Trollheart Explores the Legacy of Star Wars

III: Galactic Ouroboros: The Final Circle Closes - Last Orders, Please!

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Title: Star Wars Episode IX: The Rise of Skywalker
Year: 2019
Format: Movie
Broadcast chronology: After Solo: A Star Wars Story
Universe Chronology: Following directly on from The Last Jedi
Basic premise: The origin story of Han Solo
Starring: Mark Hammill as Luke Skywalker; Carrie Fisher as General Leia Organa; Anthony Daniels as C3PO; Adam Driver as Kylo Ren; Daisy Ridley as Rey; Joonas Suotamo as Chewbacca; John Boyega as Finn; Oscar Isaac as Poe Dameron; Naomi Ackie as Jannah; Domhnall Gleeson as General Hux; Richard E. Grant as Allegiant General Pryde; Lupita Nyong’o as Maz Kanata; Keri Russell as Zorii Bliss; Kelly Marie Tran as Rose Tico; Ian McDiarmid as Emperor Palpatine; Billy Dee Williams as Lando Calrissian
Directed by: J.J. Abrams
General reaction: Positive
Personal reaction: Positive
Rating: 8/10

Given who’s in it, character-wise, I have to assume this is somehow a prequel, as it were, to a prequel? I mean, Luke died at the end of The Last Jedi as did Han, whom I see reprises his role here (though it might be in a flashback, as Harrison Ford is not shown as one of the main cast) plus Rose Tico, who was killed too, is here. Well, we’ll see I guess. Again, not reading ahead before I watch the movie. One way or another, despite a promise from Disney of a new film every two to five years, this is intended to wrap up what has become known as the Skywalker Saga, which takes in all nine of what will, I guess, in time become known as the original movies as others are made, but essentially the first three trilogies, or nine movies, of which this is to be the last. After this, I imagine future films will focus on other characters and move outside of the main arc covered in episodes I-IX, so all loose ends (and there are a few) need to be tied up here. This is the last chance to place the final seal on a saga that has now run for most of my life, almost fifty years at this point, so they had better not f**k it up.

So, for the last time ever then, it’s that famous quote, the theme and the scene would not be complete without that downward camera angle, this time to a pretty hellish-looking planet, though at least for once the only ships to pass by are small TIE fighters, even if they are en route to a star destroyer in orbit. Seems Kylo Ren is the man in power now, with the emperor dead (though the scroll speaks of his voice having been heard from beyond the grave, threatening revenge) and the First Order (better than Last Orders anyway - oh wait; I’ve made that joke haven’t I? What do you mean, you’re not sure? You just skim the text of what? Well of all the nerve!) are on the rampage again. Kind of reminiscent of one of the opening scenes from Game of Thrones as he stands in the snow with a sword - okay, lightsaber, but his looks more like a sword than any of the others - in his hand and dead bodies of his enemies littering the ground. Looks like he’s found what he was looking for anyway, a nice tasteful green crystal to hang in his bathroom. Or it could be a tracker. Either are good.

Okay it was a tracker, and it seems to have led him to the emperor, who is far less dead than might have been reported. Oh please, for the love of all that is good, let there just this one not be a Death Star in this movie! Three is more than enough. We do not need a fourth. Please. I’m begging - no, I’m threatening you. Try to crowbar in yet another Death Star and I’m knocking a full point off the rating for this, no matter how I may like it. Or not. Okay let’s see: if Poe, Finn and Chewie are all playing the three-dimensional game thing, who’s flying the Falcon? Guess it’s on autopilot in orbit? Doesn’t Rey look like she’s auditioning for a new brand of shampoo in the zen garden thing? Plenty of action from the start anyway, in what we’ve come to expect from this trilogy ot trilogies. Still, you’d have to say that when Rey goes on her training obstacle course, it’s almost literally like she’s a character in a platform computer video game, jumping, crossing bridges, twirling and Lara Croft-ing her way through the forest. Ah, Disney! Never miss a chance to monetise eh?

Good, if creepy to the max, to see that Kylo Ren has kept the head (or helmet, not sure which) of his granddaddy, and that the Vader theme plays when he goes to, um, worship it. Rey emulates Luke on Dagobah when he blew off his training to go try to rescue his chums, now she’s cutting her programme short to go seek the emperor and presumably ask him nicely not to use his Final Order (what a pity he didn’t call it… yes, yes okay), the largest fleet in the galaxy. It says here. Almost a retread of that scene from A New Hope where Vader first demonstrated his powers, and uttered the classic line “I find your lack of faith in the Force disturbing”, as Kylo Ren takes a board meeting and everyone around the table looks like they wish with all their black hearts they could be somewhere, anywhere else. Just to underline his nastiness, his own personal guards now wear black armour (with a little red flash; the Nazis are never far from the mind when it comes to fascist dictatorships) - oh and there it is! Another flunky who falls foul of the new Vader’s temper and ends up clutching at his throat, though this time the Dark Lord doesn’t trouble himself to lift his victim off the floor, he lets the Force do it.

Oh dear. Little Vader mentioned the Starkiller Base. Please please please, for the love of all… I know I’ve said it before, but it never hurts to appeal to the galactic gods as many times as you can. Please, for the… Good to see the original Lando, after having spent quality time with his younger, more cocky self. There’s the usual quote: “I got a bad feeling about this.” I think that covers all nine movies now. Nice. Another desert world, evoking the wastes of Tatooine, where it all began, forty-seven years ago as I write. It’s a bit late for Threepio to be reading out the old terms and conditions, isn’t it? Can’t translate Sith runes? What’s it gonna do: void his warranty? Oh dear again. We’re getting a little too PC with the nasty underground monster being just a big doggy in pain, aren’t we? I mean, I’m all for teaching the kids good lessons about treating all species well and not taking things at face value, but is this pushing it a little? Well, a ship must be a real pile of junk if, rather than fly it, the guys are saying “Let’s get back to the Falcon!” Remember Luke’s initial impression of Solo’s pride and joy?

Hey, is Chewbacca selling his friends out? Surely not. Rey’s acrobatic jump and slicing off of Ren’s engines, leaving his craft just a bouncing, burning sphere is hilarious, and reminiscent of his grandfather’s plight at the end of the first movie, but come on! Even Ben Kenobi had to shut off the Death Star’s force field the old-fashioned way, and he was a Jedi master! Now Rey can hold a damn space ship in place, prevent it leaving orbit with her hand? And shoot bolts of energy from it that destroy it? Uh, destroy it? Wasn’t the Wookie on board, and didn’t she know that? Oops! Even Ren looks aghast. Hey, I was just going to let the ship leave, dude! You gone and blew it up! That’s not cool. He was your friend. Maybe you won’t need so much turning to the Dark Side after all.

