What comics are you all reading? What do you think?

I read Legends in Exile all in one go last night. It was so great. Anytime I can get totally immersed in a comic book it takes me back to my youth. I really loved Willingham's short about the wolf at the end of the book. What a great read and the art was tight in Exile.

Off topic - I listened to Stan Lee being interviewd on a new podcast today called Nerdist which is awesome on its own. Anyway Lee is such a funny and charming guy. I laughed alot in the car commute to work this morning.
 
Did some comic readin' this past week.

Read the 4th Preacher book, Ancient History. Awesome, awesome, awesome. You were right Kater, the Saint of Killers is one bad-ass dude, and his gun/sword battles were fantastic! I also really loved the scene that took place in Hell. So great.

The Arseface story was ok, nothing real special for me, but I also really loved the Jody and T.C. story Good Old Boys. I was laughing through most of the story. I was glad that Ennis decided to add more Jody and T.C. stuff to the series.

I also read the first Invincible book. This one was not such a huge hit with me.

Mark is a likable guy, and Kirkman's writing is quite solid, but I never felt like I was fully hooked into the story. This was probably due to there being a complete lack of tension. I never worried for Mark's safety, or thought that maybe he couldn't handle a situation. You'd think a rookie hero might run across some hardship in his or her early stages of crime fighting, but that never happened here, and it was a bit boring. The "bad-guys" were chumps, and easily handled, and Mark is "Invincible" so can anything really go too far wrong for him?
 
Yeah, love the Preacher. Have to admit was never interested in Invincible and your thoughts seem to play that out. Heard this weekend that both Air and Unknown Soldier are being cancelled, two very different but exceptional Vertigo titles whose loss makes me a little sad. The medium is hardly blessed with variety to begin with and to lose two unique titles, both with superb creative teams and important things to say, is indicative of how the industry is slanting so heavily towards capes and tights nonsense at present.
 
Yeah, love the Preacher. Have to admit was never interested in Invincible and your thoughts seem to play that out. Heard this weekend that both Air and Unknown Soldier are being cancelled, two very different but exceptional Vertigo titles whose loss makes me a little sad. The medium is hardly blessed with variety to begin with and to lose two unique titles, both with superb creative teams and important things to say, is indicative of how the industry is slanting so heavily towards capes and tights nonsense at present.

Yeah, I would agree, I don't have much more than the past year as reference, but there does seem to be a lot of costumed hero comics on the shelves at my local comic shop.
 
I can understand that the industry at present relies on them for it's very existence but I don't get why it isn't attempting to make other genres or types of story successful to a.) broaden it's interest to new readers and b.) fall back on should the superhero thing ever go kablooie. Personally I think the readership is a huge part of the problem, the industry must be near to bare bones in terms of regular customers of the weekly/monthly single and these are the fanboys who will pretty much only buy their favourite heroes. So they're basically being plumbed dry, how many of these nonsense events have we had in the last two years?, and buying into it instead of slowly expanding. It's like the industry gets worse so it contracts even further back into what it knows sells.

On a reading note my Walking Dead HC vol 5 came in the post today, love the series and can't wait to see how the TV show turns out.
 
Is the comics industry really in a significant decline nowadays? I haven't kept up with much of anything for years... I still fondly remember the classic X Men series, but my most recent favorite comic would have to be JLA Earth 2, the graphic novel. I feel graphic novels give me more bang for the buck, and I also own the complete Sandman volumes despite not being too keen on the artwork. Gaiman's writing more than makes up for that though! :)
 
I think the comics industry is suffering from itself, really. There's countless crossovers, reboots, alternate universes, one shots etc. Unless you're clued up, it's very hard to work out what's going on.

Graphic novels are better bang-for-buck, but it's no different to any other market. A boxset of DVDs is often cheaper than them seperately, one of CDs the same, of games, of books and so forth. The ones I've been picking up (Deadpool, starting with Secret Invasion) seem a bit thin for their price, even though it's about 5 issues per book.

Anyways, this week is Wolverine & Deadpool week. Think it's the first part or two of Secret Invasion, which I'm a little miffed about.
 
As a born again comic reader - read them as a kid, got back into them as an adult - I've found that it is really hard to stay on top of what the hell is going on. Even with major characters. When I initially started getting back into comics, I went more for the costumed hero stuff, reading characters I enjoyed when I was younger, but I quickly found that I just was not into that stuff so much anymore. Only after visiting comic shops, talking to the folks there and getting great tips from people like Kater and others here, I've begun to discover things that I really enjoy reading.

However, I still sometimes find myself drawn to the hero comics...maybe because they are so in my face at the comic shop, maybe because my inner child wants to re-live some glory days...and while I do sometimes get sucked in, I enjoy the non-hero style comics the best.

I'm definitely still in the feeling out/learning stage of my reemergence into the world of comics. Finding writers I like, artists whose work I like, collecting titles I want to read...The medium is amazing though. It is amazing to me how often a book will "click" with me and be something I thoroughly enjoy on a high level.
 
