SFFWorld Countdown to Halloween 2015

The eBook version of this is only $4.49 USD. I snapped it up as it sounds really intriguing to me. :)

eta: the cover art is gorgeous!

Good. I hope you like it.

As with most collections, I didn't love all of the stories, but all of them were well-written and entertaining enough that I wish she had another collection in print.

Randy M.
 
ANTHOLOGY OF LINKS 22

Science, Weird 2: “The Monster Maker” by W. C. Morrow

Mr. W.C. Morrow, who used to live in San Jose, California, was addicted to writing ghost stories which made the reader feel as if a stream of lizards, fresh from the ice, were streaking it up his back and hiding in his hair. San Jose was at that time believed to be haunted by the visible spirit of a noted bandit named Vasquez, who had been hanged there. The town was not very well lighted, and it is putting it mildly to say that San Jose was reluctant to be out o' nights. One particularly dark night two gentlemen were abroad in the loneliest spot within the city limits, talking loudly to keep up their courage, when they came upon Mr. J.J. Owen, a well-known journalist.

"Why, Owen," said one, "what brings you here on such a night as this? You told me that this is one of Vasquez' favorite haunts! And you are a believer. Aren't you afraid to be out?"

"My dear fellow," the journalist replied with a drear autumnal cadence in his speech, like the moan of a leaf-laden wind, "I am afraid to be in. I have one of Will Morrow's stories in my pocket and I don't dare to go where there is light enough to read it."
-- Ambrose Bierce, from The Devil’s Dictionary

A riff on Frankenstein this feels like a precursor to pulp magazine horror; the good surgeon in this could easily have been acquainted with Dr. Moreau and mentor to Herbert West.

And Bierce was on target. I’m looking forward to reading more of Morrow‘s stories, some of which are included on the same webpage as “The Monster Maker.”


Randy M.
 
ANTHOLOGY OF LINKS 23

Truly a Ghost, and Malicious: “The Judge’s House” by Bram Stoker

Stoker doesn't kid around. There is little of the is it, is it not a ghost here, no attempt to suggest it's purely psychological. Stoker went for the gullet and produces a brief, sharp, brutal and nasty story. In short, enjoyable holiday gruesomeness.


Randy M.
 
SATURDAY:
ANTHOLOGY OF LINKS 24


Malicious Specter in the Mind: “Green Tea” by Joseph Sheridan Le Fanu

One of Le Fanu’s best known short stories, on a par with “Carmilla” and “Schalken, the Painter” and “Mr. Justice Harbottle.”

Some experts have identified two strains of ghost story, the first overtly supernatural and best exemplified by the work of M. R. James, the second not admitting supernatural intrusion and focusing on the psychological, as exemplified by stories by Henry James. However, both James’ were influenced by an earlier writer, Le Fanu, who was contemporary with Charles Dickens and probably only second to him in the initial popularization of ghost stories in the mid-19th century. Except among ghost story fans (and some mystery fans; his Uncle Silas is considered an early classic), Le Fanu has been largely forgotten; still, even when his ghost stories are overtly supernatural there is often an element of psychology involved and “Green Tea” is representative of this.


SUNDAY:
ANTHOLOGY OF LINKS 25

The Vengeful Specter: “A Visitor from Down Under” by L. P. Hartley

“Here is a candle to light you to bed: And here comes a chopper to chop off your head!”

Two men return, separately, to London. One settles in his favorite hotel, by the fire, listening to the radio, an announcer telling of the children in the studio and the games they are playing. The other man … well, he’s a different sort.

From Dickens to Henry James to Edith Wharton and Walter de la Mare to Hartley, many writers from the mid-19th century into the 20th century who gained a literary reputation also found the ghost story hospitable and challenging and brought great sophistication to the story-telling. From its amusing but also ominous opening scene on a double-decker bus to the interwoven story behind the events related, this is one of the best-orchestrated ghost stories I’ve read as Hartley integrates the nursery rhyme into the story’s events through the use of the overheard radio show. Oh, and if you think about it afterward, the story’s title is perfect.