Ah, so Chewie isn’t dead. How exactly do they think they’re going to interrogate a Wookie? You have to say though, poor C3PO looks lost without his buddy doesn’t he? Nobody to boss around, nobody to deride, nobody to complain to: he’s like the straight man without his comedian. And he’s trying so desperately hard to fit in, but nobody seems interested. It’s almost as if he’s part of the “old guard” and the new young guns don’t really want anything to do with him, kind of like the old racist uncle insisting on coming on the kids’ road trip, or something. Can’t ride with him, can’t leave him by the side of the road. More scenery straight out of George R.R. Martin, and also reminds me of Corellia when they arrive in Kajimi. What the hell is the Flash doing here though, and why does she suddenly change from wanting to betray them to teaming up with them? Suppose a lightsaber pointed at your head might do that.

I must say, it’s touching when Threepio offers to sacrifice himself, and then says “I’m taking one last look at my friends.” Hopefully they’re not all thinking, we’re not your friends, dude. You’re just an annoyingly fussy droid who happens to tag along with us. Good reference back to the last movie, when none of the Alliance’s so-called allies would come to their aid. Oh god! I hope they said a moon in the Andor system and not in the Endor system! Please god I don’t believe in, no! Not the fucking Ewoks. Okay who would bet that, despite what he said about him, R2D2 will have a backup of C3PO’s memory at the end? I would say though there’s a lot of, not copying of the original movies but it’s quite similar - the battle on the ship, the capture, the meeting of Rey and Ren (sounds like something out of South Park, doesn’t it?), some of the dialogue - “Search your memory” etc. Perhaps a little disappointing, perhaps inevitable as the curtain begins to fall and to some extent it all goes back to where it began. Now if someone loses an arm…

Hmm. Back in the first movie (of these three) I postulated that Rey was Luke’s daughter. Now Ren tells her she’s the emperor’s granddaughter? Was I wrong? Is he lying to confuse her? The setting for the battle between the two of them is interesting, almost a parallel to Anakin Skywalker’s final battle with Obi-Wan Kenobi, with raging torrents of water and huge breakers replacing molten rivers of lava and mountains of fire. Yeah but I still have an issue with Jedis being able to all but fly: neither Kenobi nor Vader could do that in the original trilogy. It’s a bit too superhero-like for my money. In the end, the death of Kylo Ren is the death of his mother, as the final character from the main movies (other than Chewie and the droids) gives up their life for something greater than themselves. Eh, hold on: after fighting him literally to the death, Rey heals the bastard? Chewie’s grief at the death of Leia is odd: never thought they were that close. Of course, I suppose being Han’s wife she was the last link to his past, maybe. Nice that when she died they gave her the title we first knew her by, princess.

Love the cameo with Harrison Ford, perfectly handled, very moving, especially when Ren calls him dad and Solo says, without his son saying the words, I know. Ren’s casting away of his lightsaber is symbolic, I guess, of his changing sides, coming, finally, from the Dark Side back to the one of light, in a total reversal of his grandfather’s journey. And speaking of journeys, what could make this more complete than one final appearance by the kid who started the whole thing, as the literal ghost of Luke Skywalker appears to give Rey some last advice from beyond the grave? Oh well, Luke’s X-Wing! What a cheer that must have elicited in the cinemas! And I was right about R2 having the backup, which is great, as really, Threepio didn’t deserve to forget all they’ve been through. So now it’s time for the final, final, final - no, we really mean it this time, honest! - final confrontation, and I like Poe’s speech “We won’t let what our mothers and fathers fought for die”, which is clearly a nod back to those of my generation, acknowledging our being there at the start. Nice.

Great to see the X-Wings in action again, thankfully not attacking another bloody Death Star. And now Rey is off to kill the emperor, and we all know where that leads don’t we? Strike me down and your journey to the Dark Side will be complete, let the hate flow through you etc etc. I wonder if that scene when she enters the, well, I guess you;d call it his throne room, though he might want to have a word with the maid, I wonder if it’s a sort of nod to Planet of the Apes as she looks up at the spiky shadow hovering over her? Maybe not, but it’s a point. I think it’s bloody impressive that the same actor has played the original emperor, the young senator who became emperor, and now the resurrected emperor too. Quite a feat. Another retread of the emperor’s taunt against Luke near the end of The Empire Strikes Back as the rebel fleet was being wiped out. Full circle indeed. Going to make a prediction here: Kylo Ren (now Ben Solo) is going to arrive, kill the emperor - possibly dying himself - and allowing Rey to save her friends. I think it has to happen.

Ah, and here he comes! And now the two are fighting together against the emperor, who, as usual when he doesn’t get his way, shoots blue electrical bolts at his enemy. Now it seems he’s leeching the energy from the two of them to revitalise himself. That’s not good. Better news is that the Alliance’s friends have finally turned up, and they outnumber the largest collection of star destroyers we’ve ever seen. Old Palaptine is certainly having fun with his new powers isn’t he? Thank you for installing Sith Lord v2.0; please use your power responsibly. Nah, we’re just kidding: kill everyone and everything that gets in your way! So finally it’s all the Sith against all the Jedi and the latter wins as the emperor finally burns, as does his throne and, just for good measure, all his little Sith acolytes. That’ll teach them! Looks like Ben Solo is gone though.

I would say the rescue of Finn and his new girlfriend is a little cloying; I mean, they’ve allowed major characters to die before. Why not let them make the ultimate sacrifice? Suppose they didn’t want it ending too dark. Still, bit of a cop-out I feel. Richard E. Grant looks suitably aghast when his shiny new command ship explodes from under him. Ah, even more improbably, Ben Solo is not dead, and returns to help heal Rey, then cashes out and for some reason vanishes, as does his mother. Oh f**k it was Endor, and they had to get those poxy Ewoks in, didn’t they? Well, at least it’s only two seconds, even if that’s two seconds too long. And now it appears we are literally back where it all began, at Luke’s home on Tatooine. Hey hold on: didn’t Vader’s stormtroopers burn that place to the ground? I will say, the way Rey comes to the top of the ridge and looks down is a wonderful call-back to one of the first scenes in the original movie, the first time we saw a young, idealistic farmboy who dreamed of adventures in the galaxy, taking on the empire and becoming a hero. Bravo.

The careful burying of the two lightsabers - Luke’s and Leia’s - puts a final full stop at the end of the story, and Rey’s taking the name Skywalker then walking beneath that by-now familiar double sunset is a perfect ending. Even got some jawas in there. Youwould probably have to say, something really for everyone. Even Chewie gets a medal, though didn’t he get one in the original movies? I’m sure he did. Overall, I think it’s hard to find too much fault with this as it does tie the entire saga very well together and more or less answers all the questions and neatly does up the loose ends, but as I said above earlier, a lot of it really is just repeating or copying events and scenes and even dialogue from the first original trilogy, which makes it look at times a little lazy and out of ideas. The battle against the Final Order is basically a retread of the attack on the Death Star (any one, take your pick) and while the nature of the Force is explored well and the Sith are done to death finally and for good (we hope), this almost felt like a movie that never needed to be made. I mean, in the end, Rey calls herself Skywalker, but she’s not, is she? Were her parents Skywalkers? I don’t think so. In which case, the title is somewhat misleading.

