Alchemist Wrote:
SPELLFIRE - Ed Greenwood (just kinda silly and boring; having read this almost two decades ago, my only vague memories are of Elminster in bed with the Simbul, after having cast Viaggra's Mighty Phallus]
I shall step into this thread once more and say that in some ways I find Ed Greenwood to be a puzzle. I play Dungeons & Dragons, and have read quite a bit of the material he has written for the game, [all of it world-building and character information for the Forgotten Realms, the setting he created and in which his novels also take place.] I have also read a lot of his on-line commentary on the setting, including a lot of info on characters like Elminster and The Simbul. Going by these sources the man is a genius: a marvellous builder of traditional fantasy worlds who really pays loving attention to the minute details of his creation. His is the best RPG material I've ever read, ever, by miles. And these characters? Elminster and his gang who often seem so flat and overpowered and sex-obsessed in the novels? They aren't. He explains them in ways that make real sense, and turns them into dynamic personalities that are easy to like.
And then you try to read one of the novels ... and they are horrible. Truly bad. Spellfire, as Alchemist says, is a silly, fragmented mess with far too much going on, virtually no character development, and little discernible in the way of an engaging plot. And they do not get better. In fact they get worse. He showed some signs of a slight improvement earlier in the 2000s, the high point of which was a collaboration with Elaine Cunningham, who is the rather unappreciated, [relative to Salvatore, who used to be enjoyable but is now collecting pay-cheques but still sells reams and reams], best author ever to work in the Forgotten Realms, followed imo by Paul Kemp. However, he has now slumped back into awfulness quite completely. I just don't get it. I mean, I could see novel writing not being a forte. World-building and novel-writing are not the same thing. But to screw up a world and characters he knows so well, so completely, ... maybe its his editors making him include all the nonstop silly action and immature sex, to appeal to Wizards of the Coast's covetted thirteen-year-old boy audience. I mean, he still wouldn't be good, but people might not get the wrong impression of the world and characters so much if his editors would get him to ease off on these elements.
Momentarily back on topic: I shall submit Ed Greenwood's Elminster in Hell, as something that could give The Wanderer's Tale a serious run for its money, from its title to its horrible interior.
Whilst in another thread the other day, I remembered another stinker: It pains me to say this, as I enjoyed his early work and I recognize that his glory days are behind him, but The Dreamers series by David Eddings, coauthored with his wife. Here the Eddings's manage to be derivative, not of anyone else, but of themselves, spitting back up their own style and dialogue, as well as some characters from previous series in a purile mash that has lost all its joy and zest for life. A truly horrible series.
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VAAAPP