I don't think it's in significant decline Eve, if anything the variety and standard has greatly improved from the nadir of the early 90's. The problem to me is that it partially recovered on the back of superhero titles to the exclusion of almost everything else, so a superhero title is now seen as a first option for publishers.

There are multiple other factors - comics not being sold on news stands, digital piracy, dodgy practises, the tremendous difficulty getting a title off the ground, Diamond's distribution stranglehold and minimum requirements - that affect the industry and in light of those it's kind of amazing we get the kind of titles we do still appearing and being successful. I think it's a case that like any industry, it could be a lot, lot better because as CB said it is a fantastic, versatile medium that deserves a stable platform to allow creators to show their wares. It feels at the moment with all the movie money coming in and Disney now propping up Marvel that there's a case for the cracks having been papered over and everyone's hoping there won't be any strong winds.

On the superhero issue, I think at times I come across too strongly against them simply because of their weighting within the industry but there are a decent amount of good superhero titles and I think Marvel in particular snapping up some of the top indie names to write their books, Bendis, Brubaker, Fraction etc is part of this. I'm enjoying Fraction's Iron Man, Brubaker's Cap and the likes of Nova and Guardians of the Galaxy. But someone is always going to be writing them, whereas the indie gems that appear won't and the creators of those titles are on a financial knife edge that may mean them having to leave the industry if not supported. So I think the big thing is, the company/work-for-hire creators have the safety net that the rest don't.
 
Wow, $3.99 for a comic...on average, how pages now? I'd probably just save up, wait, and hope for a particular series to come out on a graphic novel. Makes me wonder if the comics of old still also hold their value as collector's items?
 
Wow, that's a significant drop!

I will say, coming from a rather low income bracket, the $3.99 price tag on certain titles will most definitely make me shy away and not check out a title.

Starry Eve- while it is generally cheaper to buy as trades, I've heard that artists in particular stand to bring in less revenue on those sales....I could be wrong here, but that's what I've heard...
 
Depends on whether it's their own work or a work-for-hire job. If it's their own then the trades are where the creator will make their money. Having an ever expanding back catalogue of trades under your belt means solid royalties payments all year, that can be a good source of income and counter fluctuations in the singles market. Plus the singles only last a week whereas the trades stay in print a lot longer. It's how titles like Jimmy Robinson's Bomb Queen work.
 
I recently read Northlanders: Sven the Returned by Brian Wood. Here are my thoughts:

Sven the Returned is the first trade collection of Brian Wood's Northlanders series. Set in 980 a.d. Northlanders follows Sven, who has returned to his ancestral lands in Orkney to claim the inheritance left by his recently deceased father. Sven's plan is to quickly show up, get his money, and head back to Constantinople where he has spent most of his life amongst the palaces, as an elite soldier. Of course, things aren't that easy. He returns to discover that his uncle, Gorm has claimed Sven's birthright. Sven however, is not discouraged by his Uncle's betrayal. Nor does he fear the small army of men loyal to Gorm who view Sven as a traitor. Sven embarks on a one man war to claim his birthright.

Filled with hardcore Viking action and gore, Sven the Returned is a pleasure to look at. Illustrated by Davide Gianfelice, the artwork is quite stunning. Gianfelice and colorist Dave McCaig do a fantastic job of nailing the harsh northern climate setting, using flat-toned hues to lend a real life quality to the beautiful backdrops and scenery. Gianfelice also manages to make the brutality of combat look beautiful, yet realistically gory. Lots of blood was spilled in this graphic novel, but considering the weapons of choice for that time, it seemed perfect.

I wish I could say as many nice things about the writing as I could the art. But I cant. Once again, I find myself let down by Brian Wood. A major snag for me was the language used. Wood completely modernized the dialog to the point that the vikings talk like cheesy modern day action movie characters. Juxtaposed with the art work which depicted period specific clothing, weaponry, tools, dwellings, etc. this felt incredibly out of place. I wouldn't have minded too much if the dialog had been moderately update so as to not be archaic, but this just felt like overkill.

Wood's plotting led to other annoyances. The first being Sven's affair with Thora, one of Gorm's love-slaves. At one point while they are banging, Sven states: "She was my first, when we were young. I suppose I made all kinds of stupid promises to get her to f*** me." However, about forty pages later while Wood is giving Sven's back-story, we see that he left his village at a very young age. I would guess, from the art depiction, the way child-Sven acted and behaved, and the other back-story events, that he was about ten years old at the time. Maybe he did have sex with Thora at age ten, but it seems highly unlikely and was an annoying flaw in the story.

Another plotting complaint is the conflict between Sven and Gorm's right-hand man, Hakkar. From the very first moment they meet, (Hakkar knocks Sven out with a brutal uppercut) the two seem to be on a collision course. For much of the book I was anticipating this eventual showdown, but it never happens, though there was plenty of opportunity for them to throw down. Instead, amidst contrived formality they become "brothers" or some lame thing like that, and it all felt like such a cop out.