I wouldn’t go down too hard on it. No matter what they did, this was going to be one horse that would be next to impossible to ride, and it would have been hard, if even possible, to satisfy everyone. But I think they did a good job, even if the ghost of the original trilogy hangs heavy over almost every scene, and it seems more an exercise in nostalgia than anything else. For the younger generation, it was probably seen as a good adventure/science fiction flick, while for people my age it was really bidding farewell to friends who have carried us through almost our entire adult lives. It’s perhaps a little like the final “original” Star Trek movie, when the cast signed off over the credits. We knew it was over, and it felt like a real ending (though Kirk would return to die in the first TNG one, but that’s another story). This felt like a thank you, a goodbye and, too, at times, almost an apology. We had waited, at this point, forty-two years for a conclusion to the story, and in the end what we got was, well, really Return of the Jedi Redux.

That is, in a nutshell, the problem. Everything I can cite about this movie that is good, I can only do so because it speaks to my nostalgia, reminding me of the original trilogy. I think that’s fine, in many ways - we want to know we haven’t been forgotten or left behind; after all, we were the original ones who made this such a worldwide phenomenon, in a time when such things really didn’t happen with movies at all - but it does make it difficult to appraise the film on its own merits. In other words, say for some reason you knew absolutely nothing about Star Wars and happened to watch this: would you enjoy it on the level that I, and every other fan, can? I very much doubt it. In fact, to a non-fan, this would be just an all right sci-fi movie. It’s the weight of its history and its past and its legacy that keeps it afloat, so to speak, and also, paradoxically, threatens to drag it under.

But then, really, thinking about it, how else could it have gone? In essence, at its heart, this is the conclusion of a nine-movie saga that tells one overarching story, the rise, struggle against, attempted return of and final defeat of a galactic empire. It’s not as if it was going to be able to go off on too many tangents; every main strand of the plot had to remain anchored, so to speak, to the main storyline, and while you could have subplots running off here and there, in the end it all had to tie up together to tell the story Lucas set out to do in 1977. So it’s not really as if they took the easy way out: there weren’t too many other avenues available to them, and in the end I think they wrapped it up well, and quite probably in the only way they could. There are some tired reused ideas, such as (chortle) Rey being the granddaughter of the emperor (“Rey! I am your grandpa! Why don’t you visit me more?”) which I thought was skating far too close to the original big reveal for comfort, and I would have thought her being the daughter of Luke would have made more sense, but I really can’t have too many complaints.

Everyone will have their own opinion, of course, but what can’t be denied is that this marks the very end of the Skywalker saga, and that the next movies, when they are made, if they are made (what do I mean, if?) will focus more on the “new” characters and new adventures for them. We’re not going to be seeing Lando any more I would think, Leia is dead, Luke is dead, Chewie might be back but I doubt it. The droids? Maybe, I suppose, though Daniels must surely be getting on by now, and the reduced - almost non-existent - role for his little barrel friend in this movie sort of indicates there won’t be any more input from him. Even the emperor is gone, as is Darth Vader, so it will be a whole new crew that takes on the next adventures in a galaxy far, far away.

For me, our next course takes us into the world of television, where the first live-action series were about to hit the small screen, and bring the world of Star Wars right into our living rooms.

Before that though, why not rank the movies? Well, I will anyway. It stands to reason that the first two or three are always going to be top of anyone’s list, at least anyone of my generation, but where do the “newer” ones fit in? And what about the standalones?

Going in reverse order then, for my money the poorest of them has to be the one that was hyped up so much and failed (in my opinion) to live up to its promise. The idea of taking the story back in time and removing our beloved Luke, Han and Leia from the story did not work for me, and while I can see why they needed to do it for the story, it just didn’t grab me the same way the original trilogy had, and I found it hard to care for just about anyone in the movie. So, at number 11 in our top 11, we have The Phantom Menace, with perhaps one of the silliest and most inappropriate titles of any Star Wars movie.

Probably no huge surprise to anyone, then, that the one to follow it up is, well, the one that followed it up. Despite some decent comic relief mostly provided by those robot soldiers, there was the rather confusing Count Dooku and, to me, the whole idea of the clones was hard to get my head around, as I mentioned. Good multi-Jedi fight, certainly, and Anakin being a grown man here and heading unstoppably for the Dark Side also helped, so I would say it was a marginal improvement on its predecessor. But not that much. Definitely, of all the nine movies in the three trilogies, only fails to be weakest by virtue (!) of The Phantom Menace sucking so much. But it does suck itself, if not as hard, and therefore deserves, I believe, its position at number 10.

In a similar vein, the next movie attains its place not because its predecessor is better than it, but mostly because it (the previous movie) kicked off the third trilogy, and so by rights has to be awarded more points, so to speak. The low ratings on both of the first two movies in the final trilogy show this, though the first does have the death of Han Solo, so earns points for that too. As not quite a damp squib, but not a firecracker by any means then, The Last Jedi earns itself ninth place.

And right behind it is the one that kicked off the new trilogy. While I gave it some - deserved - praise above, it still struggles to really reignite the whole love I felt for the original trilogy, and while yes, having Ireland feature in it is tres cool, not to mention the return of a much older Luke, it still suffers badly from I guess trying to live up to, pay homage to the originals and still try to be its own movie, in the latter of which it fails I believe. The ending is clever, and there’s a lot to like about it, nevertheless I can only award The Force Awakens eightth place.

Perhaps it’s sacrilege to put the final movie of the entire saga so low, but that’s not really because it’s a bad movie, or even ends the story badly. It doesn’t. But there are just better movies ahead of it, and I can’t in all honesty let the fact that this is the one that wraps everything up allow it to leapfrog ones in the series which I believe deserve a higher placing. So the final movie, episode nine, The Rise of Skywalker, only gets in at seventh. Sorry, guys, I know you tried.

Nobody is going to be in the least surprised which movie comes out on top, but what about the others? Well, I’m tempted to push it higher, because I thought it really was quite excellent, but I think I can only let the first standalone in the chart, as it were, take the fifth slot. So Solo: A Star Wars Story ends up at number six.

Which brings us to the halfway point, or if you will, the top five. And here’s where it gets a little more difficult for me. There’s a small surprise waiting, but I have to pay my dues, so number five then sees the only one of the second trilogy I rate, and in fact it could be higher, except I can’t really displace the original trilogy, can I? So the story of the fall of Anakin Skywalker and his seduction to the Dark Side, the genesis of the galaxy’s greatest villain, takes the number four spot, not quite the Revenge of the Sith the Dark Lord planned, I suppose, but at least he’s way ahead of the third trilogy in its entirety!

Number four will spark controversy (or it would, if anyone was reading this) as I’m sure you all expected you could easily guess what the top three would be. Well, you can’t, so there. It may have been, for us at the time, the culmination of the saga, the last we saw of our heroes in their youth, and in effect the very end of the whole story, as we knew it, but I have major problems with the rehashing of the storyline, especially the fucking Death Star coming back from the dead, to say nothing of the thrice-cursed Ewoks, and for me, Return of the Jedi just doesn’t do enough to earn its place in the top three. So, as the ancient Sith lords say, suck it.

