Me again. Sorry for the double post.
The Mirador, Book 3 of The Doctrine of Labyrinths, by Sarah Monette: The Mirador follows on from Melusine and The Virtu, and seems to me to be, -- among many other things, -- a book about the consequences, political, personal, and psychological, of the momentous events in those books. This is secondary world fantasy viewed through an intensely focused personal lens; the story is told through very distinctive first person narratives. Moody, baroque, with more literary allusions than I could ever hope to catalogue even if I knew them all which I don't, and not for the faint of heart, The Mirador is in my opinion the best of The Doctrine of Labyrinths that I've read thus far. Climax seems a mite rushed, but again this is a personal story and it's what's happening to our narrators that's important. The story has always been loaded with symbolism and metaphor and these elements are happily just as present here. But they would not have the significance that they do without a monstrous good story underneath, and that this certainly is.
Dragon in Chains, Book 1 of Moshui, by Daniel Fox: Set in an ancient China / Taiwan influenced secondary world; exiled emperor comes to island pursued by enemies. War-makings and hijinx ensue. Lyrically written in flowing sentences that bring long brush-strokes and surreal water-colours to mind, -- or my mind at least. Book is also hugely and unrelentingly violent, and the often almost poetical style has the effect of making war-time attrocities stand out as even more horrifying than they otherwise would be; such language, I felt irrationally whilst reading, should not be sullied by being called upon to depict such horror. It's an effective artistic choice, though the unending river of gore does become a mite numbing. Many classes of character are type-cast: all soldiers are homicidal ruinous maniacs; all generals are mustache-twirling schemers. But I forgave the book this; Fox, it seems, is drawing deliberately in broad strokes, at least for now. Was hoping for more mythological elements, -- there's really only the dragon and one other thing that's a spoiler, -- but what is there is really well done. The way some of the characters were handled disturbed me a bit, but on the whole they're an interesting if not always explicable bunch. The book ends on a cliffhanger, and while I'm a little bit wary of where some of the characters are going I'm happily on board for at least one more installment. Oh and Daniel Fox is Chaz Brenchley by the way, for those who care and didn't know.
Mean Streets: Collection of urban fantasy of the paranormal pi type, compiled by Roc to promote their UF series / authors. Novellas by Jim Butcher, [yes it is a Dresden Files story], Simon R Green, Kat Richardson, and Thomas E Sorrycantspellitofski. [It does start with an S, though. The Butcher story was great fun, very tense and filled with genuine drama and action. It probably did help that I'm already very invested in this universe, though. [Note that the story takes place after the end of Small Favor and inevitably spoils the end thereof.] Morally and thematically the piece might be a bit heavy-handed, but is still well-taken because Butcher while he isn't subtle can always put something moving together. I did not dig the Green story. The Nightside seemed like an intriguing setting, but the characters failed to grip me and the story's plot lacked tension. The world-building also seemed to go very much for the everything-and-the-kitchen-sink approach, without going into very much depth about any of it. Looks like a nice treat for Nightside fans though. Kat Richardson's Harper Blane story was my second favourite, a slow-burning ghost mystery which uses its supernatural element well and leans on it only slightly. The writing itself didn't seem special and Harper interested me as a protagonist only some of the time, -- though more towards the end, -- but the story was good. I could see myself maybe trying more Greywalker. The Thomas S, [feel real guilty I can't spell it, but I don't have anything with the name written on it to hand], is an interesting angellic / biblical-based detective story with a quite far-out central concept brought down to earth by human touches. [The angel protagonist's relationship with his dog struck me as particularly well done.] In fact I wish the author had kept things a little closer to the ground conceptually in general, but still an interesting story. I'm not quite convinced, but if I came across a novel I'd probably give it a look. Collection might make a nice library checkout, -- that's where I got it, -- unless you're a big fan of all four authors or something.
Shadow's Edge, Book 2 of The Night Angel Trilogy, by Brent Weeks: Full of assassins, bad-ass swordmasters, mages, etc, Shadow's Edge is very much big fat epic fantasy. Scale here is altogether broader than in the previous volume The Way of Shadows. This is unfair of me, I know, but this seems to me a very masculine outing: lots of folks running around who are the baddest of the bad times a thousand at swordplay, or sorcery, or assassinating; battles and general badassery aplenty; and Weeks can't pass by a female character without commenting on her physical appearance. In most ways this is unarguably what Cranky Hamster calls extruded fantasy product, but if action-heavy, summer movie EFP is what you are looking for then this series is totally where you should be. Me, I find that there are times when this is precisely what the doctor ordered, though a certain amount of tooth-grinding and a willingness to take the whole thing as sword-swinging' fun is required.
I'd love to go into more detail on the more complex of these, [the things that fascinate me about the Monette, and the things that I both really like and really don't in the Fox,] but all this blithering has taken it out of me. Plus it is Sunday, which means that I can allow myself to read Shadow Unit, so I must bid you all good evening.
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SUZUKI KIZASHI HISTORY