This is probably Hartley’s most famous short story, ghost or otherwise, and it apparently indicates that at least one generation was traumatized by the game Oranges and Lemons and its associated nursery rhyme: Fred Brown titled one of his mystery novels, Here Comes a Candle, and while Wikipedia misses this story and Brown’s novel, it cites over a dozen other instances of references to the rhyme in literature, TV and movies.


Randy M.
 
I know this isn't in the reading category, but yesterday I saw one of the best Lovecraft film adaptations I've ever seen, and not in a cheesy or cheeky way, either. It was called Banshee Chapter and it was a modern interpretation of "From Beyond." Truly frightening, very well done, nothing totally original, but a good story well told. HP would have liked this one...except for the whole female lead, but whatever, he might've grown up by now. . It's streaming Netflix right now, so enjoy!
 
Thanks, Whiteleyrr. That looks good. Good cast -- I liked Katia Winter on Sleepy Hallow and Ted Levine was under-appreciated for his role in Silence of the Lambs. Interesting that Zachary Quinto was a producer.

By the way, while I made a conscious decision to go with readings this year, in the past I have included films. It's all fair game.


Randy M.
 
ANTHOLOGY OF LINKS 26

Ghouls Night Out: “The Body-Snatcher” by Robert Louis Stevenson

Among the 19th century’s real monsters few are more terrifying than the grave robbers, Burke and Hare. This tale was inspired by their endeavors to earn an indecent living and features a quiet bar, a group of men talking the day’s business, a visiting doctor and a bar patron who knows the doctor and his past, and their shared story.

“The Body-Snatcher,” no relation to Invasion of the Body Snatchers except through metaphor, has long been a favorite as much for its telling as for the story being told. I’m not always fond of Stevenson but in what I like the flow of his prose itself is a major attraction. Before I read the story, I saw the film: The Body-Snatcher was filmed in 1945 for RKO Studio, produced by Val Lewton (I Walked with a Zombie, The Cat People, etc.) and directed by Robert Wise (and for which, along with the original versions of The Day the Earth Stood Still and The Haunting, I forgive him for inflicting The Sound of Music on us). In spite of some changes, the movie captures much of the feel of this story and has excellent performances by Boris Karloff and especially Henry Daniell. TV viewers in the U. S. will have an opportunity to see this, along with other Lewton produced horror movies, between Friday, October 30 and early October 31 on TCM.


Randy M.
 
Hi, all.

For me so far October has flown past faster than leaves. Starting tomorrow I have an entry for each remaining day, some good books (and a novella) to suggest along with the links, but today I thought I should make an update on Jack the Ripper and Sarah Pinborough's Mayhem.

Pinborough presents a wealth of characters, among them Investigator Moore, Elizabeth Jackson, who knows the killer, an Italian priest who declares himself a special emissary from the Vatican charged with destroying the evil hovering over London, and Aaron Kosminski.

Over the weekend a U.S. Sunday morning TV magazine, titled appropriately enough Sunday Morning, ran a piece on the continued fascination with Jack the Ripper. As usual, no mention of the simultaneous Torso Murderer, but the piece discussed one of the latest books on the subject, first published in September 2014 in the U.S., Naming Jack the Ripper by Russell Edwards. Edwards, after testing DNA samples found on a shawl supposed to have been owned by Catherine Eddowes, one of the Ripper's victims, accused Polish immigrant, Aaron Kosminski of having been the Ripper.

If I ever heard it before, I had completely forgotten there actually was a Kosminski and he was a suspect of the London police at the time of the murders, who later died in an asylum. And so, another thread of history that Pinborough neatly wove into her novel. Sometimes it's easy to forget the effort a writer goes to to research and re-imagine the past.


Randy M.
 
A couple here to update from me. I enjoyed ST Joshi's compilation The Madness of Cthulhu, Volume One, which uses Lovecraft's At the Mountain of Madness (complete text HERE.) as it's inspiration for 16 stories. More plusses than minuses, as I had hoped. Review should appear in the next couple of days at SFFWorld.

