First, greetings
Mr. Wassner,
Ainul - what was it particularly that you loved about it? It seems so antiseptic to me so far. Everything has a grey tinge to it. I see no color as I read. Nothing has happened that draws me in and the characters just don't interest me terribly. Is that the point?
I didn't say I loved the
The Etched City. I do think it's a good novel, and I did say that I felt it deserved it's recogintion for its nomination of the WFA. What I liked about it? I thougth Ashamoil is an example of one of the great settings in recent fantasy along with
Mieville's New Crobuzon, and
Jeff VanderMeer's Ambergis, or Mirenburg by
Moorcock. I think the latter portions of
The Etched City especially are gifted with some of the most vivid examples of prose in one can read.
I think an issue some have regarding the plot is that it is often hard to distinguish dream sequences to those that are not, and this seemingly troubles people's rationale, however the characters themselves share this element with the reader at times. The same people that don't blink when their introduced to a mystical elf in other works. This is bascialy a yearning for familiarity both in content and a desire for the common neo-classic story structure. Both are not present in
The Etched City.
In short I liked it for it/s overall beauty in prose, the setting, and the surreal atmophere that makes
The Etched City as
Kirsten said herself on a brief visit she made at my forum, it's really a western with roots from
Sergio Leone's films, which displays noticable infleunce by work by
Michael Moorcock, and one of the finest works of speculative fiction ever written,
M. John Harrison's Viriconium series. I also was really surprised at how capable
Kirtsen was depicting action sequences
It's very hard for me to say what I like about, when IMHO there just isn't much to dislike.
I will agree that readers that have been conditioned by traditional fantasy, who require a neo classical format with a simple linear reading experience, and doesn't put much stock into an author's quality of prose, and doesn't really gravitate to nihilistic themes, probably will not enjoy
The Etched City at all. That said there are some who do like those elements that won't like it either, as everyone reacts differently to a work on some level.
I'm just the type that would rather read a solid effort of a novel that I haven't read before than read a perfect copy of a former solid or even brilliant work. When I finished,
The Etched City I felt like I read something new, and combine that with the vivid descriptions and prose, and not targeted to be understood by a largely juvenile base (no offense to juveniles or authors that write works accesible and targeting them at all, this is a personal preference, I am an adult) that qualifies for a good novel most of the time IMHO, and if not, at least one I would come way with having respect for.
I just think the
Etched City it's a compelling read and falls under this quote by an author I enjoy:
"Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge."
That all said I respect anyone else's opinion, but I'm still looking forward to
Mrs. Bishop's next project with great anticipation.
EDITED for spelling and to add
Moorcock's Mirenburg