Into the top three we go. When I first heard of this movie, I rolled my eyes. Once I had watched it, I had to replace those eyes in my head and completely reevaluate my opinion of the first standalone Star Wars movie, and I now think it is, without question, the unsung hero, the oft-ignored jewel in the crown of the franchise. The absolutely perfect segue at the end into the first movie just blew my mind, to say nothing of its realism in being the first to actually kill off its main characters (I mean really kill off, not just make Force Ghosts of them). And then there’s the frenzied massacre by Darth Vader, whom we’ve never seen in action before really. All in all, a top film and I think Rogue One thoroughly deserves its place at number three.

That’s it though. That’s the end of the surprises. With a massive, galaxy-shaking, cinema-audience-collective-intake-of-breath twist like that, the rebels on the run and Luke losing a hand in the process, a perfect cliffhanger ending and also being the first movie to end like that and follow on to the next, there’s no way The Empire Strikes Back could be in anything other than second place. Unless, of course, it was first place. But we all know what will, has to, occupy that slot.

As the movie that kicked everything off, hitting us unsuspecting movie-goers who thought oh, a neat science fiction movie, and turning our world upside down, there’s no other place the first movie could be. For introducing us to words like the Force, lightsabers, droids, Death Star and names like Vader, Skywalker and Kenobi, for opening up science fiction movies to a general audience and laying the groundwork for what would come, and still is coming, decades later, and for making a shy, bearded and bespectacled nerd a galactic god, the only movie that can possibly take first place is the one which was first, even if it was episode IV. A New Hope is what it’s known as now, but we will always and forever remember it by the name it hit cinemas with in 1977: Star Wars.

Postscript: Originally we thought three Star Wars movies was all we were going to get. Truth to tell, when the first movie was released, we weren’t even certain there’d be a sequel to that: like I pointed out, Star Wars Episode IV: A New Hope can be viewed easily as a one-shot, standalone movie, a completely self-contained story, so there might not have been a need for further instalments. Of course there were, but then how could we dream the thing would be expanded into NINE movies? Again, it was, but if we think that’s where it ends, as they say
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Not only is another movie planned, not even another trilogy, but, well, another three trilogies. At least. Wiki tells me that the only movie actually hammered down, as it were, The Mandalorian & Grogu (huh?) is due for release in 2026, while there are the following projects being considered. Whether any of them see the light of day, your guess is as good as mine, and possibly better, but for the sake of completeness, let’s quickly buzz through them.

The first movies greenlit, it would seem, are: one centring on the New Jedi Order (hold on: didn’t the Resistance/Rebels/Alliance/Insert Opposing Force Here just kick the s**t out of the First, and then Final Order? Now there’s a New Jedi Order? Look, anything with New Order (other than “Blue Monday”) always screams NAZI to me, but what do I know? There’s also one focussing on the Dawn of the Jedi, but the most enticing seems to be one which will link the Mandalorian series (no, I don’t know what it is either, but I’m a-gonna find out) and the climax of the various series going on, or finished. It’s to be directed by Dave Filoni, whose work I was so impressed with on both Clone Wars animated series and Rebels.

They seem to be the ones closest to “confirmed”, though I don’t think you could take that as meaning they’ll definitely happen, but they might definitely happen. Possibly. As far as other projects are concerned, things are a little shakier. Rian Johnson, who wrote The Last Jedi, wants to do her own trilogy (what is it with everyone wanting to do trilogies these days? One movie not enough, guys?) though it’s reported as being “low priority”, while the men who brought Game of Thrones to the small screen (okay, A Song of Ice and Fire, but you know what I mean), David Benioff and D.B. Weiss, were also supposedly working on their own trilogy, but have slouched off in other directions, so who knows? Their trilogy was going to be set before the prequels, so even further back, but I think they’ve lost interest in the idea.

Taika Waititi, more known, from what I read, for his comedy movies than science fiction ones, is also working on a script, no details, while Rogue Squadron is meant to be the third standalone movie, following on from the superlative Rogue One. There are whispers it may end up making the transition to a TV series, though this has not been confirmed. Then there’s Star Wars: A Droid Story, which is to be the first Star Wars animated full feature, and will be greedily held onto by Disney, who will allow it only to be streamed on their channel, while in complete reverse to that, Lando, which was to have been a TV series, is now intended to be released as a movie. In addition to these, there are two or three other “possible movies/projects” but they have zero details, so I’m not bothering to write about them; they may happen, they may not. Even if they do not, that’s still potentially thirteen new movies intended for release in the future. It remains to be seen how many, if any, make it to completion, but given the power both of Star Wars and of Disney, I imagine we won’t be short for new movies over the next ten years or so.
 
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Part IV: Rebel Scum in Your Living Room: The Force Finds a New Home

With the next movie slated to be released in 2026 (two years from time of writing), and Star Wars fervour at its highest with the conclusion of the final trilogy, it seemed an obvious move for the franchise to transition to television, and to date (at time of writing) there have been four more animated series, seven animated mini-series and six live-action series, the latest of which only began this year. There’s also been a marked difference in the target age groups, with the live-action series definitely aimed at a more mature audience, perhaps mostly those who have grown up on the first and even second trilogies, while the animated ones seem to have got increasingly more “kiddish” and educational, clearly intended for a younger, perhaps even pre-school viewership.

This of course should mean that the various animated series should be of little interest to the likes of me, who’s just marking time while they put the finishing touches on his coffin, and more to the point, are unlikely to have much in the way of storylines or plot, and be shorts and vignettes used to teach children, surely about the franchise but perhaps about the wider world too. As I remarked caustically before watching Droids, the very first Star Wars animated series for TV, it’s probably stuff like R2 discovering or being taught it’s nice to be nice, or somesuch nonsense which won’t interest we adults.

On the other hand, the live-action series seem to be darker, more intensely plotted and made to appeal to the likes of me, which is why I imagine I will, hopefully, enjoy them more and have more to write about with them. I feel, too, they are the ones which will best tie in with the current and future story arcs present or due to take place in the Star Wars universe, and who knows? Some may lead to movies, as indeed one looks to have done already, but others may follow. They say the upcoming 2026 movie will tie in all the various series, but I’d take that with a pinch of salt from the Kessel mines to be honest.

But I said I would do this strictly chronologically, each series and movie in the order it was released, and so the first one we have to look at is indeed an animated one, a kids one, which I feel we won’t spend much time on but must nevertheless investigate.


Title: Roll Out
Year: 2019
Format: Animated series
Universe Chronology: Dunno
Basic premise: Who the f**k knows? Or cares?
Number of episodes: 16
Status: Finished
Starring: Nobody
Directed by: Don’t care
General reaction: Positive
Personal reaction: Negative
Rating: 5/10

I have to admit, I don’t hold out too much hope for a series that gains such “accolades” as “adorable”, and in fact it’s basically a continuation of Blips, isn’t it? More droids (led by BB-8, and you can see why they wanted to crowbar him into the third trilogy so badly - he’s fucking everywhere!) on a flat colourful 2D animation doing things like helping each other and learning to live together. Pass the sick bag. Actually, just pass. Give it credit for what it is, which is why I’ve awarded it what might seem a very high rating for something I don’t like, but I guess if you’re a kid of a certain age you may love it. I’m not, and I don’t.

