Wilson's 2015 Motivational Novella Challenge

But what will Tiernan do when he discovers that the aliens aren’t quite as alien as they appear?
What does this mean? What. Does. This. MEAN?!

Haha! I'm excited to start this project (whenever that happens for me....) I'm glad you are getting started, Wilson. I'll have to read your story to find out what this bit means. :)
 
4k words into this, and I'm still digging it. I'm not sure how much of these first three scenes will be sticking around after the inevitable re-writes, but this military sci-fi has really stoked my creative fires. I can't wait to finish this sucker and see how it looks.
 
My first real issue with the novella has cropped up, and I'm trying to figure out how to fix it going forward.

The basic premise is, our main characters are basically downloaded streams of consciousness. They are soldiers, their human consciousness downloaded from datastores aboard warships to armored hardware, advanced weapon platforms on the planetary surface. These soldiers, and the AI empire they fight for, are reclaiming worlds stolen years ago by an alien menace they call Spanners. Human instinct and the ability to think outside the box means these human streams still trump AI combat drones, so they are used for critical missions during the invasion.

The combat scenes seems to be working, and I'm enjoying those. But I have also realized that these soldiers basically have no downtime. After their missions are completed, their warships initiate kill-switches in the armored suits, which shuts down the streams on the suits (for reasons I'm not ready to give away just yet).

And this is my quandary. There is no downtime (there will be later on in the novella, possibly, but not for some time). What do they do when they're not on missions? They have no bodies. Are they just shut off until needed? I hadn't considered this, and now I may need to go back to the worldbuilding and dig deeper to find out how this 'society' works.

What I don't want to happen is this to turn into combat scene after combat scene, because that might be tiring for readers. I had planned this for the earliest scenes, but not for the whole thing.
 
Could you play around with the idea that they are supposed to be completely shut down but traces or echos remain behind? Could the datastored consciousnesses become unstable from the repeated start and stop?
 
@Wilson Geiger, what about a mission that is supposed to be all fighting from the very beginning, but turns out to be a lot of waiting or tramping around/over planetary terrain because intelligence was wrong? That might provide some downtime and relief from the fighting and allow the individual consciousnesses to build some sense of camaraderie with each other. And, when the fighting does start, you can cut away from it and end the scene, because we've already seen fighting and its not the point of the scene.
 
no suggestions plot-wise but sounds fun, like Richard Morgan crossed with Ann Leckie.

Follow the character? she/he is your way in
 
Thanks for the suggestions!

After every mission, these human consciousness streams are sort of 'reset'. They retain the memories and experience of each mission (this is their edge in combat - they are tremendously experienced, and know that they can't 'die'), but the AI systems of these warships checks and then deletes moments of trauma before re-uploading them. The trauma points becomes a major part of the plot when these soldiers discover (through means not unlike what Facing suggested) what their own systems are removing from their memories.

The downtime was going to come after the initial sequence of scenes that highlighted this invasion. Without revealing everything, something happens that basically blocks the main character from being 'reset', so he's stuck in this armored avatar, on a world where the Spanner survivors hate him and what he represents. He is forced to come to terms with what he is, by seeing the Spanners as they are, as they try to live their lives with this powerful empire trying to eradicate them.

I think it works on a higher level, but it's just some of the details I need to figure out. I was/am concerned with maybe 10k words in the first part that are almost entirely combat scenes. It was always going to be a combat-heavy story, featuring futuristic soldiers and technology, but there is also a 'human' element to explore.
 
I'm around 11k words for the novella (if it's still a novella), and things are going fairly smooth now. I've worked on various scenes throughout the middle and climactic last third, just to get an idea of how it all looked, and this should easily fill out 40k words.

So, progress is good, and I may use NaNo to really push this through to the end.

How's everyone else doing?
 
It is a challenge. I hope to meet that challenge.
I've been writing (actually it has been mostly researching and brainstorming) under the pretense of the other thread (which shall not be named). But the terminal date for said thread is faster approaching than this novice author anticipated. Basically, I spent too much time buying guitars according to one member (who shall catch this reference if she reads this).
Therefore you may be stuck with me as one of the participants in the game.
I'm standing at about 10% of where you are, but progress should be more easily had from here on out.

May you fare well on these seas of words and fish out only the best. Bless.
 
I've got a new story idea that I'm thinking of for this which I want to make my focus for the next 2.5 months. I have 2 stories in later draft stages and a new one that I've just sent sample chapters to the Workshop which may need more brainstorming depending on critiques before I can continue it, so I think I'm good to have something new and different that can consume me for a 2.5 months and no further. :)

It's a nice little gothic story (and by "little" I do mean novella, not huge, long series of novels, haha!) Some of the worldbuilding ideas have the tone and quality of what I originally imagined for my Halloween series to have, but that series evolved differently from that specific tone. So I'm eager to explore this story! I've only got 940 words on it so far but, if I can get it off the ground, I want to pull out some of the stops I imposed on the Halloween series and move it more into the Adult market rather than YA. If I can get it off the ground.......
 
I finally got around to working on my little gothic tale today. I wrote some words on it a week ago, but haven't yet been back to the draft. Rather, today I made a scene list. I started at work and figured out what the first 5 chapters would be about, then came home and got the next 10. I may just be entering this thing after all! :D
 
My gothic tale is becoming quite exciting as I explore its climax---which is how it should be at the climax :D

I'm starting to worry about word count though. I'm at 34 scenes now and each feels like its going to be between 1,000 and 1,500 words long. But this is still just a brief one line outline of each scene, so what do I know? I'll work on getting an enticing synopsis for you all soon. ;)

How is everyone else's novellas coming along?
 
There's nothing wrong with going over the accepted novella word count. Let the story be the story; it will tell you how long it needs to be. :)

I haven't written since lunchtime on Monday, due to an absolutely crazy week of work that stretched into my nights. Things are finally quiet again, so I'm looking forward to hitting Scrivener again this evening.
 
Ok! If every one of my scenes is 1,000 words long, then that should give me 3,000 words to play around with before hitting that magical 40,000 word limit.

I finally wrote END at the bottom of my scene list. And in big caps too, just like here :D
 

Sponsors


We try to keep the forum as free of ads as possible, please consider supporting SFFWorld on Patreon


Your ad here.
Back
Top