One that I have only just had arrive, so I am dipping into, is Ghost, edited by Louise Welsh. I mentioned it earlier. I'm pleased to say that (so far) it is as good as I had hoped. The stories are chronological in terms of publication, (from Pliny the Younger to James Robertson) so I am finding that I am dipping into it rather than reading the 90+ stories in order. Lots of recognisable names though: LeFanu, Dickens, Stephen King, J G Ballard, E F Benson, M R James... Think this'll be one I keep visiting year on year. Lovely looking edition, too.
 
Last edited:
I look forward to that review, Mark. That anthology is currently residing near the top of Mount TBR and I see volume 2 just came out.

As for Ghost, I'm frustrated that I can't find a contents list. Of course, since I'm unsure it will appear in the U.S., I may also be frustrated when I do find the contents list. It sounds massive and also entertaining.

Yesterday I looked through but didn't purchase Ghostly edited by Audrey Niffenger, since I have most of the stories in other collections and anthologies. Still, it's nicely packaged, with an illustration for each story (save one) by Niffenger. Note, one of the linked stories this year is included, "The Beckoning Fair One."


Randy M.
 
I look forward to that review, Mark. That anthology is currently residing near the top of Mount TBR and I see volume 2 just came out.
Thanks Randy. Volume 2 is here to go...
As for Ghost, I'm frustrated that I can't find a contents list.
OK. Thanks to AmazonUK, here y'go: Look at the 'Look inside' part and it should give you a Contents list: HERE.

Must admit, I've looked at Ghostly as well. It got highly recommended on National Radio here the other day.
 
I'll swear it didn't have that this morning!

Thanks, Mark. That's a good looking line up. Although, there is that other frustration I mentioned.

Randy M.
 
MOTHERLESS CHILD by Glen Hirshberg (Tor, 2014)

Kicking open her door, wrenching free of the seat belt, Natalie left the car and bolted straight up the nearest hill. The wind in her face less a moving thing than a force, liquid cement, slowing her. She still couldn’t hear it, but she could feel it in her ears, pushing past her mouth, pouring down her dead lungs as though into a cistern. Whistling through her ribs and around them and out. Disturbing nothing. Leaving nothing. When she hit the top of the first hill, Natalie considered stopping, or turning for Sophie, or screaming. Then she just plunged ahead, down, down, grass whipping at her ankles as she flung her arms wide to the dark, like aerials, as though they could bring her a signal. Sounds from home. A single cry from her mother’s trailer.
– from pg. 51, Motherless Child​


Shivers exploded through [Natalie], radiating from the wound in her gut. It was all she could do not to scream, though not from pain. Not from anguish. We’ve had it all wrong. All through human history. That first shocking moment of life, the world opening before us and our mouths yawning wide with the sheer, impossible shock of just being alive, of needing to do something to stay that way. What other choice could we have but to throw open our mouths and scream. For joy. For joy …
– from pg. 91, Motherless Child​


Young, single mothers in rural North Carolina, Sophie and Natalie finally get a night out. Natalie’s mom takes the babies so the two young women can listen to music at a local bar, Natalie self-conscious and uncomfortable in her post-baby body and Sophie as confident as ever in her own. Unfortunately, that’s where they meet The Whistler. The Whistler is a young man, or appears to be, who wanders the South, stopping in wherever there is a live performance and offering his whistled rendition of sad songs. The bar’s performer for the evening counts himself lucky and strums his guitar as the Whistler begins and Sophie and Natalie are entranced.

The next morning Sophie and Natalie wake up in the backseat of Natalie’s car with little memory of what happened. There is blood on them. They also find direct sunlight unbearable.

Hirshberg doesn’t state what they have become, but neither does he hide it as their hunger gnaws at them, adding desperation to their thoughts and actions. Although Natalie is his view-point character, he does not skimp on showing the depths and shallows of Sophie, and the judgments and misjudgments each makes regarding the other as they struggle against becoming like the Whistler and his mother. Natalie is the first to understand and while still able to control herself warns her mother to take the children and run and never contact her or Sophie again. Sophie, turned by the Whistler to provide company for Natalie, is the first to accept. Tension in the novel stems from their different temperaments, experiences and needs as well as the disparity in acceptance of their new condition, from how well they know or don’t know each other, from the strain new desires place on their life-long friendship.