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Title: The Mandalorian
Year: 2019
Format: TV series
Universe Chronology: 5 years after Return of the Jedi
Basic premise: A bounty hunter protects a special child from the Empire
Number of episodes: 24*
Status: Current I think
Starring: Pedro Pascal as Din Djarian/The Mandalorian; Carl Weathers as Greef Karga; Werner Herzog as The Client; Omid Abtahi as Dr. Penn Pershing; Nick Nolte as Kuiil; Taika Waititi as IG-11; Gina Carano as Cara Dune; Giancarlo Esposito as Moff Gideon; Emily Swallow as “The Armorer”; Timothy Olyphant as Cobb Vanth; Temuera Morrison as Boba Fett; Katee Sackhoff as Bo-Katan Kryze; Rosario Dawson as Ahsoka Tano; Mark Hamill as Luke Skywalker; Amy Sedaris as Peli Motto; Misty Rosas as The Frog Lady; Mercedes Varnado as Koska Reeves; Ming-Na Wen as Fennic Shand
Directed by: Various
General reaction: Positive
Personal reaction: Positive
Rating: 8/10 (Ratings for these series have to be based on the fact that I’m only watching three or so episodes, and one season (if there are more) so I may not get the full impact of the series, and in fact it may rate higher - or lower - depending on how it develops)

Asterisk: At time of writing, if current

I finally learn at least that the Mandalorian in the title doesn’t refer to a musical instrument or a fruit, but is in fact the name given to those who come from the planet Mandalore. Makes sense. In one of what would become a series of shows following bounty hunters (the most famous due to have his own series a few years later), and also in an attempt to perhaps throw off the original “good-guys-wear-white” style and adopt instead the darker, more fluid idea of character motives and drives, this guy apparently begins working for the booted-out Empire but turns against them. So it says. We’ll see; as I say, this is all totally new ground for me. Naturally, I don’t have any intention of watching all three seasons (so far) as that would take too long, but I will watch a few episodes to get the general idea of the show. However, unlike Resistance earlier, I will not be skipping ahead to later seasons, as even in the case of that cartoon show, I feel it kind of ruined it for me, and it can and often does leave you struggling to comprehend what has gone on, what have you missed by skipping?

So, then, kicking off with episode one, and it’s really funny that the first words spoken to this Mandalorian, this bounty hunter, are “you spilled my pint”. Hilarious. Good to see landspeeders are back, but the guy seems to have something against droids. I like how the, for want of a better phrase, owner of the taxi firm, literally whistles up his taxis. Back to the old days when the bounty hunter’s quarry looks at his ship and says the equivalent of “You flew through space in that thing? You’re braver than I thought!” Or, as Luke noted caustically on first sight of Han Solo’s pride and joy, “What a piece of junk!” Never seen anyone so eager to be captured: well, I guess prison is preferable to being eaten by a giant ice worm! Hey, at least the guy is already blue, so the cold can’t turn him any bluer!

We learn here for the first time - at least, I do - that bounty hunters are a little like Judges, and never remove their helmets. Some sort of unspoken code of honour? Or a strict rule? A way of dehumanising them, ensuring nobody gets close, especially their prey? Maybe they’re just all pig ugly. Your guess is as good as mine. Thought that was Han Solo for a moment, but no, just some other poor schmuck encased in carbonite, obviously to be delivered to whoever paid for him to be captured. A virtual arsenal on the ship, no surprise there. The Mandalorian don’t talk much either, very grim, and in contrast his prisoner babbles like an idiot. Now he’s encased in carbonite too. I like the idea of the Imperial Credits being useless, as the Empire has fallen: kind of similar, I guess, to Confederate Dollars after the end of the Civil War, or maybe the Reichsmark after 1945.

Great to see jawas again, if only in passing, and I also like the continuity, that when the bounty hunter knocks at a door he’s greeted by a robotic eye on a stalk, as happened when Luke dropped in to pay a visit to Jabba the Hut.Speaking of Jabba, good to see the little annoying laughing creature he kept in his retinue now seems to be making up the staple diet of the people of this planet, as we see one roasting on a spit over a fire while another waits in a cage. What? No it’s not animal cruelty! They’re not even real. Get over yourself. Ooh! Stormtroopers! Haven’t seen them in a while. I love the idea of the Empire having been defeated now that the best a stormtrooper can hope for is to hire himself out as a private bodyguard. Hated though they are (and maybe hunted) the uniform still inspires fear and a certain amount of respect, and confers upon those who are guarded by one who wears it a special feeling of protection.

Hold on: best in the parsec? Aren’t they mixing things up again? Can you say, best hunter in the mile? I suppose it can be seen as a version of “best for miles around” maybe, but I don’t know why they didn’t just say best in the sector or whatever. Weird. Speaking of weird, that thing the Mandalorian gives to the Armorer looks like an iPhone! Seems he was an orphan, and is now giving some of his profits to help other orphans, so there’s a heart somewhere under that metal armour.

Kind of copying the first movie there when the hunter is scanning the horizon and suddenly a creature jumps on him, close up. Reminds me of Luke watching the sandpeople through his binoculars and then one appearing right in front of him. Almost identical, except of course the Mandalorian can take care of himself, whereas Luke had to rely on the appearance of old Ben Kenobi to save him. Oh, it’s a big fish on legs, three times the size of a man. My mistake: TWO big fish on legs, both about the size of a small elephant I would think, and with pretty razor-sharp teeth, so almost either land sharks or piranhas, not your friendly mobile trout or goldfish! And a third one, with a rider, who saves him, so yeah, almost exactly like that scene from 1977. Hmm. The planet’s very like Tatooine, too. Bit of the old Wild West there, as the Mandalorian tries to ride the fish, which apparently is called a blurn, sorry blurg. There’s even a paddock. Good to see there’s a lesson here, in that he doesn’t so much break the beast as bond with it, so it allows him to ride it.

The bounty droid is cool. Wonder what the Mandalorian’s beef is with mechanicals? Suppose it will be revealed as the series goes on. Maybe they’re part of the reason he was orphaned? Now he’s forced to work with one. I love the way it keeps trying to self-destruct: talk about low self-esteem! Is it called Marvin? The whole scene is very reminiscent indeed of the Alamo, with that big laser gun very definitely representing a Gatling gun. All that’s missing is Clint Eastwood and a Spanish church with a bell riddled by bullet holes, and maybe a priest or nun screaming “No, senor! No!” My very words when I see the quarry is a baby Yoda. f**k. And now the entertaining bounty droid is dead, as the Mandalorian won’t allow it to kill the little fucker. It’s interesting how the end credits feature painted scenes from the episode, almost like the end of the original Star Trek, though that featured actual scenes but from various episodes.