I had other gripes too, including the characters, all of which were poorly developed, and the plotting, which lacked focus, and came to a uninteresting climax. As much as I wanted to like Sven the Returned, I simply couldn't. In most cases, the combo of vikings, sword fights, and sex would be a hit for me, but this just fell flat. This may be the end of the road for me and Brian Wood.
 
I like Wood's work so that's a bit sad to hear but then again there's plenty of creators out there. If you weren't fussed on Sven I don't think the other NL books will be to your liking.

I splashed out this week with some Marvel super stuff because of the return of Thanos. The Guardians of the Galaxy/Nova titles are always good, as are the Annihilation events, but this latest story arc, The Thanos Imperative, I'm seriously digging. A single disappointment in the one-shot opening Ignition aside this could be a goody.

I also went with Secret Avengers #1 by Ed Brubaker, mostly because it's Bru but also I'm intrigued to see how the Avengers go now Bendis isn't writing every single title. This feels a lot like Hickman's Secret Warriors, which is a very good thing albeit a bit too close in title and content - there seems a possibility they'll bleed into each other, but personally I can't get enough of secret Mars bases and shadow groups. Moah.

Also Doomwar #4, Dr Doom has to be one of the most wasted characters in the Marvel Universe but this latest arc in the Black Panther run was nothing short of superb ... until a certain saturated character (Not him) turned up in the final pages of this issue. I don't know if it's now a Marvel mandate this character shows up in everything but it spoilt my enjoyment dramatically. Fingers crossed it gets back on track with #5.
 
Grabbed the Bleach vols 1-21 set the other day, haven't had time to read many of them.

Also found Wolverine in Manga form so I grabbed the first volume to check it out. Sounded like an interesting take on the character
 
I read the very interesting and enlightening Understanding Comics. It provided an interesting take on the medium, and I learned a lot, not only about comics, but the broad concept of Art itself. I'll probably never look at comics the same way again since reading this book, but I think that's a good thing.

I also read S.H.I.E.L.D. #1...I totally admit I was sucked in by the shiny art work and the fact that DaVinci plays a role as a character. This issue was a total tease, and not too much really happened, but I might continue to give this my attention when the next one comes out.

American Vampire was a charter title in my pull box, and about mid-way between issues, I start to get the feeling that I should remove it from my pull list, then I decide to wait and see what the next issue brings, then when the next issue comes, it sits on my bookshelf for a few days before I get around to it...then I end up loving the issue, particularly King's half. The 3rd issue was pretty great. Lots of great vampire action. I think King ends his run after the 5th issue, so I'll see if I stick around. For now, it is pretty entertaining stuff.

My favorite title of the moment is Joe the Barbarian. The writing is slick and the art is great. I love the story, it has me completely enthralled. The 30 minutes or so it took me to read the 5th issue were my best reading moments of the week. I can't wait to see where this title is going.
 
I've got this month's W&D.

Secret Invasion is starting now, and I'm a tad miffed as I've started to get these issues (Deadpool #1+) in TPB, which means the next few months of W&D are just going to be sort of wasted, as I've not started reading Wolverine/Wolverine: Origins yet.
 
I read the very interesting and enlightening Understanding Comics. It provided an interesting take on the medium, and I learned a lot, not only about comics, but the broad concept of Art itself. I'll probably never look at comics the same way again since reading this book, but I think that's a good thing.

I also read S.H.I.E.L.D. #1...I totally admit I was sucked in by the shiny art work and the fact that DaVinci plays a role as a character. This issue was a total tease, and not too much really happened, but I might continue to give this my attention when the next one comes out.

This. Is. Not. How. The. World. Ends :D Hickman's good, I'm just hoping all his work doesn't compress into similar, interchangeable pieces as FF4, Secret Warriors and now SHIELD appear to be doing.

Scott McCloud is always good, reading his two main books made me think I could write and not just read comics.

which means the next few months of W&D are just going to be sort of wasted, as I've not started reading Wolverine/Wolverine: Origins yet.

I can save you some trouble there. It goes - Wolverine lost his memories, Wolverine got them back. He started backtracking through his life to verify and validate these memories in a long, drawn out boring ass way. Wolverine discovers there has always been a presence in his life shaping him (and indeed his son Daken, though not X-23) in undesirable ways for a certain role. Wolverine decides this is not right and fights back, but the presence is like Kaizer Soze with claws, predicting Wolverine's moves. So Wolverine calls in some unpredictable help ... I think you can see who :)
 
I didn't read that, kater ;)

Saving it for a rainy day. Plus I can drool over Mystique then.
 

Sponsors


We try to keep the forum as free of ads as possible, please consider supporting SFFWorld on Patreon


Your ad here.
Back
Top