Not native to the South, Hirshberg still captures the tone of Southern story-telling with discernable prose rhythms, cadences of speech and a heightened emotional appeal stemming from young mothers fearful of being their children’s nightmares, of being threats to their lives. And at times, as in the second quote above, Hirshberg’s narrator displays an almost Bradbury-like wonderment at the world, at the sources of sensation and joy. He balances this by never letting us forget the cost to Natalie and Sophie of their humanity, the erosion of their human sensibilities and their struggles to not to let them go.

While not my favorite work by Hirshberg – his first story collection, The Two Sams, remains a high water mark in my reading so far in the new century – as always he remains compassionate about his characters while not blind to their flaws and weaknesses. This is the first book in a trilogy, the next book available in February 2016.


More by Hirshberg
The Two Sams (story collection)
American Morons (story collection)
The Snowman’s Children


Southern Gothic
William Faulkner: Absalom,Absalom
Flannery O’Connor: “A Good Man is Hard to Find”; “Good Country People”
Manly Wade Wellman: Who Fears the Devil? (collection)
Lucius Shepard: Softspoken
Ann Rice: Interview with a Vampire
Poppy Z. Brite: Wormwood (collection)
Caitlin Kiernan: Threshold
John Jacob Horner: Southern Gods


Not your average vampire
Only Lovers Left Alive: 2013; dir. Jim Jarmusch; starring Tilda Swinton, Tom Hiddleston, John Hurt, Mia Wasikowsk.
(a slow-burn movie held together by Swinton and Hiddleston, Only Lovers Left Alive contemplates immortality in a world of sudden change. The link goes to a good summary Nechtan offered last year)​
Chronos: 1993; dir. Guillermo Del Toro
Karl Edward Wagner: “Beyond Any Measure” (from In a Lonely Place and Where the Summer Ends) (OR 2014)
 
Last edited:
ANTHOLOGY OF LINKS 27

Furry Fury: “The Were-wolf” by Clemence Housman

Not the first werewolf story, but an early one highlighted by a chase across frozen terrain so grueling lesser men might well have said let it go, let it go …

(Of course, you would have resisted writing that.
Sure you would’ve.)
 
I would like to bring attention to an author that might not come to mind when the topics of fantasy and death are considered at this time of year.
when I was about 12 years old in 1959 I memorized this Poem to recite at a halloween party at my school it was written in 1899

Tomlinson



By Rudyard Kipplng

Now Tomlinson gave up the ghost in his house in Berkeley Square,
And a Spirit came to his bedside and gripped him by the hair -
A Spirit gripped him by the hair and carried him far away,
Till he heard as the roar of a rain-fed ford the roar of the Milky Way:
Till he heard the roar of the Milky Way die down and drone and cease,
And they came to the Gate within the Wall where Peter holds the keys.
"Stand up, stand up now, Tomlinson, and answer loud and high
The good that ye did for the sake of men or ever ye came to die -
The good that ye did for the sake of men in little earth so lone!"
And the naked soul of Tomlinson grew white as a rain-washed bone.
"O I have a friend on earth," he said, "that was my priest and guide,
And well would he answer all for me if he were by my side."
"For that ye strove in neighbour-love it shall be written fair,
But now ye wait at Heaven's Gate and not in Berkeley Square:
Though we called your friend from his bed this night, he could not speak for you,
For the race is run by one and one and never by two and two."
Then Tomlinson looked up and down, and little gain was there,
For the naked stars grinned overhead, and he saw that his soul was bare:
The Wind that blows between the worlds, it cut him like a knife,
And Tomlinson took up his tale and spoke of his good in life.
"This I have read in a book," he said, "and that was told to me,
And this I have thought that another man thought of a Prince in Muscovy."
The good souls flocked like homing doves and bade him clear the path,
And Peter twirled the jangling keys in weariness and wrath.
"Ye have read, ye have heard, ye have thought," he said, "and the tale is yet to run:
By the worth of the body that once ye had, give answer - what ha' ye done?"
Then Tomlinson looked back and forth, and little good it bore,
For the Darkness stayed at his shoulder-blade and Heaven's Gate before:
"O this I have felt, and this I have guessed, and this I have heard men say,
And this they wrote that another man wrote of a carl in Norroway."
- "Ye have read, ye have felt, ye have guessed, good lack! Ye have hampered Heaven's Gate;
There's little room between the stars in idleness to prate!
O none may reach by hired speech of neighbour, priest, and kin
Through borrowed deed to God's good meed that lies so fair within;
Get hence, get hence to the Lord of Wrong, for doom has yet to run,
And...the faith that ye share with Berkeley Square uphold you, Tomlinson!"