A good start, for sure, even if it does shamelessly use western tropes a little too much. Good links back to the setting for the original series, and some minimal dark humour. As we move on, it seems there are other forces trying to destroy this child, and I can see elements of the movie Enemy Mine coming into it here, as the Mandalorian becomes a kind of father to the child, at least a protector. Hard to say why, given how gruff and stern he is, and I hope it’s explained later because otherwise it’s difficult to understand the reason a bounty hunter would care. This should, after all, be nothing more than another commission for him, but he seems to be taking on more of a sense of a protector. More jawas, hooray! I always felt they were totally underused in the movies, though to be fair I never saw any of them getting killed, as the hunter takes three of them out. Well, I guess they were trying to strip his ship. Jawa see, jawa do, or like one of the pirates said in Resistance: “We’re pirates! We plunder! It’s what we do!”

The scene as the jawas try to knock him off the sandcrawler by throwing various things at him reminds me of King Arthur trying to get into Castle Anthrax as the French guards dropped stuff on him and laughed. It’s kind of a bit Indiana Jones too, and you could see a younger Harrison Ford in the Mandalorian’s position. Perhaps odd that he’s just left the baby behind: aren’t there predators on this planet? Bit of a waste of time, in the end anyway, as once he reaches, finally, the top of the sandcrawlers all the jawas just shoot him and he falls off anyway as they amble away. Looks like this is the first time we see the Yoda kid use the Force, as it holds off the rhino/narwhal-like creature when the Mandalorian is at its mercy, enabling him to kill it.

Okay, let me just break this down, as I see it, because it seems a little troubling. The jawas want the egg, which is guarded by this beast. Do we assume this is its mother, or was it just like Smaug the dragon, protecting something valuable? If the former, then the Mandalorian kills the mother, takes the egg - its unborn child - and allows the jawas to eat the embryo in return for getting the parts they stole from his ship returned to him. That doesn’t seem very heroic. Then again, nobody said he was a hero. Given that they’re almost as obsessed with technology as the Borg, I would have thought the jawas wanted the egg because it was some sort of machine or power source, but no, it seems they just wanted to scoff it. I guess even jawas can have a sweet tooth. Okay, one more episode and we’ll have to leave the Mandalorian to his mission for now. Surprised to see he handed over the Yoda kid; I thought he was going to save it instead? Maybe he’ll come back for it. Got to get paid first. Can’t have faced almost certain death for nothing.

Okay so like in a video game, the reward he gets allows him to seriously upgrade his armour, so now he doesn’t look so much like he was dragged backwards across the desert behind a landspeeder. Now he has his change of heart, and goes to rescue the kid. A lot of action here, some decently graphic violence too, and a lot of dead stormtroopers who probably wish they had gone into banking or insurance after the Empire fell. Looks like, in his flashbacks, he was almost killed as a child by a droid, so that might be why he hates them so much. Not too sure who these guys flying in are - thought maybe Jedi but no, they’re using blasters and are in armour, and anyway, despite the title of the third movie, as a force the Jedi are gone now aren’t they? So who are they? Troops of the New Republic? No, they’re his fellow Mandalorians. Nice. And now he’s off with the kid, a fugitive.

Pretty impressive. I imagine I’ll probably watch the rest of it when I get time. Certainly keeps the feel of the original movies as well as every western you’ve ever seen. A very good start, and I would expect it only gets better. But as I say, we have to move on as we have more live-action series and some animation to look at, and speaking of the latter:[/B]
 
Time to leave the heavy, mature, dark live-action shows for a bit...
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Title: The Bad Batch
Year: 2021
Format: Animated series
Universe Chronology: The end of the Clone Wars
Basic premise: Carrying on from the previous Clone Wars animated series
Number of episodes: 47
Status: Finished
Starring: Dee Bradley Baker as The Bad Batch; Michelle Ang as Omega
Directed by: Brad Rau
General reaction: Positive
Personal reaction: Positive
Rating: 8/10

Another Dave Filoni effort, and continuing on from the last season of his Clone Wars animated series, the Republic has just become the Empire and all Jedi are now being hunted down. The Bad Batch seem to be five mutated clones who have all gained enhanced abilities desirable in soldiers -heightened aggression, greater accuracy, increased brain power etc - but are looked down on by the other clones. I guess they’re a kind of galactic Dirty Dozen. Only, you know, five instead of twelve. The animation continues to be superb, and there’s plenty of action, though an opening episode running for an hour is a little taxing at times. This series re-introduces Tarkin, a mere admiral this time, and a new character, Omega, some sort of alien female. It also explains why the clones turned on the Jedis in the second trilogy: they were indeed programmed to do so once a certain code was sent to them.

Good to see the comical battle droids back, they always make me smile. Two interesting points: a quote is used here which was spoken almost word for word in the final movie: “If we fail now, everything we’ve done will have been for nothing” (or words to that effect) and the reaction of AZ-1 to the “research project” - “Is it this? Is it this? What about this?” as he tosses items aside, is nearly exactly how Kaz’s friend Neeko responded when Kaz asked him for a tool, but said he was unsure which one it was. And considering that was Resistance, another Filoni project, hmm. The second episode does a good job of putting Omega in that position of “everything is new”, even dirt, which she has never seen. There are also, obviously, parallels here between The Mandalorian and this show, as in both, a child has been more or less adopted by the main characters, both of whom are on the run, and it’s clear this will impact upon the storyline. The idea of the Empire now replacing all Republic currency by requiring people to register for a “chain code” has chilling echoes in ways of the tattooing of prisoners in the concentration camps of World War II: you can bet that code does more than just entitle them to currency and travel!

Bit sad when Omega is sent away with the family, though it makes sense: how is she going to manage staying alive with that bunch? Hold on: didn’t Hunter say that if a blaster fight broke out they’d lock down the port? So why aren’t they locking down the port? Oh okay I see Omega is going with the guys after all. Hmm. Third episode then sees Omega take her place as part of the crew, as Crosshair is put in charge of the Empire’s death squad, a job he seems to relish. Pretty good, and a decent follow-on from Filoni’s previous efforts. Got to leave it there though, as it’s time to see some

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Title: Star Wars Visions
Year: 2021
Format: Animated series
Universe Chronology: Various
Basic premise: Unconnected stories set in the Star Wars universe
Number of episodes: 16
Status: Finished
Starring: Various
Directed by: Various
General reaction: Positive
Personal reaction: Positive
Rating: 7/10

The idea here seems to be to invite other animation studios not affiliated with the franchise to make their own short films, freed from the restrictions of having to tie in with the story’s canon, while still remaining true to the ethos of the franchise. Perhaps like a Star Wars version of Love, Death & Robots in that each episode has a different feel, texture, look and story. So it says anyway. Well the first one is interesting, a Japanese effort which uses a sort of anime style in mostly blacks and whites, with a few coloured parts (lights mostly) and at times gives the idea of the characters travelling through a series of photographs. The theme seems to be that of a wandering Jedi (I assume) or some sort of warrior anyway, and his droid. Okay the leader of the bandits appears to be a female Sith lord (lady?). It’s quite effective how she, and most of the rest of the background, is in monochrome but her lightsaber is painted red so really draws your attention to it when she uses it.

