covered that too.
 
Just because I'm a hopeless romantic (and because I can), here's another piece of art. (This is a Non-Gritty-Warning so that hapless sheepies can avert their eyes). It's called A Kiss For My Love, and I dedicated it to my sweet and loving wife (otherwise known as TSOTNW).

AKissForMyLove.jpg
 
The Source of the North Wind isn't a nice thing to call your wife even if she does like baked beans! :eek:

It's a very pretty picture... of two people who've just hopped out of the shower and struggled into brand new leathers and now look like they've changed their minds about getting dressed. I can see why you've dedicated it to Mrs Radthorne... on a Monday morning... we all just want to go back to bed on Monday mornings, don't we?

Well... our own beds... you understand.

;)
 
Well, it is now Monday morning here, so yes, I would agree with that sentiment that going back to bed sounds like a marvelous idea... As for TSOTNW, I will have to let Mrs. Radthorne know that you've discovered a new explanation for HE's acronym. I've been meaning to talk to her about that very issue... :D

Back on the subject of art numbers, I received another bit of nice news this morning. Another feature at Renderosity is that they compile a list each week of the top fifty artists, based on the number of new fave's made during the prior week. I'd made the list a couple of times in the past, reaching up to number 37. Last week I made it to number 8. :)
 
Yeah, you talk to her about that issue. We'll see you in a few months when all your fingers have healed.

I don't think bedding is in the near future for these two. Her hips are pulled away from contact which means that she's okay with the kiss but anything else is out of the question.
 
For book publishers, electronic production is expensive right now, especially since the numbers involved are small. Since there are multiple formats they have to deal with, Kindle having its own, etc., and since they don't have electronic arms, they don't own the means to do the electronic "translation" etc., it's all contracting and licensing with third parties, including Amazon. And it's expensive. There are also file storage costs, and while these aren't the same as book warehouses, it's again still expensive, whereas for printing and paper, the publishers have worked out all sorts of bulk deals with their vendors. See Andrew Wheeler, former SFF Bookclub god and current non-fiction publisher:

http://antickmusings.blogspot.com/2009_09_01_archive.html

Basically, e-publishing is still building up its infrastructure and most of it is going to come from the money and technology rich electronic companies like Apple (which has a Tablet reader due out in 2010,) Microsoft, Sony, etc. and media conglomerates like Hearst and Murdoch whose magazines and newspapers will form the backbone of the e-publishing world. It's not going to be built by Random House. Look at this little Time Magazine article. Do you see one book publishers' name in there? No, and you're not going to either. But e-readers aren't going to kill off book publishers either. It's going to expand their market hugely. But right now it's a baby market that's a child prodigy.

http://www.time.com/time/business/article/0,8599,1929387,00.html

Like the new picture very much, Kev. Start a new art thread! HE, she's falling into him. Look at her arms! No way is he not scoring. :)
 
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Our dear HE always has a tendency toward the "glass half empty" interpretation of my couples scenes. Where he sees reluctance and hesitation, I always see unabashed snogging. :D

New art thread, you say? Okay, I can do that. I'm working right now on another larger scene, this one a bit steampunk in nature. Perhaps I'll lead it off with that...
 
Okay, there is a new art thread, called (wait for it) The New and Improved Art Thread. I've posted my steampunk picture over there, and Sheepie's already taken her shots at it, so go join her and add yours too! :)
 
I just went to a Steampunk con, you know. I'm a self-appointed expert on steampunk now! ;)

Actually... it is the one genre where dressing up for the con is not an embarrassment. I hate going to cons full of vamps and highwaymen and trekkies and furries... especially furries... there isn't even a furry genre, is there? But I didn't mind those steampunkers.
 
That's pretty cool. I could replicate that, although the eye texture might not hold up at that size...
 

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