. . . . . . . . . . . . .

The Spirit gripped him by the hair, and sun by sun they fell
Till they came to the belt of Naughty Stars that rim the mouth of Hell:
The first are red with pride and wrath, the next are white with pain,
But the third are black with clinkered sin that cannot burn again:
They may hold their path, they may leave their path, with never a soul to mark,
They may burn or freeze, but they must not cease in the Scorn of the Outer Dark.
The Wind that blows between the worlds, it nipped him to the bone,
And he yearned to the flare of Hell-Gate there as the light of his own hearth-stone.
The Devil he sat behind the bars, where the desperate legions drew,
But he caught the hasting Tomlinson and would not let him through.
"Wot ye the price of good pit-coal that I must pay?" said he,
"That ye rank yoursel' so fit for Hell and ask no leave of me?
I am all o'er-sib to Adam's breed that ye should give me scorn,
For I strove with God for your First Father the day that he was born.
Sit down, sit down upon the slag, and answer loud and high
The harm that ye did to the Sons of Men or ever you came to die."
And Tomlinson looked up and up, and saw against the night
The belly of a tortured star blood-red in Hell-Mouth light;
And Tomlinson looked down and down, and saw beneath his feet
The frontlet of a tortured star milk-white in Hell-Mouth heat.
"O I had a love on earth," said he, "that kissed me to my fall,
And if ye would call my love to me I know she would answer all."
- "All that ye did in love forbid it shall be written fair,
But now ye wait at Hell-Mouth Gate and not in Berkeley Square:
Though we whistled your love from her bed to-night, I trow she would not run,
For the sin ye do by two and two ye must pay for one by one!"
The Wind that blows between the worlds, it cut him like a knife,
And Tomlinson took up the tale and spoke of his sin in life:
"Once I ha' laughed at the power of Love and twice at the grip of the Grave,
And thrice I ha' patted my God on the head that men might call me brave."
The Devil he blew on a brandered soul and set it aside to cool:
"Do ye think I would waste my good pit-coal on the hide of a brain-sick fool?
I see no worth in the hobnailed mirth or the jolthead jest ye did
That I should waken my gentlemen that are sleeping three on a grid."
Then Tomlinson looked back and forth, and there was little grace,
For Hell-Gate filled the houseless Soul with the Fear of Naked Space.
"Nay, this I ha' heard," quo' Tomlinson, "and this was noised abroad,
And this I ha' got from a Belgian book on the word of a dead French lord."
- "Ye ha' heard, ye ha' read, ye ha' got, good lack! and the tale begins afresh -
Have ye sinned one sin for the pride o' the eye or the sinful lust of the flesh?"
Then Tomlinson he gripped the bars and yammered, "Let me in -
For I mind that I borrowed my neighbour's wife to sin the deadly sin."
The Devil he grinned behind the bars, and banked the fires high:
"Did ye read of that sin in a book?" said he; and Tomlinson said, "Ay!"
The Devil he blew upon his nails, and the little devils ran,
And he said: "Go husk this whimpering thief that comes in the guise of a man:
Winnow him out 'twixt star and star, and sieve his proper worth:
There's sore decline in Adam's line if this be spawn of earth."
Empusa's crew, so naked-new they may not face the fire,
But weep that they bin too small to sin to the height of their desire,
Over the coal they chased the Soul, and racked it all abroad,
As children rifle a caddis-case or the raven's foolish hoard.
And back they came with the tattered Thing, as children after play,
And they said: "The soul that he got from God he has bartered clean away.
We have threshed a stook of print and book, and winnowed a chattering wind
And many a soul wherefrom he stole, but his we cannot find:
We have handled him, we have dandled him, we have seared him to the bone,
And sure if tooth and nail show truth he has no soul of his own."
The Devil he bowed his head on his breast and rumbled deep and low:
"I'm all o'er-sib to Adam's breed that I should bid him go.
Yet close we lie, and deep we lie, and if I gave him place,
My gentlemen that are so proud would flout me to my face;
They'd call my house a common stews and me a careless host,
And - I would not anger my gentlemen for the sake of a shiftless ghost."
The Devil he looked at the mangled Soul that prayed to feel the flame,
And he thought of Holy Charity, but he thought of his own good name:
"Now ye could haste my coal to waste, and sit ye down to fry:
Did ye think of that theft for yourself?" said he; and Tomlinson said, "Ay!"
The Devil he blew an outward breath, for his heart was free from care: -
"Ye have scarce the soul of a louse," he said, "but the roots of sin are there,
And for that sin should ye come in were I the lord alone.
But sinful pride has rule inside - and mightier than my own.
Honour and Wit, fore-damned they sit, to each his priest and whore:
Nay, scarce I dare myself go there, and you they'd torture sore.
Ye are neither spirit nor spirk," he said; "ye are neither book nor brute -
Go, get ye back to the flesh again for the sake of Man's repute.
I'm all o'er-sib to Adam's breed that I should mock your pain,
But look that ye win to worthier sin ere ye come back again.
Get hence, the hearse is at your door - the grim black stallions wait -
They bear your clay to place to-day. Speed, lest ye come too late!
Go back to Earth with a lip unsealed - go back with an open eye,
And carry my word to the Sons of Men or ever ye come to die:
That the sin they do by two and two they must pay for one by one -
And. . .the God that you took from a printed book be with you, Tomlinson!"
 