Right it seems the other character, the hero, who introduced himself as “a simple wanderer”, is in fact also a Sith. That’s interesting. Now the two of them fight. Some good links here, with a Tusken Raider brandishing his weapon triumphantly in almost the same pose as the one did in the first movie when they attacked Luke, and a droid being destroyed and moaning “Oh no!” sort of like the battle-droids in The Clone Wars. Kind of a Kung-Fu feel to it, the wandering lone warrior deal. The second one is also Japanese (I think all the first season is) and revolves around a rock concert interrupted by a bounty hunter, seeking to deliver the drummer to Jabba, but he and his men get more than they bargained for when the band and their fans attack them. Good bouncy rock soundtrack helps this one along. A bit juvenile really: Jabba’s people love the band so much he relents and becomes their sponsor, and everyone lives happily ever after. Decent music, I’ll give it that.

The third one, last one I’m going to look at, seems to concern two twins from the Dark Side (one presumably Vader though they call him Karre), sister and brother, and two linked star destroyers with a major f**k-off hyper cannon slung between them. Meh, it’s a bit existential for me. Brother seems not quite so fond of the Dark Side, trying to save sister with vision, then they end up battling each other. There are a few nods: “Where are you going?” he’s asked and replies “To a galaxy far, far away.” Also uses “I’ve got a bad feeling about this” and “There is no try, only do.” Very anime again, very colourful, lots of explosions, not really me though. All the animations are done well, and it’s interesting to see how independent sources treat the franchise.


Title: Star Wars Galaxy of Creatures
Year: 2021
Format: Animated series
Universe Chronology:
Basic premise:
Educational tool for kids using droid as guide
Number of episodes: 24
Status: Finished
Starring:
Directed by:
General reaction:
Unknown
Personal reaction: Mildly positive
Rating: 5/10

The idea here is good, and would be even better used in a more, um, mature or adult setting. Basically you have this droid investigating galactic wildlife and explaining about them, but because this is aimed at kids he gets into all sort of tricky situations, so there’s really not any proper, pertinent information you can take from this. Which is a pity, as it would be a good idea of explaining the many creatures in the franchise in a sort of creature compendium deal. I’m sure the kids enjoyed it anyway, but it’s not something I’d be prepared to watch much of. For what it is, though, and what it sets out to do, have to give it credit.
 
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That brings us back to the real world, so to speak, and the second live-action series to hit the small screen, also based around a bounty hunter, though one with whom we are better acquainted than the previous.
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Title: The Book of Boba Fett
Year: 2021
Format: TV series
Universe Chronology: During the Clone Wars, around the time of Attack of the Clones
Basic premise: Following the adventures of the eponymous bounty hunter
Number of episodes: 7
Status: Finished
Starring: Temuera Morrison as Boba Fett; Ming-Na Wen as Fennec Shand; Pedro Pascal as The Mandalorian; Matt Berry as voice of 8D8; David Pasquesi as the Twi'lek majordomo; Jennifer Beals as Garsa Fwip; Carey Jones as Krrsantan; Sophie Thatcher as Drash; Jordan Bolger as Skad; Stephen Root as Lortha Peel; Danny Trejo as rancor trainer; Stephen “Thundercat” Bruner as mod artist; also most of the main cast from The Mandalorian
Directed by: Various
General reaction: Positive
Personal reaction: Positive
Rating: 9/10

Seems Boba Fett didn’t die as we all thought in Attack of the Clones and has managed to fight his way out of the stomach of a sarlacc - probably not something many people do - then falls foul of the scavenging jawas, who take all his armour and weapons and leave him for dead. And then he’s found by Tusken Raiders! Does this guy have no luck at all? I doubt the Sandpeople are going to be rushing him to the ER now are they? Revived by what I really hope is the juice from some sort of weird carrot (!) and taken prisoner, dragged behind a bantha, he probably wishes he had stayed where he was! Why are they called Tusken Raiders anyway? They don’t have tusks. Seems Boba Fett is not their only captive; got a guy who looks like he may be related to Jabba’s man, Greedo there.

Hmm. Now that he’s free and asks Red Greedo if he wants him to cut his fetters (sorry) the stupid alien alerts the camp, and Boba Fett has to leg it in his long johns across the desert. “Release the hounds!” shouts the leader of the Sandpeople, but they only have the one, and it does its best. Yeah, “Release the hound!” just doesn’t have the same ring to it, does it? But he’s fought well and the Sandpeople respect strength and courage so they let him go. Oh no wait they don’t: they batter him to a pulp and leave him for the desert to deal with. Then it seems like maybe all that was a dream, as we see him hale and hearty and talking to his daughter? So we can assume that a) we’re still on Luke’s home planet, where it all began and b) Jabba, having been killed by said Skywalker kid in the third movie, has been replaced by Boba Fett as the sort of de facto ruler/warlord of Tatooine.

Cool to see the Mos Eisley cantina band back again. Okay it’s Mos Espa. Seen one den of thieves, seen them all I guess. A good fight for a first episode, guys are like ninjas or something, running up walls. Interesting, perhaps a little disturbing, that when the last two surrender, Fennec still kills one, kicking him over the parapet. Not very honourable, now is it? I suppose they were trying to kill them, but then, they were unarmed at the time she got rid of one, and only kept the other alive because Boba Fett wanted to question him. As he recuperates, either the dreams or memories return, and we’re back in the desert with him as a captive of the Sandpeople. They watch some farmer being killed by bandits, then they’re set digging for stones which contain water, under the watchful eye of - for some reason - a young Tusken, a kid really. That’s him and Red Greedo, by the way.

This is all very strange. A massive, four-armed giant erupts from beneath the sand, goes for Red Greedo. The Tusken’s hound goes for the giant (trying to save Red Greedo, or just attacking the monster?) and then the Tusken kid wades in. Now, if these two are his captives, why should he care if they die? Why is he helping them? And if they know - as surely they must do - that this massive cunt is here, why did they send a youngling on his own into this area? Is this a test or some kind? A rite of passage? Or did they just think, if we’re going to lose someone may as well be the kid? Do they not like him? Yeah, a test, a hunt of some sort, as the kid runs back with the giant’s head and is a hero, even though it was in fact Boba Fett who saved him by strangling the giant with a chain. He’s not letting on though: let the kid have his moment. Red Greedo is gone, by the way, punched into the sand by the giant. Serves him right for selling Boba Fett out, the cunt.