Thanks, Windshadow. I've never come across that before; I don't envy you working to memorize it, though.

I'm not familiar with Kipling's work as a whole, least of all his poetry outside "Gunga Din," but I'm aware he wrote a fair amount of supernatural fiction. Besides well-known titles like "The Phantom Rickshaw," "The Mark of the Beast," "They" there are 35 other pieces in The Collected Supernatural Fiction of Rudyard Kipling. I've barely dented the volume, and have meant to reread "They" this month but haven't gotten to it yet. I find that when I get past some of his stances on the Empire, he is very readable still.

Randy M.
 
I don't envy you working to memorize it, though.
Me neither. I have enough problems just remembering my email passwords...

The Madness of Cthulhu review is up tomorrow.
 
Thanks, Windshadow. I've never come across that before; I don't envy you working to memorize it, though.

I'm not familiar with Kipling's work as a whole, least of all his poetry outside "Gunga Din," but I'm aware he wrote a fair amount of supernatural fiction. Besides well-known titles like "The Phantom Rickshaw," "The Mark of the Beast," "They" there are 35 other pieces in The Collected Supernatural Fiction of Rudyard Kipling. I've barely dented the volume, and have meant to reread "They" this month but haven't gotten to it yet. I find that when I get past some of his stances on the Empire, he is very readable still.

Randy M.
It was fun to learn and it is the sort of poem you can really declaim and over act as you declaim it as the story is so clear unlike a lot of modern poetry the stuff from the 19th century is very dramatic even melodramatic..

By the way the Avatar i use here is of two disc world staff from Unseen University, the Bursar and Ponder Stibbons. Ponder is the me from you 20s he just needs a pocket protector for his quills and the Bursar is me today with a beard you could loose a ferret in and mostly bemused most of the time.... dried frog pills help though I miss the moonlight flights about the tree tops.;)
 
Me neither. I have enough problems just remembering my email passwords...

The Madness of Cthulhu review is up tomorrow.

I still recall most of the first and last parts of it but I had to study it up bit when I read it for my Fathers Funeral in 1985 it was one of his favorites
 

Sponsors


We try to keep the forum as free of ads as possible, please consider supporting SFFWorld on Patreon


Your ad here.
Back
Top