I must say, it’s refreshing to see that though the Sandpeople talk their own guttural language, there’s no subtitle, no translation. You kind of have to get what they’re talking about by their actions and the events that take place, and to the credit of actors and writers, you can. You can definitely follow what’s happening and fill in the language gaps. The offering of water to him by the Sandpeople leader shows that he knows Boba Fett is responsible for saving the kid and giving him this honour, so I guess they’re friends, or at least uneasy allies now. This series does the same thing as The Mandalorian with the credits, that drawing of scenes thing. Episode two and it’s time to interrogate that assassin they captured, but he’s not talking till they dump him in the rancor pit. Then he tells them in terror that the mayor is responsible for the assassins. Hilariously, Fennec reveals that the rancor is not in the pit. Too late now of course; he’s given away the secret.

Looks like Jabba’s cousins are in town, and they want his territory back. I tell ya, it’s a whole different thing to see a Wookie working for the other side. Damn they do look big and scary. We’re back in the past again, as Boba Fett trains with the Sandpeople, then some sort of train comes by and the passengers are shooting at them. I’ve seen this in western movies. It’s nothing to do with hating them or a war or anything. It’s similar to cowboys shooting cows and buffalo from trains - they did it because they were bored, for target practice or just to show how good a shot they were. They don’t collect the carcases, the train doesn’t stop, it’s just fun for them. See Unforgiven for more. Clearly, these people see the Sandpeople as nothing more than animals to be hunted and shot at will. There’s also a definite sense of Dances with Wolves here, as Boba Fett comes to understand the Tuskens more, to see them not just as raiders and bandits, but as people, as family, as friends.

This is only the second time, I think, we’ve seen a train in Star Wars, something I imagine might have been well phased out and replaced by now. The other one was the high-speed on in Solo, which they robbed but was more a kind of really fast, long cable car in ways. The western idea continues as Boba Fett walks into basically the saloon where the bad guys are roughing up some innocent traveller and his wife - all that’s missing is the swinging half-door and the sudden cessation of the pianola - and takes on the thugs alone. Having beaten the living s**t out of them, he then goes outside and steals their horses, I mean hover bikes, and brings them back to the camp, intending to show the Tuskens how to ride them. They can then attack the train that has been picking them off from afar.

Hmm. Maybe this train is run specifically so the passengers can hunt the Tuskens? Everyone on board seems to be shooting at them and it looks to be a coordinated effort, with a droid driver. Yes there could not be a clearer parallel: Tuskens=Native Americans, hunters=white men/settlers/gunfighters. And now the playing field has been levelled, thanks to Boba Fett. Interesting idea, a tiny lizard that goes inside your head and gives you visions. Looks like he’s literally been walking in the desert on one of those vision quests and has returned. And now I guess he’s an honorary Tusken, with his very own weapon made from the branch of the tree he brought back after his vision quest. I like the idea of the stormtrooper heads (maybe they’re just helmets? Trophies?) on spikes outside the city limits at Mos Eisley as Boba Fett makes his return from the desert in the third episode, riding a bantha. The Empire is clearly not welcome here!

He finds he has a rival for the toll he demanded on behalf of the Tuskens from the Pyke syndicate (the lads on the train) and goes to deal with the other gang, but as he returns to the desert he finds he’s a bit like Luke when he rushed home to find his relatives done to a crispy finish, and all Fett’s Tusken friends are dead, the camp burned to the ground. This is now very personal for him, and bad news, one would assume, for his enemies, for the perpetrators of this outrage, which can only be the rival gang. Back in the present, he’s attacked by the Hut’s Wookie, which is not the way you want to be woken up from any dream, even a nightmare. Dayum, but they can fight, those Wookies! Into the rancor pit he eventually goes after a fight, mirroring the scene in Solo, when the two of them escaped from the pit and began a lifelong friendship. Doubt that’s going to happen here though!

Oh, look! They have a rancor for their rancor cave now, courtesy of the Hutts, who are fucking off back home as it seems war is about to break out all over Tatooine. I must say, I like his “Baker Street Irregulars”, so to speak, the gang of teenage tearaways he employs. Now we have a good old-fashioned car chase, complete with scattering onlookers (mostly droids) and even a large painting being carried by two people across the path of the chase - and of course getting destroyed. Cool. Yes I’m impressed, and will probably watch the rest of it (only four more episodes, sadly), but right now it’s time to return to animation for kids.
 
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Title: Galactic Pals
Year: 2022
Format: Animated series
Universe Chronology: Unknown
Basic premise: Same as Galaxy of Creatures
Number of episodes: 12
Status: Finished
Starring: Unknown
Directed by: Unknown
General reaction: Probably positive for the kids
Personal reaction: N/A
Rating: N/A

I’m honestly not even going to bother. This appears to be more or less the same as Galaxy of Creatures, though with a different droid and set onboard some sort of zoo ship. Good for kids, I’m sure, but of little interest to my age group, and I’m not suffering through all that sugary tripe again thanks. As a result of not watching it I have not posted my personal reaction or rated it.

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Title: Star Wars: Tales of the Jedi
Year: 2022
Format: Animated series
Universe Chronology: Various
Basic premise: Various
Number of episodes: 6
Status: Finished
Starring: Various
Directed by: Various
General reaction: Positive
Personal reaction: Positive
Rating: 8/10

Yeah, this looks more like it. I’m not entirely sure if I should treat these two as one, but I’m not going to. Tales of the Jedi ran for six episodes in 2022 and followed two specific storylines, whereas its so-called second season was retitled Tales of the Empire, followed two different plots and wasn’t released until 2024. Therefore I’ve taken the executive decision to feature them separately, as two series under the one general Star Wars: Tales banner. This first episode seems to focus on Ahsoka, and while the animation is class, very three-dimensional, CGI, I would question the wisdom of bringing your one-year-old baby on a hunt with you! Guess these people do things differently. Certain sense of the hunter becoming the hunted here. Guess Ahsoka is going to be raised by tigers then. Or, you know, end up feeding them. Can’t help saying I told you so, lady! Jungle ain’t no place for a baby.

Oh well now she’s riding back home on the back of the tiger, and the village wise woman says this could only happen if she were a Jedi. So that’s that cleared up then. Nobody else try to ride the tiger. Hopefully this instils in the villagers a bit more respect for the local wildlife. Second episode seems to involve Count Dooku - before he was a count - and his padawan, Qui-Gon Jinn, as they attempt to settle a dispute after a corrupt senator’s son is kidnapped by villagers. On seeing how poor they are and how his father has failed his people, the son sympathises with them. But the senator is not going to let them get away with kidnapping his son (and flouting his authority) and brings soldiers to take his son back by force. The Jedi and padawan stand against him, but Dooku shows the first signs of his turning to the Dark Side when he all but kills the senator, only stopped by Jinn. As they leave, Dooku wonders if anything will change because of this, or is it all words?

Episode three sees Dooku and this time Mace Windu investigating the death of a Jedi master while protecting a senator as they met with an informant. But Dooku wants to find out more about this incident, though the only mission the two Jedi have been given is to retrieve the body of the dead Jedi and return her to the Jedi temple for proper burial. Dooku’s journey to the Dark Side continues. Another Dave Filoni effort. He’s really becoming the George Lucas of the Star Wars animated universe, isn’t he?
 

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